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Der Kreidekreis (opera)
' ( Op. 21), is an opera in three acts by Alexander von Zemlinsky to a libretto by the composer after the play ' by Klabund – a telling of the '' Chalk Circle'' story. The opera was written during 1930-31 and premiered on 14 October 1933 in the Zürich Opera House. Among the singers were Artūrs Cavara, Maria Madlen Madsen Maria Bernhard-Ulbrich; Fred Destal, Georg Oeggl and Peter Klein; it was directed by Karl Schmid-Bloß and the stage design was by . It was planned to premiere the work simultaneously on four German stages: Frankfurt, Berlin, Cologne, and Nuremberg. Because of Zemlinsky's Jewish ancestry, this became impossible when the Nazis came to power early in 1933. Nevertheless, the work was performed in January 1934 in Stettin, Coburg, Berlin and Nuremberg, and in Graz in February due to the temporary lifting of certain restrictions. The work was also performed in Prague and Bratislava.Original publication Zürich Opera revived the opera in 2003. A new production was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Von Zemlinsky
Alexander Zemlinsky or Alexander von Zemlinsky (14 October 1871 – 15 March 1942) was an Austrian composer, conductor, and teacher. Biography Early life Zemlinsky was born in Vienna to a highly diverse family. Zemlinsky's grandfather, Anton Semlinski, emigrated from Žilina, Hungary (now in Slovakia) to Austria and married an Austrian woman. Both were from staunchly Roman Catholic families, and Alexander's father, Adolf, was raised as a Catholic. Alexander's mother was born in Sarajevo to a Sephardic Jewish father and a Bosniak mother. Alexander's entire family converted to the religion of his maternal grandfather, Judaism, and Zemlinsky was born and raised Jewish. His father added an aristocratic "von" to his name, though neither he nor his forebears were ennobled. He also began spelling his surname "Zemlinszky". He was also a freemason. Alexander studied the piano from a young age. He played the organ in his synagogue on holidays, and was admitted to the Vienna Conservat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Flat Clarinet
The E-flat (E) clarinet is a member of the clarinet family, smaller than the more common B clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E with a sounding pitch a minor third higher than written. In Italian it is sometimes referred to as a ''terzino'' and is generally listed in B-based scores (including many European band scores) as ''terzino in Mi♭''. The E-flat clarinet has a total length of about 49 cm. The E clarinet is used in orchestras, concert bands, and marching bands, and plays a central role in clarinet choirs, carrying melodies that would be uncomfortably high for the B clarinet. Solo repertoire is limited, but composers from Berlioz to Mahler have used it extensively as a solo instrument in orchestral contexts. Tonal range Many orchestration and instrumentation books give a smaller tonal range (E3 to G6) for the E-flat clarinet compared to n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
