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Dennis Taylor (musician)
Dennis Taylor (November 13, 1953October 17, 2010) was an American musician, arranger, and author. Taylor had recording credits on saxophone (alto, tenor and baritone) as well as clarinet, and as an arranger. Career Taylor was born in Barton, Vermont. He studied music at the Berklee College of Music. Career Taylor was best known for his recordings with Delbert McClinton, Clarence "Gatemouth" Brown, Michelle Shocked, Buckwheat Zydeco and many others, and for writing a series of instructional books through Hal Leonard Publishing, in which he discussed blues playing, jazz playing and phrasing. Taylor played on five Grammy Award nominated albums. He was a two-time nominee for the Nashville Music Awards, "Miscellaneous Wind Instrumentalist of the Year". He appeared on '' Austin City Limits'', Country Music Hall of Fame 25th Anniversary Celebration, ''Texas Connection, In Concert,'' ''American Music Shop'', and ''Crook & Chase''. On April 30, 2010, Taylor appeared on '' Imus in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton, Vermont
Barton is a town in Orleans County, Vermont, United States. The population was 2,872 at the 2020 census. The town includes two incorporated villages, Barton and Orleans. Approximately a quarter of the town's population lives in each of the villages, and approximately half lives outside the villages. Only four other towns in the state contain two incorporated villages. The Nulhegan Abenaki Tribe, a state-recognized tribe, is headquartered here. History The Abenaki and their ancestors had been in this area for 12,000 years. They were part of the large Wabanaki confederacy of related Algonguian-speaking peoples that extended into what is now Canada. In 2011 and 2012 the state of Vermont officially recognized four Abenaki tribes. The Nulhegan Abenaki Tribe has its headquarters in Barton. Early European traders and colonists were French. Anglo-Americans began to enter the area later in the 18th century. Both groups pushed the Abenaki aside when they wanted the land, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crook & Chase
''Crook & Chase'' is an American television talk show hosted by Lorianne Crook and Charlie Chase, focusing primarily, but not exclusively, on country music. The pair had first worked together on the weekly syndicated program "This Week In Country Music," which was later titled ''Crook & Chase Countdown'' and distributed by Premiere Radio Networks. The series originally aired on The Nashville Network in primetime from 1986 to 1996, then called ''The Nashville Record Review'' (later presented by Katie Haas and Bill Cody). It was called ''Crook and Chase'' from 1986 to 1993, and then became known as ''Music City Tonight'' when ''Crook and Chase'' replaced the popular show ''Nashville Now'' after its host Ralph Emery retired. ''Crook and Chase'' moved to daytime syndication from 1996 to 1997. After their syndicated show was canceled, they returned to host their own show on The Nashville Network where they stayed until it was canceled in 1999 (as part of TNN's overhaul into a more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theory
A theory is a rational type of abstract thinking about a phenomenon, or the results of such thinking. The process of contemplative and rational thinking is often associated with such processes as observational study or research. Theories may be scientific, belong to a non-scientific discipline, or no discipline at all. Depending on the context, a theory's assertions might, for example, include generalized explanations of how nature works. The word has its roots in ancient Greek, but in modern use it has taken on several related meanings. In modern science, the term "theory" refers to scientific theories, a well-confirmed type of explanation of nature, made in a way consistent with the scientific method, and fulfilling the criteria required by modern science. Such theories are described in such a way that scientific tests should be able to provide empirical support for it, or empirical contradiction ("falsify") of it. Scientific theories are the most reliable, rigorous, and compr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3/4 Time
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with , , and being the most common examples. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of usually indicates compound duple metre, and similarly usually indicates compound quadruple metre. Shown below are a simple and a compound triple drum pattern. \new Staff \new Staff Stylistic differences In popular music, the metre is most often quadruple,Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . but this does not mean that triple metre does not appear. It features in a good amount of music by artists such as The Chipmunks, Louis Armstrong or Bob Dylan. In jazz, this and other more adventurous metres have become more common since Dave Brubeck's albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Jazz
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including tenor saxophone, guitar, and organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, and guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green. Musical style Soul jazz is often associated with hard bop. Mark C. Gridley, writing for the ''All Music Guide to Jazz'', explains that soul jazz more specifically refers to music with "an earthy, bluesy melodic concept" and "repetitive, dance-like rhythms.... Note that some listeners make no distinction between 'soul-jazz' and 'funky hard bop,' and ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
So What (composition)
"So What" is the first track on the 1959 album '' Kind of Blue'' by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E Dorian and another eight of D Dorian. This AABA structure puts it in the thirty-two-bar format of American popular song. The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Paul Chambers on ''Kind of Blue''. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' first quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What". The use of the double bass to play the main theme makes the piece unusual. This arrangement was later performed and recorded as part of the album ''Miles Davis at Carnegie Hall''. Whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maiden Voyage (composition)
"Maiden Voyage" is a jazz composition by Herbie Hancock from his 1965 album '' Maiden Voyage''. It features Hancock's quartet – trumpeter Freddie Hubbard, bassist Ron Carter and drummer Tony Williams – with additional saxophonist George Coleman. It is one of Hancock's best-known compositions and has become a jazz standard. The piece was used in a Fabergé commercial and was originally listed on the album's master tape as "TV Jingle" until Hancock's sister came up with the new name. In the liner notes for the ''Maiden Voyage'' album, Hancock states that the composition was an attempt to capture "the splendor of a sea-going vessel on its maiden voyage". While being interviewed for KCET TV in 2011, Hancock considered Maiden Voyage to be his favorite of all of the compositions he had written. Harmonic Structure A modal jazz piece, the composition follows a 32-bar AABA form with only two chords in each section: A7/D , , , , C7/F , , , A7/D , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Living (song)
"Easy Living" (1937) is a jazz standard written by Ralph Rainger and lyrics by Leo Robin for the film '' Easy Living'' where it was the main theme of the score but not sung. A popular recording in 1937 was by Teddy Wilson with Billie Holiday, Benny Goodman, and Lester Young. A multitude of other artists have also recorded the song. See also *List of 1930s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one ... References {{DEFAULTSORT:Easy Living (song) 1937 songs 1930s jazz standards Songs with lyrics by Leo Robin Songs with music by Ralph Rainger Billie Holiday songs The Coasters songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doxy (song)
"Doxy" is an early composition by jazz saxophonist Sonny Rollins. It was originally recorded by Rollins with Miles Davis in 1954, and appeared on the 10-inch LP '' Miles Davis with Sonny Rollins''. It was also included on the 1957 Davis album '' Bags' Groove''. The original recording features Davis on trumpet, Rollins on tenor saxophone, Horace Silver on piano, Percy Heath on bass, and Kenny Clarke on drums. When Rollins eventually established his own record label, he named it Doxy Records. The chords are from Bob Carleton's 16-bar song "Ja-Da". "Doxy" has become a jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive lis ..., a frequently performed and recorded part of many musicians' repertoires. "Doxy" was written by Sonny Rollins during his stopover in England on a European ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
