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Delluc B. Et G.
Louis Delluc (; 14 October 1890 – 22 March 1924) was an Impressionist French film director, screenwriter and film critic. Biography Delluc was born in Cadouin in 1890. His family moved to Paris in 1903. After graduating from the university, he became a literary critic. During the First World War, he was married to the Belgian actress Ève Francis, who acted in many of his films. In 1917, Delluc began his career in film criticism. He went on to edit ''Le Journal du Ciné-club'' and ''Cinéa'', establish film societies, and direct seven films. He was one of the early Impressionist filmmakers, along with Abel Gance, Germaine Dulac, Marcel L'Herbier, and Jean Epstein. His films are notable for their focus on ordinary events and the natural setting rather than on adventures and antics. Many of his early film writings for French newspapers were collected in the volume ''Cinema et cie'' (1919). He also wrote one of the first books on Charlie Chaplin (1921; translated into English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Buisson-de-Cadouin
Le Buisson-de-Cadouin (; ) is a commune in the Dordogne department in southwestern France. It is situated on the left bank of the river Dordogne. The Gare du Buisson is a railway junction, with connections to Bordeaux, Sarlat-la-Canéda, Agen and Périgueux. History In 1893, the commune of Cabans was renamed Le Buisson. In 1960, Cussac and Le Buisson merged to form Le Buisson-Cussac. In 1974, the communes Cadouin, Le Buisson-Cussac, Paleyrac and Urval merged and formed the new commune Le-Buisson-de-Cadouin. Urval separated in 1989. Cadouin Abbey (founded in 1115, dissolved in 1791) was formerly situated here. Population Demographics * Students: 4.05% * Single-parent families: 10.39% Occupation *Agriculture: 4% *Commercial and manufacturing: 12% *Services: 8% *Intermediary professions: 14% *Employees: 36% *Labourers: 25% Sights * Grotte de Cussac, a cave containing more than 100 prehistoric artworks * Cadouin Abbey, 12th-century Cistercian monastery * Jardin de Planbuis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Femme De Nulle Part
''La Femme de nulle part'' (''The Woman from Nowhere'') is a 1922 French film directed by Louis Delluc. The screenplay was one of three screenplays published under the title ''Drames du Cinema'' in 1923. Plot In a villa close to Genoa, a man says goodbye to his wife and young son. He is going to spend one day and one night in the city to take leave of a friend embarking on a boat. An older woman arrives, who had lived many years before in that house. She asks for permission to see again the house and the park. The husband invites her to spend the night. While he is upstairs packing, a young man hides a letter under the staircase leading to the house. Once the husband has left, his wife retrieves the letter, it is a message from her lover insisting that she should leave her house and elope with him. The older woman watches her from the window of her bedroom while she reads the letter. A moment later, she goes to the young woman's bedroom and sees that she is packing. She tells he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ève Francis
Ève Francis (born Eva Louise François; 20 August 1886 – 6 December 1980) was an actress and film-maker. She was born in Belgium but spent most of her career in France. She became closely associated with the writer Paul Claudel, and she was married to the critic and film-maker Louis Delluc. Career Ève Francis was born Eva Louise François at Saint-Josse-ten-Noode in Belgium. After completing her secondary education in Belgium, she embarked on a career as an actress and began working in the theatre in Paris in 1913. In 1914 she was introduced to the author Paul Claudel who chose her for the leading role in the first Paris production of his play ''L'Otage''. Although only a few performances were given, the play was well received in literary and artistic circles and her reputation was established. Her long-lasting association with Claudel was at times personal as well as artistic, and in later years she described him as the most extraordinary person she had known and the domi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Impressionist Cinema
French impressionist cinema (first avant-garde or narrative avant-garde) refers to a group of French films and filmmakers of the 1920s. Film scholars have had much difficulty in defining this movement or for that matter deciding whether it should be considered a movement at all. David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. 1 Others, namely Richard Abel, criticize these attempts and group the films and filmmakers more loosely, based on a common goal of "exploration of the process of representation and signification in narrative film discourse." 2 Still others such as Dudley Andrew would struggle with awarding any credibility at all as "movement". 3 Filmmakers and films (selection) *Abel Gance ('' La Dixième symphonie'' 1918, '' J’Accuse'' 1919, ''La Roue'' 1922, and, above all, ''Napoléon'' 1927) *Jean Epstein (''Coeur fidèle'' 1923, ''Six et demi onze'' 1927, ''La Glace a Trois Face'' 1928, and '' The Fall of the House of Usher'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Society
