Destroy 2000 Years Of Culture
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Destroy 2000 Years Of Culture
''Destroy 2000 Years of Culture'' is a song by Atari Teenage Riot, released as the fourth and final single from their 1997 album ''The Future of War''. The single was released as a 12" vinyl record and as a limited edition CD, with only 500 copies made. The CD edition contains an unlisted hidden track: An instrumental version of the B-side "Paranoid". Overview The track revolves around a sample of the track "Dead Skin Mask" by Slayer, from their 1990 album ''Seasons in the Abyss''. It also contains rapping by Alec Empire. A music video was produced for the track, which shows Alec Empire rapping against grainy, highly saturated footage with a metal device in his neck. Also shown are brief clips of fellow band members Carl Crack and Hanin Elias standing in front of an what appears to be an apocalyptic setting. Track listing Personnel *Alec Empire – production, writing *Hanin Elias Hanin Elias (born 31 May 1972) is a Syrian German industrial/techno artist. She was a membe ...
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Atari Teenage Riot
Atari Teenage Riot (ATR) is a German band formed in Berlin in 1992. Highly political, they fuse left-wing, anarchist and anti-fascist views with punk vocals and a techno sound called digital hardcore, which is a term band member Alec Empire used as the name of his record label Digital Hardcore Recordings. History Atari Teenage Riot was founded as an attack on the Neo-Nazi subculture by fusing hardcore punk views with German techno; it consisted of three Berliners—Alec Empire, Hanin Elias and MC Carl Crack. ATR's early releases (which included the track "Hetzjagd Auf Nazis!"/"Hunt Down the Nazis!") were surrounded by controversy in Germany. After signing to major European label Phonogram Records in 1993, the band received a large financial advance which they duplicitously used to set up their own record label: Digital Hardcore Recordings (DHR). ATR never delivered a commercially viable demo to Phonogram. The major label Intercord signed the group in 1995 for Germany. ATR's ...
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The Future Of War
''The Future of War'' is the second studio album by Atari Teenage Riot. Faster and harder than their previous effort, the album sees the band's only female member at the time, Hanin Elias, providing vocals for a larger share of the songs. In May 2002, ''The Future of War'' was placed on the Bundesprüfstelle für jugendgefährdende Medien index in Germany, meaning that it may not be advertised or sold to minors. According to band member Alec Empire, ''Future of War'' was notable for its "left-rooted critique of the 'modern' high-tech-war, as we had seen it all some years previously during the Gulf War."Alec Empire speaks on the banning of ATARI TEENAGE RIOT's "Future Of War" in Germany!
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Digital Hardcore
Digital hardcore is a fusion genre that combines hardcore punk with electronic dance music genres such as breakbeat, techno, and drum and bass while also drawing on heavy metal and noise music. It typically features fast tempos and aggressive sound samples. The style was pioneered by Alec Empire of the German band Atari Teenage Riot during the early 1990s, and often has sociological or far-left lyrical themes. Characteristics Digital hardcore music is typically fast and abrasive, combining the speed, heaviness and attitude of hardcore punk, thrash metal, and riot grrrl with electronic music such as hardcore techno, gabber, jungle, drum and bass, glitch, and industrial rock. Some bands, like Atari Teenage Riot, incorporate elements of hip-hop music, such as freestyle rap. According to Jeff Terich of ''Treble Media'', digital hardcore is "on the verge of reaching speeds incompatible with popular music, as if the rapid acceleration of BPMs would render the idea of rhythm i ...
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Industrial Metal
Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, Marilyn Manson, Rammstein, Godflesh, and Fear Factory. Industrial metal developed in the late 1980s, as industrial and metal began to fuse into a common genre. Industrial metal did well in the early 1990s, particularly in North America, with the success of groups such as Nine Inch Nails, but its popularity began to fade in the latter half of the 1990s. History Early innovators Though electric guitars had been used by industrial artists since the early days of the genre, archetypal industrial groups such as Throbbing Gristle displayed a strong anti-rock stance. British post-punk band Killing Joke pioneered the crossing over between styles and was an influence on major acts associated with industrial metal such as Ministry, Go ...
