Desperate Measures (Leeway Album)
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Desperate Measures (Leeway Album)
''Desperate Measures'' is the second album by the New York City Hardcore/ thrash metal band Leeway. It was released in June 1991 on Rock Hotel/ Profile Records as was its predecessor, '' Born to Expire'' in 1989. It was followed by 1994's ''Adult Crash''. It features two line-up changes from the previous album: Jimmy Xanthos and Pokey replace Zowie and Tony Fontão on bass and drums respectively. Overview While the previous album showed a clear hardcore influence, the sound on Desperate Measures is of thrash metal akin to Anthrax or Testament. However, like its predecessor, it had fans in both metal and hardcore camps. Guitarist and songwriter, A.J. Novello, had this to say on the album: ...it wasn't exactly what I had in mind. (It) was a little too metallic. Eddie's vocals were drenched in effects (Suttons' critical comparison to Ozzy began here), the songs were more left-field, and we initially disappointed some fans. In contrast to Novello, guitarist Michael Gibbons percei ...
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Leeway (band)
Leeway is an American crossover thrash band formed in Astoria, New York in 1984 by guitarist A.J. Novello and vocalist Eddie Sutton under the name The Unruled. To date, the band has released four studio albums — '' Born to Expire'' (1989), '' Desperate Measures'' (1991), '' Adult Crash'' (1994) and '' Open Mouth Kiss'' (1995) — and broken up and reformed several times over the years. Despite never achieving notable commercial success, Leeway is considered to be an integral part of the 1980s NYHC and crossover thrash scenes.2014 interview with Michael Gibbons oNoEcho.net/ref> History Leeway gained notoriety in the mid-to-late 1980s by playing alongside groups such as Crumbsuckers, Prong, Ludichrist, Bad Brains, and Sick of It All at the predominantly hardcore punk-oriented CBGB venue, and had metal influences from the start. For their tight fusion of hardcore, punk, heavy metal, thrash, hip-hop and even reggae, Leeway are often credited as being one of the most influenti ...
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Testament (band)
Testament is an American Thrash metal, thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises rhythm guitarist Eric Peterson (musician), Eric Peterson, lead vocalist Chuck Billy (vocalist), Chuck Billy, lead guitarist Alex Skolnick, bassist Steve Di Giorgio and drummer Dave Lombardo. Testament has experienced many lineup changes over the years, with Peterson being the only remaining original member, though they have since been rejoined by one of its songwriters Skolnick, who had been out of the band from 1992 to 2005. Billy has been a member of Testament since 1986, when he replaced original singer Steve Souza, Steve "Zetro" Souza, who had joined Exodus (American band), Exodus as the replacement of Paul Baloff. He and Peterson are the only members to appear on all of Testament's studio albums, with the latter being the only constant member overall. Labeled as one of the "big six" of the 1980s Bay Area thrash metal sc ...
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Masterdisk
Masterdisk is an American multimedia company in New York, located at 8 John Walsh Boulevard in Peekskill. They provide production services such as audio mastering, vinyl cutting and enhanced CD and DVD production. Their clients include such notable acts as Accept, Sting, Jay-Z, Kanye West, Spoon, Nirvana, Lou Reed, David Bowie, U2, Gorillaz, John Zorn, DMX, The Rolling Stones, Steely Dan, Bob Dylan, Metallica, Aerosmith and the Beatles. Masterdisk was founded in 1973 as a spin-off of the recording, editing and mastering arm of Mercury Records. Among the company's early mastering engineers were Gilbert Kong, who worked on early 1970s albums by such artists as Rod Stewart and Bachman–Turner Overdrive, and who also mastered singles, including "Ain't Understanding Mellow" by Jerry Butler and Brenda Lee Eager, and " The Night Chicago Died" by Paper Lace; and Phil Austin, who mastered most of the singles including Stewart's "Maggie May" and "You Wear It Well," "Beautiful Sun ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ...
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Rapcore
Rap rock is a fusion genre that fuses vocal and instrumental elements of hip hop with various forms of rock. Rap rock's most popular subgenres include rap metal and rapcore, which include heavy metal and hardcore punk-oriented influences, respectively. Characteristics AllMusic describes rap metal as having "big, lurching beats and heavy, heavy riffs" that "occasionally ... oundas if the riffs were merely overdubbed over scratching and beat box beats", and described rap rock as having a more organic sound, characterizing many songs in the genre as rock songs in which the vocals were rapped rather than sung. AllMusic also states that the rhythms of rap rock are rooted in those of hip hop, with more funk influences than normal hard rock. Hed PE, which fuses punk rock with hip hop, occasionally incorporates reggae and heavy metal influences. According to ''Rolling Stone'' writer Rob Kemp, Incubus' 1997 album '' S.C.I.E.N.C.E.'' "links funk metal to the rap metal". Kottonmout ...
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Rap Metal
Rap metal is a subgenre of rap rock and alternative metal music which combines hip hop with heavy metal. It usually consists of heavy metal guitar riffs, funk metal elements, rapped vocals and sometimes turntables. History Origins and early development (1980s–early 1990s) Rap metal originated from rap rock, a genre fusing vocal and instrumental elements of hip hop with rock. The genre's roots are based both in hip hop acts who sampled heavy metal music, such as Beastie Boys, MC Strecker Cypress Hill, Esham and Run-DMC, and rock bands who fused heavy metal and hip hop influences, such as 24-7 Spyz and Faith No More. Scott Ian of Anthrax (who helped pioneer the genre) believes Rage Against the Machine invented the genre. However, Urban Dance Squad (formed in 1986), fused rap and metal before Rage Against the Machine; nonetheless, Rage Against the Machine is considered to have refined the sound, giving rap rock an edginess and grit that would define the genre for years t ...
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Melodic
A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements a ...
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Groove (music)
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of " swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion. From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in." Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" t ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ...
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Anthrax (American Band)
Anthrax is an American heavy metal band from New York City, formed in 1981 by rhythm guitarist Scott Ian and bassist Dan Lilker. The group is considered one of the leaders of the thrash metal scene from the 1980s and is part of the "Big Four" of the genre, along with Metallica, Megadeth and Slayer. They were also one of the first thrash metal bands (along with Overkill and Nuclear Assault) to emerge from the East Coast. The band has released 11 studio albums, several other albums, and 26 singles, including collaborating on a single with American hip hop group Public Enemy. According to Nielsen SoundScan, Anthrax sold 2.5 million records in the United States from 1991 to 2004, with worldwide sales of 10 million. Four of the band's studio albums have also achieved gold certifications by the RIAA, including their third full-length record ''Among the Living'' (1987), which cemented Anthrax's reputation as one of the most successful thrash metal bands. Anthrax's lineup has ...
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