A film society is a membership-based club where people can watch screenings of films which would otherwise not be shown in mainstream cinemas. In Spain, Ireland and Italy, they are known as "cineclubs", and in Germany they are known as "filmclubs". They usually have an educational aim, introducing new audiences to different audiovisual works through an organized and prepared program of screenings. Editorial output reinforces the work of these organisations, as they produce hand-programmes, brochures, schedules, information sheets, and even essays, supporting the significance of their exhibitions. A common feature that may characterize a film society screening is that they begin with an introduction of the film to the audience, and end with the promotion of a discussion about the film, where assistants, organizers and sometimes the filmmakers themselves, exchange their views. There are networks in many different countries, and these are organized into federations, councils, collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germaine Dulac
Germaine Dulac (; born Charlotte Elisabeth Germaine Saisset-Schneider; 17 November 1882 – 20 July 1942)Flitterman-Lewis 1996 was a French filmmaker, film theorist, journalist and critic. She was born in Amiens and moved to Paris in early childhood. A few years after her marriage she embarked on a journalistic career in a feminist magazine, and later became interested in film. With the help of her husband and friend she founded a film company and directed a few commercial works before slowly moving into Impressionist and Surrealist territory. She is best known today for her Impressionist film, ''La Souriante Madame Beudet'' (''The Smiling Madam Beudet'', 1922/23), and her Surrealist experiment, '' La Coquille et le Clergyman'' (''The Seashell and the Clergyman'', 1928). Her career as filmmaker suffered after the introduction of sound film and she spent the last decade of her life working on newsreels for Pathé and Gaumont. Biography Germaine Dulac was born in Amiens, France i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel L'Herbier
Marcel L'Herbier (; 23 April 1888 – 26 November 1979) was a French filmmaker who achieved prominence as an avant-garde theorist and imaginative practitioner with a series of silent films in the 1920s. His career as a director continued until the 1950s and he made more than 40 feature films in total. During the 1950s and 1960s, he worked on cultural programmes for French television. He also fulfilled many administrative roles in the French film industry, and he was the founder and the first President of the French film school Institut des hautes études cinématographiques (IDHEC). Early life Marcel L'Herbier was born in Paris on 23 April 1888 into a professional and intellectual family, and as he grew up he demonstrated a multi-talented disposition for sports, dancing, debating and the arts. He attended a Society of Mary (Marists), Marist school and then the Lycée Voltaire (Paris), Lycée Voltaire, followed by the École des Hautes Études Sociales in Paris. He worked hard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Epstein
Jean Epstein (; 25 March 1897 – 2 April 1953) was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe's ''The Fall of the House of Usher'', he directed three dozen films and was an influential critic of literature and film from the early 1920s through the late 1940s. He is often associated with French Impressionist Cinema and the concept of ''photogénie''. Life and career Epstein was born in Warsaw, Kingdom of Poland (then a part of Russian Empire) to a French-Jewish father and Polish mother. After his father died in 1908, the family relocated to Switzerland, where Epstein remained until beginning medical school at the University of Lyon in France. While in Lyon, Epstein served as a secretary and translator for Auguste Lumière, considered one of the founders of cinema. Epstein started directing his own films in 1922 with ''Pasteur'', followed by ''L'Auberge rouge'' and ''Coeur fidèl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Chaplin
Sir Charles Spencer Chaplin Jr. (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from childhood in the Victorian era until a year before his death in 1977, and encompassed both adulation and controversy. Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financially — he was sent to a workhouse twice before age nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix Louis-Delluc
The Louis Delluc Prize (french: Prix Louis-Delluc ) is a French film award presented annually since 1937. The award is bestowed to the Best Film and Best First Film of the year on the second week of each December. The jury is composed of 20 members, consisting of a group of film critics and figures who are culturally significant. Gilles Jacob is the president. The meeting is at ''le Fouquet's'' restaurant in Champs-Élysées. The award was created in 1937 in view of the decision of the Académie française to award its Grand Prix du Cinema to films that were created by French filmmakers. Twenty-four film critics including Maurice Bessy and Marcel Idzkowski established the prize to honor Louis Delluc (1890–1924), the first French journalist to specialize in cinema and founder of the ciné-clubs. Notes *≠Oscar winner *± Oscar nominee *≈ Palme d'Or winner Winners Louis Delluc Prize for Best Film 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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