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Rap Rock
Rap rock is a fusion genre that fuses vocal and instrumental elements of hip hop with various forms of rock. Rap rock's most popular subgenres include rap metal and rapcore, which include heavy metal and hardcore punk-oriented influences, respectively. Characteristics AllMusic describes rap metal as having "big, lurching beats and heavy, heavy riffs" that "occasionally ... oundas if the riffs were merely overdubbed over scratching and beat box beats", and described rap rock as having a more organic sound, characterizing many songs in the genre as rock songs in which the vocals were rapped rather than sung. AllMusic also states that the rhythms of rap rock are rooted in those of hip hop, with more funk influences than normal hard rock. Hed PE, which fuses punk rock with hip hop, occasionally incorporates reggae and heavy metal influences. According to ''Rolling Stone'' writer Rob Kemp, Incubus' 1997 album '' S.C.I.E.N.C.E.'' "links funk metal to the rap metal". Kottonmout ...
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Digital Hardcore Recordings
Digital Hardcore Recordings (DHR) is a record label set up in 1994 by Alec Empire, Joel Amaretto and Pete Lawton. Most of the music is recorded in Berlin, though the label is based in London where the records are mastered and manufactured. The funds for setting up the label came from the payment which Atari Teenage Riot received for their aborted record deal with the major UK record label Phonogram Records. The label is acclaimed for its articulation of the digital hardcore style of music - "Digital hardcore" is used not only to refer to the record label itself, but to the genre that its artists helped to create. Several artists to this day, though not affiliated with the DHR label, would classify themselves as digital hardcore, tangible proof of DHR's solid influence on the industrial/electronic scene as well as on the rock/metal-scene. In 1995 DHR released its first album (they had previously only released a 12" in 1994) and a compilation, ''Harder Than The Rest''. Digital ...
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Alec Empire
Alec or Aleck is a Scottish form of the given name Alex. It may be a diminutive of the name Alexander or a given name in its own right. Notable people with the name include: People * Alec Aalto (1942–2018), Finnish diplomat *Alec Acton (1938–1994), English footballer *Alec Albiston (1917–1998), Australian rules footballer *Alec Alston (1937–2009), English footballer * Alec and Peter Graham (1881–1957), New Zealand mountaineers, guides, and hotel operators *Alec Anderson (1894–1953), American NFL player * Alec Asher (born 1991), American MLB player * Alec Ashworth (1939–1995), English professional footballer * Alec Astle (born 1949), New Zealand former cricketer * Alec Atkinson (1919–2015), British Royal Air Force officer and civil servant * Alec B. Francis (1867–1934), English silent-film actor * Alec Bagot (1893–1968), South Australian adventurer, polemicist, and politician *Alec Baillie (died 2020), American bassist * Alec Baldwin (born 1958), American actor ...
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Sick To Death
''The Future of War'' is the second studio album by Atari Teenage Riot. Faster and harder than their previous effort, the album sees the band's only female member at the time, Hanin Elias, providing vocals for a larger share of the songs. In May 2002, ''The Future of War'' was placed on the Bundesprüfstelle für jugendgefährdende Medien index in Germany, meaning that it may not be advertised or sold to minors. According to band member Alec Empire, ''Future of War'' was notable for its "left-rooted critique of the 'modern' high-tech-war, as we had seen it all some years previously during the Gulf War."Alec Empire speaks on the banning of ATARI TEENAGE RIOT's "Future Of War" in Germany!
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Slayer
Slayer was an American thrash metal band from Huntington Park, California. The band was formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's final lineup comprised Araya, King, drummer Paul Bostaph (who replaced Lombardo in 1992 and again in 2013) and guitarist Gary Holt (who replaced Hanneman in 2011). Drummer Jon Dette was also a member of the band. In the original lineup, King, Hanneman and Araya contributed to the band's lyrics, and all of the band's music was written by King and Hanneman. The band's lyrics and album art, which cover topics such as serial killers, torture, genocide, organized crime, secret societies, occultism, terrorism, religion or antireligion, fascism, racism and war, have generated album bans, delays, lawsuits and criticism from religious group ...
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Seasons In The Abyss
''Seasons in the Abyss'' is the fifth studio album by American thrash metal band Slayer, released on October 9, 1990, through Def American, Def American Records. Recording sessions began in March 1990 at Hit City West and Hollywood Sound, and ended in June 1990 at Record Plant Studios, The Record Plant in Los Angeles, California. It was the band's last album to feature their full original lineup with drummer Dave Lombardo until his return on the band's 2006 album ''Christ Illusion''. ''Seasons in the Abyss'' musical style has been compared by critics to the band's previous two albums, ''South of Heaven'' (1988) and ''Reign in Blood'' (1986). Upon its release, ''Seasons in the Abyss'' received a generally positive reception and peaked at number 40 on the Billboard 200, US ''Billboard'' 200. It was later certified gold in the United States and Canada. By 2017, it had sold over 813,000 copies in the United States since Nielsen SoundScan inception. Recording and production The album ...
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Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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