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Desert Winds
''Desert Winds'' is an album by saxophonist Illinois Jacquet with guitarist Kenny Burrell recorded in 1964 and released on the Argo label.Edwards, D. & Callahan, MArgo Album Discography, Part 1: Jazz Series (1956-1965)accessed April 16, 2013 Reception Allmusic awarded the album 3½ stars stating "An underappreciated and unassuming album, ''Desert Winds'' has plenty of easy charm, and while there are no barn-burning solos here, there are plenty of moments of quiet and lyrical joy".Leggett, SAllmusic Review accessed April 16, 2013 Track listing All compositions by Illinois Jacquet except as noted # "When My Dreamboat Comes Home" ( Cliff Friend, Dave Franklin) - 5:20 # "Desert Winds" (Esmond Edwards) - 4:15 # "Star Eyes" (Gene de Paul, Don Raye) - 4:15 # "Blues for the Early Bird" - 3:10 # " Lester Leaps In" ( Lester Young) - 7:15 # "You're My Thrill" ( Jay Gorney, Sidney Clare) - 3:45 # " Canadian Sunset" ( Eddie Heywood, Norman Gimbel) - 6:10 Personnel * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illinois Jacquet
Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument. Early life Jacquet's parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet,The Sons and Daughters of Jean Baptiste Jacquet (1995) When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Leaps In
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. The composition, credited to the group's tenor saxophone player Lester Young, is a head arrangement based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie. Eddie Jefferson, pioneer of vocalese, wrote lyrics for the composition, calling his version "I Got the Blues". Critical acclaim *"Lester Leaps In" is listed among the Milestone Recordings in American Music at the Three Perfect Minutes site. *jazz.com gives "Lester Leaps In" a 98, on a scale of 100 – "Classic performance. A 'must have' for jazz fans." , a jazz.com , retrieved 2013-10-23.
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendell Marshall
Wendell Marshall (October 24, 1920 – February 6, 2002) was an American jazz double-bassist. Marshall was Jimmy Blanton's cousin. He studied at Lincoln University, then served in the Army during World War II. Following his discharge, he performed with Stuff Smith, then relocated to New York City, where he worked with Mercer Ellington. From 1948 to 1955, he performed with Duke Ellington. Following his time with Ellington, Marshall joined pit orchestras on Broadway and freelanced with Mary Lou Williams, Art Blakey, Donald Byrd, Milt Jackson, and Hank Jones among others. He retired in 1968, and died of colon cancer in St. Louis, aged 81. Discography With Gene Ammons *'' Twisting the Jug'' (Prestige, 1961) – with Joe Newman and Jack McDuff *'' Soul Summit Vol. 2'' (Prestige, 1961 962 *''Late Hour Special'' (Prestige, 1961 964 *''Velvet Soul'' (Prestige, 1961-62 964 *'' Angel Eyes'' (Prestige, 1962 965 *''Sock!'' (Prestige, 1962 965 With Dorothy Ashby *''The Jazz Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Gimbel
Norman Gimbel (November 16, 1927 – December 19, 2018) was an American lyricist of popular songs, television and movie themes. He wrote the lyrics for songs including "Killing Me Softly with His Song", " Ready to Take a Chance Again" (both with composer Charles Fox) and "Canadian Sunset". He also wrote English-language lyrics for many international hits, including " Sway", " Summer Samba", "The Girl from Ipanema", " How Insensitive", " Drinking-Water", "Meditation", "I Will Wait for You" and "Watch What Happens". Of the movie themes he co-wrote, five were nominated for Academy Awards and/or Golden Globe Awards, including "It Goes Like It Goes", from the film ''Norma Rae'', which won the Academy Award for Best Original Song for 1979. Gimbel was inducted into the Songwriters Hall of Fame in 1984. Early successes Gimbel was born on November 16, 1927, in Brooklyn, New York, the son of Lottie (Nass) and businessman Morris Gimbel. His parents were Jewish immigrants. He studied Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Heywood
Edward Heywood Jr. (December 4, 1915 – January 3, 1989) was an American jazz pianist particularly active in the 1940s and 1950s. Biography Heywood was born in Atlanta, Georgia, United States. His father, Eddie Heywood Sr., was also a jazz musician from the 1920s and provided him with training from the age of 12 as an accompanist playing in the pit band in a vaudeville theater in Atlanta, occasionally accompanying singers such as Bessie Smith and Ethel Waters. Heywood moved, first to New Orleans and then to Kansas City, when vaudeville began to be replaced by sound pictures.Wilson, John S. (January 04, 1989) "Eddie Heywood, 73, Jazz Pianist, Arranger and Composer, Is Dead" '' |
Canadian Sunset
"Canadian Sunset" is a popular song with music by jazz pianist Eddie Heywood and lyrics by Norman Gimbel. An instrumental version by Heywood and Hugo Winterhalter reached No. 2 on the ''Billboard'' Hot 100 chart and No. 7 on the R&B chart in 1956. A version sung by Andy Williams was also popular that year, reaching No. 7 on the ''Billboard'' chart. The Sounds Orchestral, conducted by Johnny Pearson, hit the Easy Listening chart reaching No. 14 and the ''Billboard'' Hot 100 in 1965 reaching No. 76. Musicvf.com, Retrieved June 3, 2013 Emergence as a jazz standard The tune has been covered by a number of jazz performers beginning in the 1960s. * |
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