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Der Krumme Teufel
''Der krumme Teufel'' (''The Lame Devil'' or "The Limping Devil", 1751 or 1752), Hob. 29/1a, was Joseph Haydn's first opera. This German-language comic opera in the genre of Singspiel was commissioned by its librettist, leading comic actor . It was forbidden after two acclaimed performances in Vienna due to "offensive remarks in the text", but later revived and probably revised as ''Der neue krumme Teufel'' ("The New Lame Devil", 1757 or 1758), Hob. 29/1b. The music is lost, though a libretto survives for each version. Description The title ''Der krumme Teufel'' is often translated as "The Lame Devil",Butterworth 1978 977 p23 "In 1752 Haydn composed the music for a burlesque opera called ''Der rumme Teufel'' (''The Lame Devil'')."Jurkowski, Henryk, with Francis, Penny, collab. ed. (1996). ''A History of European Puppetry: From Its Origins to the End of the 19th Century'' (Vol. 1 of ''A History of European Puppetry''), Edwin Mellen Press, 427 pages, , p131 "..., and others such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German-language Operas
German ( ) is a West Germanic language mainly spoken in Central Europe. It is the most widely spoken and official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish language, Danish, Norwegian language, Norwegian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiele
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1751 Operas
In Britain and its colonies (except Scotland), 1751 only had 282 days due to the British Calendar Act of 1751, which ended the year on 31 December (rather than nearly three months later according to its previous rule). Events January–March * January 1 – As the American colony in Georgia prepares the transition from a trustee-operated territory to a British colonial province, the prohibition against slavery is lifted by the Board of Trustees. At the time, the African-American population of Georgia is about 400 people who have been kept as slaves in violation of the law. By 1790, the slave population increases to over 29,000 and by 1860 to 462,000. * January 7 – The University of Pennsylvania, conceived 12 years earlier by Benjamin Franklin and its other trustees to provide non-denominational higher education "to train young people for leadership in business, government and public service". rather than for the ministry, holds its first classes as "The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Joseph Haydn
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Journal Of Modern History
''The Journal of Modern History'' is a quarterly peer-reviewed academic journal covering European intellectual, political, and cultural history, published by the University of Chicago Press. Established in 1929, the journal covers events from approximately 1500 to the present, with a geographical scope extending from the United Kingdom through the European continent, including Russia and the Balkans. Editors and editorial board The ''Journal of Modern History'' is coedited by John W. Boyer, Jan E. Goldstein, and Fredrik Albritton Jonsson (University of Chicago). Previous editors include Sheila Fitzpatrick, Hanna Gray, William Hardy McNeill, and Bernadotte Schmitt. Format and contents The journal publishes articles and book reviews. On occasion, it has published special issues focusing on specific topics. The Chester Penn Higby Prize Chester Penn Higby (1886–1966) served on the history faculty at the University of Wisconsin–Madison from 1927 to 1956, and was one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proceedings Of The Royal Musical Association
In academia and librarianship, conference proceedings is a collection of academic papers published in the context of an academic conference or workshop. Conference proceedings typically contain the contributions made by researchers at the conference. They are the written record of the work that is presented to fellow researchers. In many fields, they are published as supplements to academic journals; in some, they are considered the main dissemination route; in others they may be considered grey literature. They are usually distributed in printed or electronic volumes, either before the conference opens or after it has closed. A less common, broader meaning of proceedings are the acts and happenings of an academic field, a learned society. For example, the title of the ''Acta Crystallographica'' journals is New Latin for "Proceedings in Crystallography"; the ''Proceedings of the National Academy of Sciences of the United States of America'' is the main journal of that academy. Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Badura-Skoda
Eva Badura-Skoda (née Halfar; 15 January 1929 – 8 January 2021) was a German-born Austrian musicologist. Biography Born in Munich, Eva Halfar studied at the Vienna Conservatory and took courses in musicology, philosophy, and art history at the universities of Heidelberg, Vienna (Erich Schenk), and Innsbruck (Ph.D., 1953, with the thesis ''Studien zur Geschichte des Musikunterrichtes in Österreich im 16., 17. und 18. Jahrhundert''). In 1951 she married Paul Badura-Skoda, with whom she collaborated on the volumes ''Mozart-Interpretation'' (Vienna, 1957; English transl., 1961; 2nd edition, rev., 1996) and ''Bach-Interpretation'' (Laaber, 1990; English transl., 1992). The couple had four children, including the pianist Michael Badura-Skoda (1964–2001); they separated later. In 1962 and 1963 she led summer seminars at the Salzburg Mozarteum. In 1964 she was the Brittingham visiting professor at the University of Wisconsin, where she served as professor of musicology from 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Morzin
Count Morzin (Karl Joseph, Count Morzin) was an aristocrat of the Holy Roman Empire during the 18th century. He is remembered today as the first person to employ the composer Joseph Haydn as his Kapellmeister, or music director. The first few of Haydn's many symphonies were written for the Count. Biography Different authorities give a different interpretation to the phrase "Count Morzin" (the sole words by which early Haydn biographies identified the man); the phrase is ambiguous because the title of count was hereditary, so that there was a whole line of Counts Morzin. The New Grove (article by James Webster) asserts that the "Count Morzin" who played an important role in Haydn's life was Karl Joseph Franz Morzin (1717–1783), whereas a biography by the leading Haydn scholar H. C. Robbins Landon asserts that it was Ferdinand Maximilan Franz Morzin' (1693–1763). The difference apparently involves the question of whether Haydn was hired by the reigning count (Ferdinand Maxi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
