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Desi (raga)
Desi (Hindi देसी or देशी) is a Hindustani classical music, Hindustani classical raga. This raga may be affiliated with the Asavari (thaat), Asavari thaat or with the Kafi (thaat), Kafi thaat depending on the way of presentation. It is similar to raga Barwa (raga), Barwa. References V. N. Bhatkhande, Music Systems in India (A comparative study of some of the leading music systems of the 15th, 16th, 17th and 18th centuries), 1st ed., 1984, S. Lal & Co., New Delhi, India. External links SRA on Raga DesiRajan Parrikar on Ragas Hindustani ragas, Desi {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kafi (thaat)
Kafi () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga ( Kharaharapriya) within this thaat. Description Kafi thaat makes use of the Komal Gandhara and Komal Nishad. So basically it adds Komal Gandhara to the Khamaj thaat. The Kafi raga is one of the oldest ragas and its intervals are described as the basic scale of the Natyashastra. Thus in ancient and medieval times, Kafi was considered as natural scale. Kafi is a late evening raga and said to convey the mood of springtime. Ragas Ragas in Kafi thaat include: * Abhogi * Bageshri * Bageshri-Ang Chandrakauns * Bahar * Barwa * Bhimpalasi * Brindavani Sarang * Dhani * Hanskinkini * Jog * Kafi * Megh * Malhar * Nayaki Kanada * Patdeep * Pilu * Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical '' raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asavari (thaat)
Asavari () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Adding a Komal Dhaivat to Kafi Thaat results in the Asavari thaat. Raga Asavari is full of ''tyag'', the mood of renunciation and sacrifice as well as pathos. It is best suited for late morning. However important evening/night raga-like Darbari and Adana also use notes of Asavari thaat with different styles, stress points and ornamentation. Ragas in Asavari Thaat: #Asavari #Desi #Darbari # Kaunsi Kanada #Adana Adana (; ; ) is a major city in southern Turkey. It is situated on the Seyhan River, inland from the Mediterranean Sea. The administrative seat of Adana Province, Adana province, it has a population of 2.26 million. Adana lies in the heart ... # Jaunpuri # Devgandhar References {{reflist Hindustani music theory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barwa (raga)
Barwa is a Hindustani classical raga. It is similar to raga Desi (raga) Desi (Hindi देसी or देशी) is a Hindustani classical music, Hindustani classical raga. This raga may be affiliated with the Asavari (thaat), Asavari thaat or with the Kafi (thaat), Kafi thaat depending on the way of presentation. It .... Thaat - kafi Jaati - Shadav - Sampurna Vadi Swar - रे (R ) Samvadi Swar- प (P) Time - Third half of the morning Aaroh - सा रे म प ध नि सां। S R M P D N Ṡ Avroh - सां नि॒ ध प म प ग॒रेग॒ सा। Ṡ Ṉ D P M P G̱ R G̱ S Pakad - ग रे ग॒ सा नि सा, रे म प ध म ग रे ग॒ सा। G R G̱ S N S, R M P D M G R G̱ S External linksSRA on Samay and Ragas [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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