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Der Abendhimmel, WAB 55
' ("The evening sky"), WAB 55, is a song composed by Anton Bruckner in 1862. History Bruckner composed this first setting of "evening song" ''Der Abendhimmel'' in January 1862. He used for the composition a text of Joseph Christian von Zedlitz, which he would also use for a second setting of the song in 1866. Bruckner dedicated the song to the men's quartet Anton Munsch nton Munsch (1st tenor), Anton Stiefler (2nd tenor), Eduard Benoni (1st bass) and Mathias Weissmann (2nd bass)U. Harten, p. 41C. Howie, Chapter III, p. 90 The piece was performed first in a transcription for men's choir by the Liedertafel ''Frohsinn'' on 4 July 1900. The commentator of the ' (7 July 1900) wrote over a ' (a wonderful composition of our national master Dr. Anton Bruckner). The original manuscript is stored in the archive of '' Österreichische Nationalbibliothek''.C. van Zwol, pp. 723-724 It was first issued in Band III/2, pp. 18–20 of the Göllerich/Auer biography. It is issued in Ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Österreichische Nationalbibliothek
The Austrian National Library (german: Österreichische Nationalbibliothek) is the largest library in Austria, with more than 12 million items in its various collections. The library is located in the Neue Burg Wing of the Hofburg in center of Vienna. Since 2005, some of the collections have been relocated within the Baroque structure of the Palais Mollard-Clary. Founded by the Habsburgs, the library was originally called the Imperial Court Library (german: Kaiserliche Hofbibliothek); the change to the current name occurred in 1920, following the end of the Habsburg Monarchy and the proclamation of the Austrian Republic. The library complex includes four museums, as well as multiple special collections and archives. Middle Ages The institution has its origin in the imperial library of the Middle Ages. During the Medieval period, the Austrian Duke Albert III (1349–1395) moved the books of the Viennese vaults into a library. Albert also arranged for important works from Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus Viennensis
Chorus Viennensis is a male choir associated with the Vienna Boys Choir. It was founded in 1952. The choir has won the Grand Prix du Disque Grand may refer to: People with the name * Grand (surname) * Grand L. Bush (born 1955), American actor * Grand Mixer DXT, American turntablist * Grand Puba (born 1966), American rapper Places * Grand, Oklahoma * Grand, Vosges, village and co ..., the Mozart Interpretation Prize and the Schubert Interpretation prize. References 1952 establishments in Austria Austrian choirs {{Austria-band-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Mancusi
Guido Mancusi (born 14 June 1966) is an Austrian-Italian conductor and composer. Life Born in Portici near Naples, Mancusi was the son of the Neapolitan conductor Enrico Mancusi and the Viennese singing teacher Ines Mancusi and grew up in Naples and Padova. He received his first piano lessons from his father, who was a close friend of the composer Nino Rota. After his father's early death, his mother decided to return to her hometown of Vienna with her two children. Mancusi became boy soprano with the Vienna Boys' Choir. After the Matura at the , he began studies in bassoon and singing at the Konservatorium der Stadt Wien. During his school years he became a member of the Catholic secondary school fraternity K. Ö. St. V. Frankonia zu Wien, to which he still belongs today. Studies followed at the Vienna Academy of Music in composition with Erich Urbanner and conducting with Karl Österreicher, he received diplomas with distinction. In 1992 he became ''magister artium'' with a the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Abendhimmel, WAB 56
' ("The evening sky"), WAB 56, is a song composed by Anton Bruckner in 1866. It is the second setting of the work. In 1862, Bruckner had already composed a first setting of the song for men's voice quartet. History Bruckner composed this second setting "evening song" ''Der Abendhimmel '' on 6 December 1866. He used again the text of Joseph Christian von Zedlitz, which he had already used for the first setting in 1862. Bruckner dedicated the song to ' (singers association of Lower Austria).U. Harten, pp. 41-42C. Howie, Chapter III, p. 19 The piece was performed first by the '' Wiener Männergesang-Verein'' (men's singer society of Vienna) on 17 December 1898. The original manuscript is stored in the archive of '' Österreichische Nationalbibliothek''.C. van Zwol, pp. 724-725 It was first issued as ' by Doblinger, Vienna in 1902 together with the ', WAB 92 "'". The work is issued in Band XXIII/2, No. 19 of the '. Music The 38-bar long work in F major is scored for ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also AntonÃn Dvořák in his only C minor symphony. The second movement of Haydn's 43rd sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werkverzeichnis Anton Bruckners
Anton Bruckner is best known for his symphonic works; there are 11 symphonies (the last with an unfinished finale), most of them in several versions. He also composed a few other smaller orchestral works (one overture, one march and three 'small orchestral pieces'), and sketched another symphony. Bruckner also composed a considerable amount of choral music. There are 59 religious works, of which there are 17 larger choral works (seven masses, two requiems, one religious cantata, five psalm settings, one ''Te Deum'' hymn and one ''Magnificat'' hymn), 40 smaller choral works (16 hymns, six antiphons, six graduals, three settings of the offertorium, two chorale, two religious elegies, two '' Libera me'', one litany and two other motets), of which a few are in two or three versions, and two '' aequali'' for three trombones. In addition, Bruckner made sketches for two other masses and another requiem. Bruckner also composed 44 ''Weltliche Chorwerke'' (secular choral works), seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
