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Desafinado
"Desafinado" (a Portuguese word, usually rendered into English as "Out of Tune", or as "Off Key") is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. Background "Desafinado" was originally a response to critics who claimed that bossa nova was a new genre for singers who can't sing. The English language lyrics were written by Jon Hendricks and "Jessie Cavanaugh" (a pseudonym used by The Richmond Organisation). Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. Chart performance The version by Stan Getz and Charlie Byrd (from the album ''Jazz Samba'') was a major hit in 1962, reaching number 15 and number 4 on ''Billboard''′s pop and easy-listening charts, respectively; their definitive rendering also reached number 11 in the UK. Ella Fitzgerald's version made number 38. Accolades The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Samba
''Jazz Samba'' is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. ''Jazz Samba'' signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961. Getz and Byrd were accompanied by two bassists: Keter Betts and Joe Byrd, Charlie Byrd's brother who also played guitar. They were joined by two drummers: Buddy Deppenschmidt and Bill Reichenbach. The album was recorded at All Souls Unitarian Church in Washington, D.C. on February 13, 1962 and released in April of that year. Two songs, "Desafinado" (Off Key or Out of Tune) and "Samba de Uma Nota Só" (One Note Samba) were composed by Antonio Carlos Jobim and were released as singles in the U.S. and Europe. Charlie Byrd wrote one song, "Samba Dees Days", while the rest were by Brazilian composers. Stan Getz won the Grammy Award for Best Jazz Performance of 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova Songs
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova Jazz Standards
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to musicologist Gilberto Mende ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Grammy Hall Of Fame
The Latin Grammy Hall of Fame is a hall of fame established by the Latin Recording Academy to recognize "early recordings of lasting qualitative or historical significance that were released more than 25 years ago". LARAS is also the same organization that distributes the Latin Grammy Awards. The albums and songs are picked by a panel of recording-arts professionals, such as musicologists and historians, and selected from all major categories of Latin music. The first inductions were made in 2001 to honor 17 recordings. These included Santana's cover of Tito Puente's "Oye Como Va", Javier Solís's rendition of "Sabor a Mí" and the 1948 performance of Joaquín Rodrigo's ''Concierto de Aranjuez'' by Regino Sainz de la Maza and the Orquesta Nacional de España. The inductions have each occurred six years apart from one another. " La Bamba" by Ritchie Valens and ''Chega de Saudade'' by João Gilberto were also inducted into the Grammy Hall of Fame in 2000. ''Getz/Gilberto'' by Stan G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova". Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s. In 1965, the album ''Getz/Gilberto'' was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album's single '" Garota de Ipanema (The Girl from Ipanema)'", composed by Jobim, has become one of the most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
João Gilberto
João Gilberto (born João Gilberto Prado Pereira de Oliveira – ; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called "father of bossa nova"; in his native Brazil, he was referred to as ''"O Mito"'' ("The Legend"). Early life João Gilberto was born in Juazeiro, Bahia, the son of Joviniano Domingos de Oliveira, a wealthy merchant, and Martinha do Prado Pereira de Oliveira. He lived in his native city until 1942, when he began to study in Aracaju, Sergipe, returning to Juazeiro in 1946. At the age of 14, Gilberto got his first guitar from his grandfather despite disapproval from Gilberto's father. Still in Juazeiro, he formed his first band, called "Enamorados do Ritmo". Gilberto moved to Salvador, Bahia, in 1947. During his three years in the city, he dropped out of his studies to dedicate himself exclusively to music and at the age of 18 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chega De Saudade (album)
''Chega de Saudade'' is the debut album by Brazilian musician João Gilberto and is often credited as the first bossa nova album. The title can be translated roughly as "enough longing", though the Portuguese word ''saudade'' carries with it more complex meaning. In 2001, the album was inducted into the Grammy Hall of Fame. In the same year, it was made an inaugural member of the Latin Grammy Hall of Fame. It was listed by ''Rolling Stone'' Brazil as the fourth best Brazilian album in history. By the time of the album's release, newspaper '' O Estado de S. Paulo'' stated that Gilberto "is one of the most musical of our popular singers, a certainty which broadly compensates for his lack of volume. In this regard, it is worth noting his interpretation of 'Desafinado'. Besides, he reveals an unorthodox good taste for the choice of melodies recorded in this first LP and a sobriety in interpretation we have rarely observed". Track listing CD bonus tracks # "A Felicidade (Happ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Byrd
Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album '' Jazz Samba'', a recording which brought bossa nova into the mainstream of North American music. Byrd played fingerstyle on a classical guitar. Early life Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene "Joe" Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army, saw combat in World War II, and was stationed in Paris in 1945. There he played in an Army Special Services band and toured occupied Europe in the all-soldier production '' G.I. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newton Mendonça
Newton Ferreira de Mendonça (February 14, 1927 – November 22, 1960) was a musician, composer, and lyricist. He began as a pianist in 1950. Mendonça was born in Rio de Janeiro. In 1953 he started working with Antônio Carlos Jobim, something for which he is best known. Mendonça went on to co-compose music and lyrics for Desafinado, Meditação, and Samba de uma nota só. In 1959 he had his first heart attack, but his songs continued gaining attention. In 1960 his second heart attack proved fatal.All Music/ref> References Bibliography * De Stefano, Gildo, ''Il popolo del samba, La vicenda e i protagonisti della storia della musica popolare brasiliana'', Preface by Chico Buarque de Hollanda, Introduction by Gianni Minà, RAI-ERI, Rome 2005, * De Stefano, Gildo, ''Saudade Bossa Nova: musiche, contaminazioni e ritmi del Brasile'', Preface by Chico Buarque, Introduction by Gianni Minà, Logisma Editore, Firenze Florence ( ; it, Firenze ) is a city in Central It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
