Delta Scale
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Delta Scale
The δ (delta) scale is a non-octave repeating musical scale. It may be regarded as the beta scale's reciprocal, since it is "as far 'down' the ( 0 3 6 9) circle from α as β is 'up'".Taruskin, Richard (1996). ''Stravinsky and the Russian Traditions: A Biography of the Works through Mavra'', p. 1394. . As such it would split the minor second (presumably 16:15) into eight equal parts of approximately 14 cents each . This would total approximately 85.7 steps per octave. The scale step may also precisely be derived from using 50:28 (25:14, 1003.8 cents, A, ) to approximate the interval , which equals 6:5 (E, 315.64 cents, ). Thus the step is approximately 13.946 cents, and there are 86.049 steps per octave. :\begin \frac = 0.011\,621\,2701 \\ 0.011\,621\,2701 \times 1200 = 13.945\,524\,1627 \end () The Bohlen–Pierce delta scale is based on the tritave and the 7:5:3 "wide" triad () and the 9:7:5 "narrow" triad () (rather than the conventional 4:5:6 triad). Notes inc ...
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Just Diatonic Semitone On C
Just or JUST may refer to: Arts and entertainment * "Just" (song), 1995, by Radiohead * ''Just!'', Australian author Andy Griffiths' children's story collections * ''Just'', a 1998 album by Dave Lindholm * "Just", a 2005 song on ''Lost and Found'' by Mudvayne * "Just", a 2016 song on ''Melting'' by Mamamoo Businesses * JUST, Inc., an American food manufacturing company * Just Group, an Australian owner and operator of seven retail brands * Just Group plc, a British company specialising in retirement products and services Education * Jashore University of Science and Technology, Bangladesh * Jinwen University of Science and Technology, Taiwan * Jordan University of Science and Technology, Jordan People * Just (surname) * Just (given name) * List of people known as the Just See also * * Jus (other) * Justice (other) Justice is the philosophical concept of the morally correct assignment of goods and evils. Justice or Justices may also refer to: Common uses ...
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Chromatic Circle
The chromatic circle is a clock diagram for displaying relationships among the equal-tempered pitch classes making up a given equal temperament tuning's chromatic scale on a circle. Explanation If one starts on any equal-tempered pitch and repeatedly ascends by the musical interval of a semitone, one will eventually land on a pitch with the same pitch class as the initial one, having passed through all the other equal-tempered chromatic pitch classes in between. Since the space is circular, it is also possible to descend by semitone. The chromatic circle is useful because it represents melodic distance, which is often correlated with physical distance on musical instruments. For instance, assuming 12-tone equal temperament, to move from any C on a keyboard to the nearest E, one must move up four semitones, corresponding to four clockwise steps on the chromatic circle. One can also move ''down'' by eight semitones, corresponding to eight counterclockwise steps on the pitch cl ...
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Musical Scale
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, the ...
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Beta Scale
The β (beta) scale is a non-octave-repeating musical scale invented by Wendy Carlos and first used on her album ''Beauty in the Beast'' (1986). It is derived from approximating just intervals using multiples of a single interval without, as is standard in equal temperaments, requiring an octave (2:1). It may be approximated by splitting the perfect fifth (3:2) into eleven equal parts 3:2) ≈ 63.8 cents It may be approximated by splitting the perfect fourth (4:3) into two equal parts 4:3)Milano, Dominic (November 1986)"A Many-Colored Jungle of Exotic Tunings" ''Keyboard''. or eight equal parts 4:3) = 64 centsCarlos, Wendy (2000/1986). "Liner notes", ''Beauty in the Beast''. ESD 81552. totaling approximately 18.8 steps per octave. The scale step may also precisely be derived from using 11:6 (B, 1049.36 cents, ) to approximate the interval , which equals 6:5 . \frac=0.05319411048 and 0.05319411048\times1200=63.832932576 () Although neither has an octave, one advantage to ...
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Diminished Seventh Chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a Root (chord), root note, together with a minor third, a diminished fifth, and a diminished seventh above the root: (1, 3, 5, 7). For example, the diminished seventh chord built on B, commonly Chord names and symbols (popular music), written as B7, has pitches B-D-F-A: : The chord consists of a diminished triad plus the diminished seventh above the root. These four notes form a stack of three Interval (music), intervals which are all minor thirds. Since stacking yet another minor third returns to the root note, the four Inversion (music), inversions of a diminished seventh chord are symmetrical. The Pitch class#Integer notation, integer notation is . Since the diminished seventh interval is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, 3, 5, 6). The diminished seventh chord occurs as a leading-tone seventh chord in the harm ...
