Deimantas Narkevičius
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Deimantas Narkevičius
Deimantas Narkevičius (born 24 May 1964 in Utena, Lithuanian Soviet Socialist Republic, Lithuanian SSR) is one of the most consistent and widely recognised Lithuanian artists on the international art scene. Originally trained as a sculptor, Narkevičius has mainly worked with film and video. Employing documentary footage, voice-overs, interviews, re-enactments and found photographs, his films submit historical events to the narrative structures of storytelling and cinema. In his artistic practice Narkevičius examines the relationship of personal memories to political histories, particularly those of his native Lithuania. For the artist, history itself has become both material and methodology. Since 1992 Narkevičius has exhibited extensively in important contemporary art venues and events worldwide, including Centre Pompidou (Paris), Museo Nacional Centro de Arte Reina Sofía, Museo Nacional Centro De Arte Reina Sofia (Madrid), Tate Modern (London), Museum of Modern Art (New Y ...
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Utena
Utena () is a city in north-east Lithuania. It is the administrative center of Utena district and Utena County. Utena is one of the oldest settlements of Lithuania. The name of the city is most probably derived from a hydronym. The name of the settlement has been known since 1261. Utena is an industrial city. It is known for its clothing, food and beverage factories. In recent years, however, streets, public squares and large areas of the parks in the city were reconstructed and Utena is now more attractive for recreation and tourism. In 2007, Utena won a Silver Award in category B (towns with a population between 10,001 and 50,000) of the International Awards for Liveable Communities, held in London. The anniversary of Utena City had been held each year on the last weekend of September. Since 2013 the anniversary has been held on the first weekend of September to take advantage of better weather conditions. Geography Utena is located in northeastern Lithuania. The city cove ...
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Ivan The Terrible (1944 Film)
''Ivan the Terrible'' (russian: Иван Грозный, ''Ivan Grozniy'') is a two-part Soviet epic historical drama film written and directed by Sergei Eisenstein. A biopic of Ivan IV of Russia, it was Eisenstein's final film, commissioned by Soviet Premier Joseph Stalin, who admired and identified with Ivan. Part I was released in 1944; Part II, although it finished production in 1946, was not released until 1958, as it was banned on the order of Stalin, who became incensed over the depiction of Ivan therein. Eisenstein had developed the scenario to require a third part to finish the story but, with the banning of Part II, filming of Part III was stopped; after Eisenstein's death in 1948, what had been completed of Part III was mostly destroyed. The film is mainly in black-and-white, but contains a few colour scenes towards the end of Part II. Plot Part I In the prologue Ivan's mother and her lover are murdered by the boyars. Later Ivan is enthroned as Grand Prince of Mosc ...
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Warsaw Pact
The Warsaw Pact (WP) or Treaty of Warsaw, formally the Treaty of Friendship, Cooperation and Mutual Assistance, was a collective defense treaty signed in Warsaw, Poland, between the Soviet Union and seven other Eastern Bloc socialist republics of Central and Eastern Europe in May 1955, during the Cold War. The term "Warsaw Pact" commonly refers to both the treaty itself and its resultant defensive alliance, the Warsaw Treaty Organization (WTO). The Warsaw Pact was the military complement to the Council for Mutual Economic Assistance (Comecon), the regional economic organization for the socialist states of Central and Eastern Europe. The Warsaw Pact was created in reaction to the integration of West Germany into the North Atlantic Treaty Organization (NATO)"In reaction to West Germany's NATO accession, the Soviet Union and its Eastern European client states formed the Warsaw Pact in 1955." Citation from: in 1955 as per the London and Paris Conferences of 1954.The Warsaw Pact R ...
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Communism
Communism (from Latin la, communis, lit=common, universal, label=none) is a far-left sociopolitical, philosophical, and economic ideology and current within the socialist movement whose goal is the establishment of a communist society, a socioeconomic order centered around common ownership of the means of production, distribution, and exchange which allocates products to everyone in the society.: "One widespread distinction was that socialism socialised production only while communism socialised production and consumption." Communist society also involves the absence of private property, social classes, money, and the state. Communists often seek a voluntary state of self-governance, but disagree on the means to this end. This reflects a distinction between a more libertarian approach of communization, revolutionary spontaneity, and workers' self-management, and a more vanguardist or communist party-driven approach through the development of a constitutional socialist st ...
