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Der Mondabend
"" ("The moonlit evening") is a poem by , who published his poetry under the pseudonym Ermin in ', a periodical he had founded in 1811. In 1815 Franz Schubert set "Der Mondabend" for voice and piano. It was first published in 1830 in Vienna, as No. 1 of Op. posth. 131. Later the song was known as 141. The other two songs of Op. 131 were (for tenor, men's choir and piano), and 23 (for voice and piano). The only other poem by Kumpf that was set by Schubert was "", D 305. " Der Mondabend", WAB 200, is a reminiscence – in the same key (A major), meter () and first four notes – of Schubert's "Der Mondabend", that Anton Bruckner composed for Aloisia Bogner .Uwe Harten, ''Anton Bruckner. Ein Handbuch''. Residenz Verlag, Salzburg, 1996. , References External links "Der Mondabend" at text and translations at The LiederNet Archive The LiederNet Archive (formerly The Lied, Art Song, and Choral Texts Archive) is a donation-supported web archive of art song and choral texts founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Erich Deutsch
Otto Erich Deutsch (5 September 1883 – 23 November 1967) was an Austrian musicologist. He is known for compiling the first comprehensive catalogue of Franz Schubert's compositions, first published in 1951 in English, with a revised edition published in 1978 in German. It is from this catalogue that the ''D'' numbers used to identify Schubert's works derive. Life Deutsch was born in Vienna on 5 September 1883 in a Jewish family."Otto Deutsch" profile at the Following his studies of art history and literature in Vienna and , he worked as an assistant at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Aderhold
Werner Aderhold (4 November 1937 – 15 February 2021) was a German musicologist. Life Born in Dortmund, Aderhold was a long-time collaborator of the New Schubert Edition at the Eberhard Karls University of Tübingen. Initially, he contributed to the revised new edition of the Deutsch-Verzeichniss in German (1978). Later, he primarily edited Schubert's instrumental works, including string quartets as well as the great symphonies in B minor and C major. Aderhold also compiled a series of editions for the Carus-Verlag. Publications * (as co-editor): Otto Erich Deutsch, ''Franz Schubert. Thematisches Verzeichnis seiner Werke in chronologischer Folge''. New edition in German (together with Arnold Feil, Walther Dürr), Kassel 1978 * (as co-editor) with Walther Dürr and Walburga Litschauer Walburga Litschauer (born 15 October 1954) is an Austrian musicologist and Franz Schubert scholar. Life Born in Klagenfurt, Carinthia, Litschauer studied music and theatre studies at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Standard Music Number
The International Standard Music Number or ISMN (ISO 10957) is a thirteen-character alphanumeric identifier for printed music developed by ISO. Overview The original proposal for an ISMN was made by the UK Branch of IAML (International Association of Music Libraries, Archives and Documentation Centres), put forward by Alan Pope (Blackwell's Music Department, Oxford), Malcolm Lewis (music librarian in Nottingham) and Malcolm Jones (music librarian in Birmingham). A draft ISMN structure and application was presented at the 1987 IAML conference in Amsterdam, then after further discussions at the 1989 IAML conference in Oxford it was decided that the UK, French and German branches should, through their respective national standards bodies (BSI, AFNOR and DIN) file ISMN as an ISO work project. After meetings in Ottawa and Paris in 1993 the draft was finalized and published by ISO. The original format comprised four elements: a distinguishing prefix M, a publisher ID, an item ID, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Mondabend (Bruckner)
"" ("The moonlit evening"), WAB 200, is a lied composed by Anton Bruckner in for Aloisia Bogner. History Der Mondabend, WAB 200, is a lied in A major which Bruckner composed during his stay in St. Florian for his piano pupil Aloisia Bogner in . The 16-year old Aloisia Bogner, alias Louise or Luise Bogner, was the older daughter of Michael Bogner, by whom Bruckner had his living accommodation. Bruckner composed for her also the '' Frühlingslied'' and the piano works ''Lancier-Quadrille'', WAB 120, and ''Steiermärker'', WAB 122. The manuscript of the lied is part of the workbook ', which also contains transcriptions of Friedrich Silcher's ''Ännchen von Tharau'', from Anton Emil Titl's opera , and Franz Wilhelm Abt's waltz . The workbook, which was in the legacy of Aloisia Bogner, was acquired in 1957 by the in Upper Austria. A facsimile of the workbook has been issued in the ''Oberösterreichische Schriften zur Volksmusik'' in 2015. The premiere recording of the lied i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Note
In music, a note is the representation of a musical sound. Notes can represent the Pitch (music), pitch and Duration (music), duration of a sound in musical notation. A note can also represent a pitch class. Notes are the building blocks of much written music: musical analysis#Discretization, discretizations of musical phenomena that facilitate performance, comprehension, and musical analysis, analysis. The term ''note'' can be used in both generic and specific senses: one might say either "the piece 'Happy Birthday to You' begins with two notes having the same pitch", or "the piece begins with two repetitions of the same note". In the former case, one uses ''note'' to refer to a specific musical event; in the latter, one uses the term to refer to a class of events sharing the same pitch. (See also: Key signature names and translations.) Two notes with fundamental frequency, fundamental frequencies in a ratio equal to any integer power of two (e.g., half, twice, or four times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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