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Deësis
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Twelve Great Feasts. The central Christ is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deesis
In Byzantine art, and in later Eastern Orthodox art generally, the Deësis or Deisis (, ; el, δέησις, "prayer" or "supplication"), is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Mary, mother of Jesus, Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity. Early examples often appeared on the templon beam in Eastern Orthodox Church, Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis. After the development of the full iconostasis screen there was room for a larger "Deesis row" or "Great Deesis" of full-length figures, and the number of figures expanded, both in Byzantium and in Russia. Usually this row is above the level of the doors, and usually below (sometimes above) the row depicting the Tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Rublev
Andrei Rublev ( rus, Андре́й Рублёв, p=ɐnˈdrʲej rʊˈblʲɵf , also transliterated as ''Andrey Rublyov'') was a Muscovite icon painter born in the 1360s who died between 1427 and 1430 in Moscow. He is considered to be one of the greatest medieval Russian painters of Orthodox Christian icons and frescos. Early life Little information survives about his life; even where he was born is unknown. He probably lived in the Trinity-St. Sergius Lavra, near Moscow, under Nikon of Radonezh, who became hegumen after the death of Sergius of Radonezh in 1392. The first mention of Rublev is in 1405, when he decorated icons and frescos for the Cathedral of the Annunciation of the Moscow Kremlin, in company with Theophanes the Greek and Prokhor of Gorodets. His name was the last of the list of masters, as the junior both by rank and by age. Theophanes was an important Byzantine master, who moved to Russia and is considered to have trained Rublev. Career Chronicles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icons
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uglich
Uglich ( rus, У́глич, p=ˈuɡlʲɪtɕ) is a historic town in Yaroslavl Oblast, Russia, located on the Volga River. Population: History The city was first documented in 1148 as ''Ugliche Pole'' (''Corner Field''). The town's name is thought to allude to the nearby turn in the Volga River, and is derived from the Russian word ''ugol'' (a corner, a nook). From 1218 until 1328, Uglich was the seat of a small princedom. At that time, the local princes sold their rights to the great prince of Moscow. Uglich was a border town of the Grand Duchy of Moscow, and it was burned several times in conflicts by Lithuanians, Tatars, and the grand prince of Tver. Grand Duke Ivan III of Moscow gave the town in 1462 to his younger brother Andrey Bolshoy (Andrey the Great). During Andrey's reign, the town was expanded and the first stone buildings were constructed. Particularly notable were the cathedral (rebuilt in 1713), the Intercession Monastery (destroyed by the Bolsheviks in the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophanes The Greek
Theophanes the Greek (sometimes "Feofan Grek" from the russian: Феофан Грек, Greek: Θεοφάνης; c. 1340 – c. 1410) was a Byzantine Greek artist and one of the greatest icon painters of Muscovite Russia, who influenced the 15th-century painting style of the Novgorod school and the subsequent Moscow school. He was noted as the teacher and mentor of the great Andrei Rublev. Life and work Theophanes was from the capital of the Byzantine Empire, Constantinople. After studying art and philosophy at the University of Constantinople, he moved to Novgorod in 1370, and in 1395 to Moscow. His style is considered unsurpassed in expression achieved by almost mono-colored painting. Some of his contemporaries observed that he appeared to be "painting with a broom", in reference to the bold, broad execution in some of his finest frescos (see St. Makarios of Egypt), which are unique in the larger Byzantine tradition. Theophanes was described by the Muscovites as "learned i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Kremlin
The Kremlin ( rus, Московский Кремль, r=Moskovskiy Kreml', p=ˈmɐˈskofskʲɪj krʲemlʲ, t=Moscow Kremlin) is a fortified complex in the center of Moscow founded by the Rurik dynasty. It is the best known of the kremlins (Russian citadels), and includes five palaces, four cathedrals, and the enclosing Kremlin Wall with Kremlin towers. In addition, within this complex is the Grand Kremlin Palace that was formerly the Tsar's Moscow residence. The complex now serves as the official residence of the President of the Russian Federation and as a museum with almost 3 million visitors in 2017. The Kremlin overlooks the Moskva River to the south, Saint Basil's Cathedral and Red Square to the east, and the Alexander Garden to the west. The name "''Kremlin''" means "fortress inside a city", and is often also used metonymically to refer to the government of the Russian Federation. It previously referred to the government of the Soviet Union (1922–1991) and its hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of The Annunciation, Moscow
The Cathedral of the Annunciation (russian: Благовещенский собор, or ''Blagoveschensky sobor'') is a Russian Orthodox church dedicated to the Annunciation of the Theotokos. It is located on the southwest side of Cathedral Square in the Moscow Kremlin in Russia, where it connects directly to the main building of the complex of the Grand Kremlin Palace, adjacent to the Palace of Facets. It was originally the personal chapel for the Muscovite tsars, and its abbot remained a personal confessor of the Russian royal family until the early 20th century. Now it also serves as a part of Moscow Kremlin Museums. History The Cathedral of the Annunciation was built by architects from Pskov in 1484-1489 as part of Grand Duke Ivan III's plans for a large-scale renovation of the Moscow Kremlin. It was built on the spot of an older 14th-century cathedral of the same name, which had been rebuilt in 1416. This older cathedral in turn had replaced a previous wooden church fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the " veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harbaville Triptych
The Harbaville Triptych is a Byzantine ivory triptych of the middle of the 10th century with a Deesis and other saints, now in the Louvre. Traces of colouring can still be seen on some figures. It is regarded as the finest, and best-preserved, of the "Romanos group" of ivories from a workshop in Constantinople, probably closely connected with the Imperial Court. The group takes its name from the Romanos and Eudokia ivory plaque in the Cabinet des Médailles of the Bibliothèque nationale de France, Paris showing Christ crowning an Emperor, named as Romanos, and his Empress. This is thought to be either Romanos II, crowned in 959, or possibly Romanos IV, crowned in 1068. Related works are in Rome, the Vatican, and Moscow, this last another coronation probably datable to 944. Of this "Romanos group" the ''Harbaville Triptych'' is considered "by far the finest, for it shows an elegance and delicacy which are absent in the others. All are in the polished, elegant style ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint John The Evangelist
John the Evangelist ( grc-gre, Ἰωάννης, Iōánnēs; Aramaic: ܝܘܚܢܢ; Ge'ez: ዮሐንስ; ar, يوحنا الإنجيلي, la, Ioannes, he, יוחנן cop, ⲓⲱⲁⲛⲛⲏⲥ or ⲓⲱ̅ⲁ) is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, although this has been disputed by most modern scholars. Identity The Gospel of John refers to an otherwise unnamed "disciple whom Jesus loved", who "bore witness to and wrote" the Gospel's message.Theissen, Gerd and Annette Merz. The historical Jesus: a comprehensive guide. Fortress Press. 1998. translated from German (1996 edition). Chapter 2. Christian sources about Jesus. The author of the Gospel of John seemed interested in maintaining the internal anonymity of the author's identity, although interpreting the Gospel in the light of the Synoptic Gospels and considering that the author names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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