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Detente (Brecker Brothers Album)
''Detente'' is an album by the American jazz fusion group, the Brecker Brothers. It was released by Arista Records in 1980. Reception AllMusic awarded the album with 3 stars and its review by Jason Elias states: "Dream Theme", arranged by Michael Brecker, is the album's best song, reflective yet not melancholy, with his saxophone felt and flawless throughout. The last track, "I Don't Know Either", has solos from both of the Brecker Brothers, and displays the level of skill that many jazz outfits simply didn't possess".Elias, J. Allmusic Review: ''Detente''accessed 1 July 2015 Track listing # "You Ga (Ta Give It)" ( Randy Brecker) - 4:30 # "Not Tonight" ( Michael Brecker, Neil Jason) - 3:56 # "Don’t Get Funny With My Money" (Randy Brecker) - 4:34 # "Tee’d Off" (Michael Brecker) - 3:44 # "You Left Something Behind" (Randy Brecker, Debra Barsha) - 4:05 # "Squish" (Randy Brecker) - 5:51 # "Dream Theme" (Michael Brecker) - 5:39 # "Baffled" (Ran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brecker Brothers
The Brecker Brothers were a jazz fusion music duo consisting of siblings Michael Brecker, Michael and Randy Brecker, Randy. Michael played saxophone, flute, and EWI (musical instrument), EWI, and Randy played trumpet and flugelhorn. The brothers attended Cheltenham High School in Wyncote, Pennsylvania. Randy, the older brother, became famous as an original member of the group Blood, Sweat & Tears. He appeared on their debut album ''Child Is Father to the Man'' in 1968. Michael first appeared on record supporting Randy on his solo debut album, titled ''Score (Randy Brecker album), Score'', which was released in 1969. In 1970 and 1971 the brothers were members of the group Dreams (band), Dreams who recorded two albums for Columbia Records. The brothers frequently played together, and individually, as session musicians on recordings by other artists. They were heard on Todd Rundgren's hit "Hello It's Me", which reached No. 5 on the Billboard Hot 100, ''Billboard'' Hot 100 chart in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Jordan (musician)
Steve Jordan (born January 14, 1957) is an American musical director, producer, songwriter, and musician. During the 1970s and 1980s, he was a member of the bands for the television shows ''Saturday Night Live'' and ''Late Night with David Letterman''. In the early 1980s, Jordan was a member of the band " Eye Witness", along with Anthony Jackson on bass, and Manolo Badrena on percussion. Since the mid 1980s, Jordan has also been a member of the X-Pensive Winos, the side project of Rolling Stones guitarist Keith Richards. Jordan and Richards have been production and songwriting partners on many of Richards's solo works. In 2005, he became a member of the John Mayer Trio. Jordan also formed the band "The Verbs", which he fronts, with his wife Meegan Voss. On August 5, 2021, it was reported that Charlie Watts had elected to sit out the resumption of the US No Filter Tour due to a heart procedure surgery and that Jordan would temporarily replace him on drums. Following Watts' deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Miller
William Henry Marcus Miller Jr. (born June 14, 1959) is an American musician, songwriter, and record producer. He is best known for his work as a bassist. He has worked with trumpeter Miles Davis, pianist Herbie Hancock, singer Luther Vandross, and saxophonist David Sanborn, among others. He was the main songwriter and producer on three of Davis' albums: '' Tutu'' (1986), '' Music from Siesta'' (1987), and '' Amandla'' (1989). His collaboration with Vandross was especially close; he co-produced and served as the arranger for most of Vandross' albums, and he and Vandross co-wrote many of Vandross' songs, including the hits "I Really Didn't Mean It", " Any Love", "Power of Love/Love Power" and "Don't Want to Be a Fool". He also co-wrote the 1988 single "Da Butt" for Experience Unlimited. Early life William Henry Marcus Miller Jr. was born in the Brooklyn borough of New York City on June 14, 1959. He grew up in a musical family; his father, William Miller, was a church organist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiram Bullock
Hiram Law Bullock (September 11, 1955 – July 25, 2008) was an American guitarist known mainly for playing in jazz funk and jazz fusion, but he also worked as a session musician in a variety of genres. Biography Bullock was born in Osaka, Japan, to African American parents serving in the U.S. military. At the age of two he returned to Baltimore, Maryland, with his parents and showed musical talent. He studied piano at the city's Peabody Conservatory of Music, giving his first public performance at the age of six. After playing saxophone and bass guitar, he took up the electric guitar at age sixteen. Bullock attended McDonogh School for Boys in Reisterstown, Maryland. He was captain of the band in middle school. He studied at the University of Miami, where he met guitarists Pat Metheny and Steve Morse, and bass players Jaco Pastorius and Will Lee. He paid for tuition by performing at nightclubs in Florida before moving to New York. He became best known for playing with Lee on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Spinozza
David Spinozza is an American guitarist and producer. He worked with former Beatles Paul McCartney, Ringo Starr and John Lennon during the 1970s, and had a long collaboration with singer-songwriter James Taylor, producing Taylor's album ''Walking Man''. Career Spinozza worked with McCartney during sessions for McCartney's ''Ram'' album during 1971. When the chance came to work with Lennon two years later, as Yoko Ono prepared her ''Feeling the Space'' album and Lennon his ''Mind Games'', Spinozza discovered that Lennon was not aware he had previously worked with McCartney, and was afraid he would be fired if Lennon found out, given their recent feuding in the media. When Lennon did learn of it, his only comment was that McCartney "knows how to pick good people." Exact same story is related about Hugh McCracken. David sessioned on Tim Weisberg's 1972 ''Hurtwood Edge'' and Cashman & West's 1974 ''Lifesong''. Spinozza contributed to Ono's album '' A Story'', recorded during 1974 (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Mironov
Jeff is a masculine name, often a short form ( hypocorism) of the English given name Jefferson or Jeffrey, which comes from a medieval variant of Geoffrey. Music * DJ Jazzy Jeff, American DJ/turntablist record producer Jeffrey Allen Townes * Excision (musician), Canadian dubstep producer and DJ Jeff Abel * Jeff Abercrombie, bassist for American rock band Fuel * Jeff Allen, English session drummer * Jeff Baxter, American guitarist for rock bands Steely Dan and The Doobie Brothers * Jeff Beal (born 1963), American composer of music for various media * Jeff Beck, electric guitarist * Jeff Buckley, American singer-songwriter * Jeff Coffin, saxophonist, bandleader, composer and educator * Jeff Current, lead singer of American alternative rock band Against All Will * Jeff Fatt, Australian musician and actor, formerly with the children's band The Wiggles * Jeff Gillan, an American journalist * Jeff Graham, Canadian radio DJ * Jeff Hanneman (1964–2013), American guitarist, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Polyphonic Synthesizer
The Oberheim Polyphonic Synthesizer is a range of analog music synthesizers that was produced from 1975 to 1979 by Oberheim Electronics. It was developed by Tom Oberheim, and was the first production synthesizer capable of playing chords. Specification Oberheim took the idea and electronics of a Minimoog synthesizer and put them in a small box, making a few changes, and in 1974 introduced the SEM (Synthesizer Expander Module), which became the building block of his polyphonic synths. By strapping two, four, or eight of these SEMs together under keyboard control, he was able to create practical, albeit large, synthesizers that could play two, four, or eight notes simultaneously. The Oberheim Polyphonic Synthesizer was born. Each SEM in an Oberheim Polyphonic generates one voice (or note). There was an optional Polyphonic Synthesizer Programmer module (PSP-1) for the four- and eight-voice models with 16 memories, which allowed the user to store and recall some sound settings of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