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Alpha Scale
The (alpha) scale is a non-octave-repeating musical scale invented by Wendy Carlos and first used on her album ''Beauty in the Beast'' (1986). It is derived from approximating just intervals using multiples of a single interval, but without requiring (as temperaments normally do) an octave (2:1). It may be approximated by dividing the perfect fifth (3:2) into nine equal steps, with frequency ratio \ \left( \tfrac \right)^\ , or by dividing the minor third (6:5) into four frequency ratio steps of \ \left( \tfrac \right)^ ~. The size of this scale step may also be precisely derived from using 9:5 B, 1017.60 cents, to approximate the interval E, 315.64 cents, . : Carlos' (alpha) scale arises from ... taking a value for the scale degree so that nine of them approximate a 3:2 perfect fifth, five of them approximate a 5:4 major third, and four of them approximate a 6:5 minor third. In order to make the approximation as good as possible we minimize the mean s ...
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Minor Second
A semitone, also called a minor second, half step, or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones). In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. fro ...
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Scale Step
In Schenkerian theory, a scale-step () is a triad (based on one of the diatonic scale degrees) that is perceived as an organizing force for a passage of music (in accordance with the principle of composing-out). In ''Harmony'', Schenker gives the following example and asserts that A scale-step triad is designated by an uppercase Roman numeral representing the scale degree of the root, much as in traditional "harmonic analysis" (see chord progression). Thus, in the above example (which is in G major), the G major triad that Schenker claims we perceive through the first two measures would be labelled "I". However, unlike traditional harmonic analyses, Schenker's theory is not concerned with the mere labelling of such chords, but rather with discerning hierarchical relationships among tones. For Schenker, the chords occurring in a passage need not be of equal import. As he explains: Furthermore, in terms of Schenker's mature theory, the question of whether a given triad pos ...
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Bohlen–Pierce Scale
The Bohlen–Pierce scale (BP scale) is a musical musical tuning, tuning and scale (music), scale, first described in the 1970s, that offers an alternative to the octave-repeating scales typical in Classical music, Western and other musics, specifically the equal temperament, equal-tempered diatonic scale. The interval 3:1 (often called by a new name, ''tritave'') serves as the fundamental harmonic ratio, replacing the diatonic scale's 2:1 (the octave) with a perfect twelfth (an octave higher than a perfect fifth). For any pitch that is part of the BP scale, all pitches one or more tritaves higher or lower are part of the system as well, and are considered equivalent. The BP scale divides the tritave into 13 steps, either Equal temperament, equal tempered (the most popular form), or in a Just intonation, justly tuned version. Compared with octave-repeating scales, the BP scale's interval (music), intervals are more consonance and dissonance, consonant with certain types of acous ...
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Triad (music)
In music, a triad is a set of three notes (or "pitch classes") that can be stacked vertically in thirds.Ronald Pen, ''Introduction to Music'' (New York: McGraw-Hill, 1992): 81. . "A triad is a set of notes consisting of three notes built on successive intervals of a third. A triad can be constructed upon any note by adding alternating notes drawn from the scale.... In each case the note that forms the foundation pitch is called the ''root'', the middle tone of the triad is designated the ''third'' (because it is separated by the interval of a third from the root), and the top tone is referred to as the ''fifth'' (because it is a fifth away from the root)." Triads are the most common chord (music), chords in Western music. When stacked in thirds, notes produce triads. The triad's members, from lowest-pitched tone to highest, are called: * the root **Note: Inversion (music)#Inverted chords, Inversion does not change the root. (The third or fifth can be the lowest note.) * the third ...
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Alpha Scale
The (alpha) scale is a non-octave-repeating musical scale invented by Wendy Carlos and first used on her album ''Beauty in the Beast'' (1986). It is derived from approximating just intervals using multiples of a single interval, but without requiring (as temperaments normally do) an octave (2:1). It may be approximated by dividing the perfect fifth (3:2) into nine equal steps, with frequency ratio \ \left( \tfrac \right)^\ , or by dividing the minor third (6:5) into four frequency ratio steps of \ \left( \tfrac \right)^ ~. The size of this scale step may also be precisely derived from using 9:5 B, 1017.60 cents, to approximate the interval E, 315.64 cents, . : Carlos' (alpha) scale arises from ... taking a value for the scale degree so that nine of them approximate a 3:2 perfect fifth, five of them approximate a 5:4 major third, and four of them approximate a 6:5 minor third. In order to make the approximation as good as possible we minimize the mean s ...
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