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Deus Ex Machina (Daugherty)
''Deus ex Machina'' is a piano concerto by the American composer Michael Daugherty. The 33-minute work was jointly commissioned by the Charlotte, Nashville, New Jersey, Rochester and Syracuse Symphony Orchestras. It won the 2011 Grammy for Best Classical Contemporary Composition for a recording by soloist Terrance Wilson and the Nashville Symphony Orchestra under the baton of Giancarlo Guerrero. ''Deus ex Machina'' was recorded and released on Naxos along with a work from earlier in Michael Daugherty's career, the ''Metropolis Symphony''. The album was nominated for a total of 5 Grammys. Program note The title refers to the Latin phrase, " god from the machine." Each of the three movements of the piano concerto is a musical response by the composer to the world of trains. Movements *I. Fast Forward (Di andata veloce) *II. Train of Tears *III. Night Steam Instrumentation Instruments used: piano, piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Best Engineered Album, Classical
The Grammy Award for Best Engineered Recording, Classical has been awarded since 1959. The award had several minor name changes: *In 1959 the award was known as Best Engineered Record (Classical) *From 1960 to 1962 it was awarded as Best Engineering Contribution - Classical Recording *From 1963 to 1964 it was awarded as Best Engineered Recording - Classical *In 1965 it was awarded as Best Engineered Recording *From 1966 to 1994 it returned to the title Best Engineered Recording, Classical *From 1966 to 1994 it was awarded as Best Classical Engineered Recording *Since 1992 it has been awarded as Best Engineered Album, Classical This award is presented alongside the Grammy Award for Best Engineered Album, Non-Classical The Grammy Award for Best Engineered Album, Non-Classical has been awarded since 1959. The award had several minor name changes: * In 1959, the award was known as Best Engineered Record – Non-Classical * In 1960, it was awarded as Best Engineeri .... From 1960 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Commissioned By The Nashville Symphony
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century Classical Music
21st-century classical music is Western art music in the contemporary classical tradition that has been produced since the year 2000. A loose and ongoing period, 21st-century classical music is defined entirely by the calendar and does not refer to a musical style in the sense of Baroque or Romantic music. Many elements of the previous century have been retained, including postmodernism, polystylism, and eclecticism, which seek to incorporate elements of all styles of music irrespective of whether these are "classical" or not—these efforts represent a slackening differentiation between the various musical genres. Important influences include rock, pop, jazz, and the dance traditions associated with these. The combination of classical music and multimedia is another notable practice in the 21st century; the Internet, alongside its related technology, are important resources in this respect. Attitudes towards female composers are also changing. Overview During the 20th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concertos
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 Compositions
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertos By Michael Daugherty
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assassination Of Abraham Lincoln
On April 14, 1865, Abraham Lincoln, the 16th president of the United States, was assassinated by well-known stage actor John Wilkes Booth, while attending the play ''Our American Cousin'' at Ford's Theatre in Washington, D.C. Shot in the head as he watched the play, Lincoln died the following day at 7:22 am in the Petersen House opposite the theater. He was the first U.S. president to be assassinated, with his funeral and burial marking an extended period of national mourning. Occurring near the end of the American Civil War, Lincoln's assassination was part of a larger conspiracy intended by Booth to revive the Confederate cause by eliminating the three most important officials of the United States government. Conspirators Lewis Powell and David Herold were assigned to kill Secretary of State William H. Seward, and George Atzerodt was tasked with killing Vice President Andrew Johnson. Beyond Lincoln's death, the plot failed: Seward was only wounded, and Johnson's wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Futurist Manifesto
The ''Manifesto of Futurism'' (Italian: ''Manifesto del Futurismo'') is a manifesto written by the Italian poet Filippo Tommaso Marinetti and published in 1909. Marinetti expresses an artistic philosophy called Futurism that was a rejection of the past and a celebration of speed, machinery, violence, youth and industry. It also advocated the modernization and cultural rejuvenation of Italy. Publication Marinetti wrote the manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909. It was published in the Italian newspaper ''Gazzetta dell'Emilia'' in Bologna on 5 February 1909, then in French as ''Manifeste du futurisme'' (''Manifesto of Futurism'') in the newspaper ''Le Figaro'' on 20 February 1909. Marinetti's '' Poesia'' focused its April 1909 issue on the manifesto and the Italian and French version were reprinted together with English version. In April 1909 a Madrid-based magazine, ''Prometeo'', published the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Best Orchestral Performance
The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pres ... for Best Orchestral Performance has been awarded since 1959. There have been several minor changes to the name of the award over this time: *From 1959 to 1964 it was awarded as Best Classical Performance - Orchestra *In 1965 it was Best Performance - Orchestra *From 1966 to 1975 it returned to Best Classical Performance - Orchestra'' *From 1977 to 1978 it was awarded as Best Classical Orchestral Performance *From 1980 to 1981 it was awarded as Best Classical Orchestral Recording *In 1983 it was awarded as Best Orchestral Performance *In 1984 it was awarded as Best Orchestral Recording *From 1985 to 1987 it returned to being called Best Classical Orchestral Recording *From 1988 to 1989 it was once again calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Daugherty
Michael Kevin Daugherty (born April 28, 1954) is an American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired ''Metropolis Symphony'' for Orchestra (1988–93), ''Dead Elvis'' for Solo Bassoon and Chamber Ensemble (1993), '' Jackie O'' (1997), ''Niagara Falls'' for Symphonic Band (1997), ''UFO'' for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), ''Bells for Stokowski'' from ''Philadelphia Stories'' for Orchestra (2001) and for Symphonic Band (2002), '' Fire and Blood'' for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, ''Time Machine'' for Three Conductors and Orchestra (2003), ''Ghost Ranch'' for Orchestra (2005), ''Deus ex Machina'' for Piano and Orchestra (2007), ''Labyrinth of Love'' for Soprano and Chamber Winds (2012), ''American Gothic'' for Orchestra (2013), and ''Tales of Hemingway'' for Cello and Orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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