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Destiny's Child Video Anthology
''Video Anthology'' is the fourth video album by American recording group Destiny's Child. It is a sixteen-music video collection, filmed by the group with various directors during their music career (1997 – 2005). The album was produced by Akil Brown with members Beyoncé, Kelly Rowland and Michelle Williams and their manager Mathew Knowles also serving as executive producers. To promote the album, Destiny's Child collaborated with several publications which offered copies to their readers through their websites. The album was first released on May 31, 2013 through Columbia Records. Upon its release, it received positive reviews from music critics who praised the visuals included complete with the accompanying choreography. However, one writer felt the album was incomplete and argued that many videos were omitted from the track listing. Background and release The album was announced via a press release on Destiny's Child's website on April 16, 2013. It was released t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Destiny's Child
Destiny's Child was an American girl group whose final line-up comprised Beyoncé Knowles, Kelly Rowland, and Michelle Williams. The group began their musical career as Girl's Tyme, formed in 1990 in Houston, Texas. After years of limited success, the original quartet comprising Knowles, Rowland, LaTavia Roberson, and LeToya Luckett were signed in 1997 to Columbia Records as Destiny's Child. The group was launched into mainstream recognition following the release of the song " No, No, No" and their best-selling second album, ''The Writing's on the Wall'' (1999), which contained the number-one singles "Bills, Bills, Bills" and "Say My Name". Despite critical and commercial success, the group was plagued by internal conflict and legal turmoil, as Roberson and Luckett attempted to split from the group's manager Mathew Knowles, citing favoritism of Knowles and Rowland. In early 2000, both Roberson and Luckett were replaced with Williams and Farrah Franklin; however, Franklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathew Knowles
Mathew Knowles (born January 9, 1952)Knowles in is an American record executive, businessman and university lecturer. He is best known for being the manager of Destiny's Child. He also once managed the solo careers of his daughters Beyoncé and Solange Knowles. Knowles is the founder of Music World Entertainment, which embraces country, gospel and children's music. Knowles is also an active and longtime voting member of the National Academy of Recording Arts and Sciences (NARAS) and serves on its Grammy Board Committee. Early life and education Knowles was born in Gadsden, Alabama, the son of Lou Helen Knowles (''née'' Hogue) and Matthew Q. Knowles (April 4, 1927 – December 30, 1996). He is a 1974 graduate of Fisk University in Nashville, Tennessee, where he earned both a Bachelor of Arts degree in Economics and a Bachelor of Science degree in Business Administration. He has an MBA in Strategic Planning and Organizational Culture from Cornerstone Christian Bible College. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyclef Jean
Nel Ust Wyclef Jean (; born October 17, 1969) is a Haitian rapper, musician, and actor. At the age of nine, Jean immigrated to the United States with his family. He first achieved fame as a member of the New Jersey hip hop group the Fugees, alongside Lauryn Hill and Pras Michel. They released the albums ''Blunted on Reality'' (1994) and ''The Score'' (1996), the latter becoming one of the best-selling albums of all time. Jean would follow this with the release of his first solo studio album, ''Wyclef Jean Presents The Carnival'' (1997), which contains the top ten hit " Gone till November". Jean would continue to have a successful music career as a soloist. He released an additional eight studio albums; including the RIAA Platinum certified album, '' The Ecleftic: 2 Sides II a Book'' (2000), which reached the top ten on the ''Billboard'' 200 chart''.'' He also released the commercially successful singles "911" (featuring Mary J. Blige), and "Sweetest Girl (Dollar Bill)" (fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No, No, No (Destiny's Child Song)
"No, No, No" is a song recorded by American girl group Destiny's Child for their eponymous debut studio album (1998). It was written by Calvin Gaines, Mary Brown, Rob Fusari and Vincent Herbert, with production helmed by Fusari und Herbert. A sensual mid-tempo ballad blending contemporary R&B with "lush" 1970s soul, it was renamed "No, No, No (Part 1)" after musician Wyclef Jean was consulted to produce and appear on a remix of the song. Built around a hard-sliding bassline and sung in a staccato, rhythmic style, featuring co-production from Che Greene and Jerry Duplessis, it was titled "No, No, No (Part 2)". "No, No, No" was released as Destiny's Child debut single on October 27, 1997, by Columbia Records, with both versions serviced to radio stations and music video networks. In the United States, the song reached number three on the ''Billboard'' Hot 100 and was eventually certified platinum by the Recording Industry Association of America (RIAA). Elsewhere, "No, No, No" r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missy Elliott
Melissa Arnette Elliott (born July 1, 1971), better known as Missy Elliott or Missy “Misdemeanor” Elliot, is an American rapper, singer, songwriter, and record producer. She embarked on her music career with R&B girl group Sista in the early-mid 1990s and later became a member of the Swing Mob collective along with childhood friend and longtime collaborator Timbaland, with whom she worked on projects for American R&B acts Aaliyah, 702, Total, and SWV. Following several collaborations and guest appearances, she launched her solo career in 1997 with her debut album ''Supa Dupa Fly'', which spawned the top 20 single "Sock It 2 Me". The album debuted at number three on the ''Billboard'' 200, the highest charting debut for a female rapper at the time. Elliott's second album, '' Da Real World'', was released in 1999 and produced the singles "She's a Bitch", "All n My Grill", and top five hit " Hot Boyz". The remix of the latter song broke the record for most weeks at number-one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootylicious
"Bootylicious" is a song recorded by American group Destiny's Child for their third studio album ''Survivor (Destiny's Child album), Survivor'' (2001). It was written and produced by Rob Fusari, Beyoncé and Falonte Moore. The song contains a prominent Sampling (music), sample from Stevie Nicks' song "Edge of Seventeen". It was released as the second single from ''Survivor'' on May 22, 2001, by Columbia Records. "Bootylicious" was a commercial success, becoming the group's fourth and final US Billboard Hot 100, ''Billboard'' Hot 100 number-one single. It also reached the top five in Australia, Canada, the Netherlands and the United Kingdom. A Rockwilder remix of the song featured Missy Elliott and appeared on the soundtrack of the 2001 musical ''Carmen: A Hip Hopera'' and the group's remix album ''This Is the Remix (Destiny's Child album), This Is the Remix'' (2002). Although the term "bootylicious" had already been used by rapper Snoop Dogg in Dr. Dre's song "Fuck wit Dre Day (A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Executive Producer
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The creditin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Manager
A talent manager (also known as an artist manager, band manager or music manager) is an individual who guides the professional career of entertainer, artists in the entertainment industry. The responsibility of the talent manager is to oversee the day-to-day business affairs of an artist; advise and counsel talent concerning professional matters, long-term plans and personal decisions which may affect their career.MusicBizAdvice Q&A January 2008 An artist manager is also a person responsible for hiring and managing the employees in a company. The roles and responsibilities of a talent manager vary slightly from industry to industry, as do the Commission (remuneration), commissions to which the manager is entitled. For example, a music mana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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