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Der Doppelgänger
"Der Doppelgänger" is one of the six songs from Franz Schubert's ''Schwanengesang'' that sets words by Heinrich Heine for piano and tenor voice. It was written in 1828, the year of Schubert's death. Text The title "Der Doppelgänger" is Schubert's; in Heine's ' (1827) the poem is untitled, making the ending a surprise. Heine used the spelling "Doppeltgänger". from Heine's ''Buch der Lieder''; Still ist die Nacht, es ruhen die Gassen, In diesem Hause wohnte mein Schatz; Sie hat schon längst die Stadt verlassen, Doch steht noch das Haus auf demselben Platz. Da steht auch ein Mensch und starrt in die Höhe, Und ringt die Hände, vor Schmerzensgewalt; Mir graust es, wenn ich sein Antlitz sehe, - Der Mond zeigt mir meine eigne Gestalt. Du Doppelgänger! du bleicher Geselle! Was äffst du nach mein Liebesleid, Das mich gequält auf dieser Stelle, So manche Nacht, in alter Zeit? The night is quiet, the streets are calm, In this house my beloved once lived: She has long since lef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwanengesang
''Schwanengesang (Swan Song)'', 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously: # Liebesbotschaft (text: Ludwig Rellstab) # Kriegers Ahnung (Rellstab) # Frühlingssehnsucht (Rellstab) # Ständchen (Rellstab) # Aufenthalt (Rellstab) # In der Ferne (Rellstab) # Abschied (Rellstab) # Der Atlas (Heinrich Heine) # Ihr Bild (Heine) # Das Fischermädchen (Heine) # Die Stadt (Heine) # Am Meer (Heine) # Der Doppelgänger (Heine) # Die Taubenpost (alternative: D 965a) (Johann Gabriel Seidl) Background Named by its first publisher, Tobias Haslinger, who presumably wished to present it as Schubert's last testament, ''Schwanengesang'' differs from the earlier ''Die schöne Müllerin'' and ''Winterreise'' song-cycles by including settings of more than one poet. Seven texts by Ludwig Rellstab (1799–1860) are followed by six by Heinrich Heine (1797–1856); inclusion of the last song, to words by Johann Gabriel Seidl (1804–1875) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Heine
Christian Johann Heinrich Heine (; born Harry Heine; 13 December 1797 – 17 February 1856) was a German poet, writer and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of '' Lieder'' (art songs) by composers such as Robert Schumann and Franz Schubert. Heine's later verse and prose are distinguished by their satirical wit and irony. He is considered a member of the Young Germany movement. His radical political views led to many of his works being banned by German authorities—which, however, only added to his fame. He spent the last 25 years of his life as an expatriate in Paris. Early life Childhood and youth Heine was born on 13 December 1797, in Düsseldorf, in what was then the Duchy of Berg, into a Jewish family. He was called "Harry" in childhood but became known as "Heinrich" after his conversion to Lutheranism in 1825. Heine's father, Samson Heine (1764–1828), was a textile merchant. His mother Peira ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doppelgänger
A doppelgänger (), a compound noun formed by combining the two nouns (double) and (walker or goer) (), doppelgaenger or doppelganger is a biologically unrelated look-alike, or a double, of a living person. In fiction and mythology, a doppelgänger is often portrayed as a ghostly or paranormal phenomenon and usually seen as a harbinger of bad luck. Other traditions and stories equate a doppelgänger with an evil twin. In modern times, the term twin stranger is occasionally used. Spelling The word ''doppelganger'' is a loanword from the German. The singular and plural forms are the same in German, but English writers usually prefer the plural "doppelgangers". The first known use, in the slightly different form ''Doppeltgänger'', occurs in the novel ''Siebenkäs'' (1796) by Jean Paul, in which he explains his newly coined word in a footnote; the word also appears in the novel, but with a different meaning. In German, the word is written (as is usual with German nouns) with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doppelg%C3%A4nger
