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Delphic Hymns
The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments. They were long regarded as being dated circa 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaides in 128 BC. If indeed it dates from ten years before the second, the First Delphic Hymn is the earliest unambiguous surviving example of notated music from anywhere in the western world whose composer is known by name. Inscriptions indicate that the First Delphic Hymn was written by Athenaeus, son of Athenaeus, while Limenius is credited the Second Delphic Hymn's composer. History Both Delphic Hymns were addressed to Apollo, and were found inscribed on stone fragments from the south outer wall of the Athenian Treasury at Delphi in 1893 by French archaeologist Théophile Homolle, while Henri Weil restored the Greek text and Théodore Reinach transcribed the music to modern nota ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphic Hymn 1 Section 2
{{disambiguation ...
Delphic may refer to: *Delphic (band), British band * Uses as adjective: ** Of or connected with the city of Delphi, Greece ** Making of predictions: *** Delphic ambiguity *** Of or related to the Delphic Oracle in any way * British ships: ** , launched 1897 ** , launched 1918 * The Delphic Fraternity, Inc., also known as Delphic of Gamma Sigma Tau (ΓΣΤ), See also * *Delphi (other) Delphi is an archaeological site in Greece. Delphi may also refer to: Geography In Greece * Delphi (modern town), a town near the eponymous archaeological site * Delphi, a mountain in Skopelos, Greece * Delphic oracle or Pythia, located in D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyknon
Pyknon (from el, πυκνόν), sometimes also transliterated as pycnon (from el, πυκνός close, close-packed, crowded, condensed; lat, spissus) in the music theory of Antiquity is a structural property of any tetrachord in which a composite of two smaller intervals is less than the remaining ( incomposite) interval. The makeup of the ''pyknon'' serves to identify the melodic genus (also called "genus of a tetrachord") and the octave species made by compounding two such tetrachords, and the rules governing the ways in which such compounds may be made centre on the relationships of the two ''pykna'' involved. Definition The ''pyknon'' was an important criterion in the classification of melodic genera ( el, γένη τῶν μελῳδουμένων). The Greek word πυκνόν is an adjective meaning "close", "compact", "close-packed", or "crowded". In Ancient Greek music theory, this term is used to describe a pair of intervals within a tetrachord, the sum of which is les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cithara
The kithara (or Latinized cithara) ( el, κιθάρα, translit=kithāra, lat, cithara) was an ancient Greek musical instrument in the yoke lutes family. In modern Greek the word ''kithara'' has come to mean "guitar", a word which etymologically stems from ''kithara''. The cithara was a seven-stringed professional version of the lyre, which was regarded as a rustic, or folk instrument, appropriate for teaching music to beginners. As opposed to the simpler lyre, the cithara was primarily used by professional musicians, called kitharodes. The cithara's origins are likely Anatolian. popular in the eastern Aegean and ancient Anatolia. Uses Whereas the basic lyra was widely used as a teaching instrument in boys’ schools, the cithara was a virtuoso's instrument, generally known as requiring a great deal of skill. The cithara was played primarily to accompany dance, epic recitations, rhapsodies, odes, and lyric songs. It was also played solo at the receptions, ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrachord
In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system. History The name comes from ''tetra'' (from Greek—"four of something") and ''chord'' (from Greek ''chordon''—"string" or "note"). In ancient Greek music theory, ''tetrachord'' signified a segment of the greater and lesser perfect systems bounded by ''immovable'' notes ( ); the notes between these were ''movable'' ( ). It literally means ''four strings'', originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes. Modern music theory uses the octave as the basic u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Delphic Hymn Section A Pattern
First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and record producer Albums * ''1st'' (album), a 1983 album by Streets * ''1st'' (Rasmus EP), a 1995 EP by The Rasmus, frequently identified as a single * '' 1ST'', a 2021 album by SixTones * ''First'' (Baroness EP), an EP by Baroness * ''First'' (Ferlyn G EP), an EP by Ferlyn G * ''First'' (David Gates album), an album by David Gates * ''First'' (O'Bryan album), an album by O'Bryan * ''First'' (Raymond Lam album), an album by Raymond Lam * ''First'', an album by Denise Ho Songs * "First" (Cold War Kids song), a song by Cold War Kids * "First" (Lindsay Lohan song), a song by Lindsay Lohan * "First", a song by Everglow from ''Last Melody'' * "First", a song by Lauren Daigle * "First", a song by Niki & Gabi * "First", a song by Jonas Broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Helicon
Mount Helicon ( grc, Ἑλικών; ell, Ελικώνας) is a mountain in the region of Thespiai in Boeotia, Greece, celebrated in Greek mythology. With an altitude of , it is located approximately from the north coast of the Gulf of Corinth. Some researchers maintain that Helicon was also the Greek name of mount Rocca Salvatesta in Sicily as a river started from it was called also Helikon. Greek mythology In Greek mythology, two springs sacred to the Muses were located here: the Aganippe and the Hippocrene, both of which bear "horse" (ἵππος ''híppos'') in their names. In a related myth, the Hippocrene spring was created when the winged horse Pegasus aimed his hoof at a rock, striking it with such force that the spring burst from the spot. On Mount Helicon too was the spring where Narcissus was inspired by his own beauty. Mount Helicon and the Hippocrene spring were considered to be a source of poetic inspiration. In the late seventh century BCE, the poet Hesiod plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muses
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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