A doppelgänger (), a compound noun formed by combining the two nouns (double) and (walker or goer) (), doppelgaenger or doppelganger is a biologically unrelated look-alike, or a double, of a living person. In fiction and mythology, a doppelgänger is often portrayed as a ghostly or paranormal phenomenon and usually seen as a harbinger of bad luck. Other traditions and stories equate a doppelgänger with an evil twin. In modern times, the term twin stranger is occasionally used. Spelling The word ''doppelganger'' is a loanword from the German. The singular and plural forms are the same in German, but English writers usually prefer the plural "doppelgangers". The first known use, in the slightly different form ''Doppeltgänger'', occurs in the novel ''Siebenkäs'' (1796) by Jean Paul, in which he explains his newly coined word in a footnote; the word also appears in the novel, but with a different meaning. In German, the word is written (as is usual with German nouns) with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Through-composed
In music theory of musical form, through-composed music is a continuous, non- sectional, and non- repetitive piece of music. The term is typically used to describe songs, but can also apply to instrumental music. While most musical forms such as ternary form, (ABA), rondo form, (ABACABA), and sonata form (ABA') rely on repetition, through-composed music does not re-use material (ABCD). This constant introduction of new material is most noticeable in musical settings of poems, in contrast to the often used strophic form (AAA). Through-composed songs have different music for each stanza of the lyrics. The German word "''durchkomponiert'' " is also used to indicate this concept. Examples Musicologist James Webster defines through-composed music in the following manner: Many examples of this form can be found in Schubert's ''Lieder'', where the words of a poem are set to music and each line is different. In his lied '' Erlkönig'', in which the setting proceeds to a different musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The term passacaglia ( es, pasacalle; french: passacaille; Italian: ''passacaglia'', ''passacaglio'', ''passagallo'', ''passacagli'', ''passacaglie'') derives from the Spanish ''pasar'' (to walk) and ''calle'' (street). It originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. Despite the form's Spanish roots (confirmed by references in Spanish literature of the period), the first written examples of passacaglias are found in an Italian source dated 1606. These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula. The passacaglia was redefined in the late 1620s by Italian composer Girolamo F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Moore
Gerald Moore Order of the British Empire, CBE (30 July 1899 – 13 March 1987) was an England, English classical music, classical pianist best known for his career as a Collaborative piano, collaborative pianist for many distinguished musicians. Among those with whom he was closely associated were Dietrich Fischer-Dieskau, Elisabeth Schumann, Hans Hotter, Elisabeth Schwarzkopf, Victoria de los Ángeles and Pablo Casals. Moore gave lectures on stage, radio and television about musical topics. He also wrote about music, publishing volumes of memoirs and practical guides to interpretation of lieder. Life and career Early years Moore was born in Watford, Hertfordshire, the eldest of four children of David Frank Moore, owner of a men's outfitting company, and his wife Chestina, ''née'' Jones.Joseph Cooper (broadcaster), Cooper, Joseph"Moore, Gerald Frederick (1899–1987)" Oxford Dictionary of National Biography, Oxford University Press, 23 September 2004. Retrieved 17 June 2021 H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Grammophon
Deutsche Grammophon (; DGG) is a German classical music record label that was the precursor of the corporation PolyGram. Headquartered in Berlin Friedrichshain, it is now part of Universal Music Group (UMG) since its merger with the UMG family of labels in 1999. It is the oldest surviving established record company. History Deutsche Grammophon Gesellschaft was founded in 1898 by German-born United States citizen Emile Berliner as the German branch of his Berliner Gramophone Company. Berliner sent his nephew Joseph Sanders from America to set up operations. Based in the city of Hanover (the founder's birthplace), the company was the German affiliate of the U.S. Victor Talking Machine Company and the British Gramophone Company, and, from 1900, a fully owned subsidiary of the latter, but that ended after the outbreak of World War I in 1914 when ownership reverted to Germany. Though no longer connected to the British Gramophone Company, Deutsche Grammophon continued to use the "His M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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