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Site-specific Art
Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as sculpture, stencil graffiti, rock balancing, and other art forms. Installations can be in urban areas, remote natural settings, or underwater. History The term "site-specific art" was promoted and refined by Californian artist Robert Irwin but it was actually first used in the mid-1970s by young sculptors, such as Patricia Johanson, Dennis Oppenheim, and Athena Tacha, who had started executing public commissions for large urban sites. For ''Two Jumps for Dead Dog Creek'' (1970), Oppenheim attempted a series of standing jumps at a selected site in Idaho, where "the width of the creek became a specific goal to which I geared a bodily activity," with his two successful jumps being "dictated by a land f ...
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Young British Artists
The Young British Artists, or YBAs—also referred to as Brit artists and Britart—is a loose group of visual artists who first began to exhibit together in London in 1988. Many of the YBA artists graduated from the BA Fine Art course at Goldsmiths, in the late 1980s, whereas some from the group had trained at Royal College of Art.Blanché, Ulrich (2018). ''Damien Hirst. Gallery Art in a Material World''. Baden-Baden, Tectum Verlag, p. 69. The scene began around a series of artist-led exhibitions held in warehouses and factories, beginning in 1988 with the Damien Hirst-led '' Freeze'' and, in 1990, ''East Country Yard Show'' and ''Modern Medicine''. They are noted for "shock tactics", use of throwaway materials, wild living, and an attitude "both oppositional and entrepreneurial". They achieved considerable media coverage and dominated British art during the 1990s; internationally reviewed shows in the mid-1990s included ''Brilliant!'' and ''Sensation''. Many of the artists we ...
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George Maciunas
George Maciunas (; lt, Jurgis Mačiūnas; November 8, 1931 – May 9, 1978) was a Lithuanian American artist, born in Kaunas. A founding member and the central coordinator of Fluxus, an international community of artists, architects, composers, and designers, he is most famous for organising and performing early happenings and for assembling a series of highly influential artists' multiples. Biography Early life His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera Mr. Fluxus, p. 338 and, later, Aleksandr Kerensky's private secretary, helping him complete his memoirs. After fleeing Lithuania to avoid being arrested by the advancing Red Army in 1944, and living briefly in Bad Nauheim, Frankfurt, Germany, initially under Nazi control and then under the occupying forces, Jurgis Mačiūnas and his family emigrated to the ...
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Jonas Mekas
Jonas Mekas (; December 24, 1922 – January 23, 2019) was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas' work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers’ Cooperative, and the journal '' Film Culture''. He was also the first film critic for ''The Village Voice''. In the 1960s, Mekas launched anti-censorship campaigns in defense of the LGBTQ-themed films of Jean Genet and Jack Smith, garnering support from cultural figures including Jean-Paul Sartre, Simone de Beauvoir, Norman Mailer, Susan Sontag. Mekas mentored and supported many prominent American artists and filmmakers, including Ken Jacobs, Peter Bogdanovich, Chantal Akerman, Richard Foreman, John Waters, Barbara Rubin, Yoko Ono, and Martin Scorsese. He helped launch the writing careers of the critics Andrew Sarris, Amy Taubin, a ...
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Vilnius Academy Of Arts
The Vilnius Academy of Arts ( lt, Vilniaus dailės akademija, previously ''State Art Institute of Lithuania'') in Vilnius, Lithuania, grants a variety of degrees in the arts. History The Academy traces its roots back to the creation of the Architecture Department at Vilnius University in the former Grand Duchy of Lithuania in 1793. The Department of Painting and Drawing was established in 1797, followed by the Department of Graphics (Engraving), and in 1805 – the Departments of Sculpture and History of art. In 1832, the university was closed, and reopened in 1919 with departments of Painting, Sculpture and Graphic Art. In 1940, the art studies in Lithuania were united under Vilnius Art Institute and Kaunas Art School. Later, the Academy saw several re-organisations, and in 1990 the name of Vilnius Academy of Arts was reinstated. The academy began working with UNESCO The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the Unit ...
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Stalinism
Stalinism is the means of governing and Marxist-Leninist policies implemented in the Soviet Union from 1927 to 1953 by Joseph Stalin. It included the creation of a one-party totalitarian police state, rapid industrialization, the theory of socialism in one country, collectivization of agriculture, intensification of class conflict, a cult of personality, and subordination of the interests of foreign communist parties to those of the Communist Party of the Soviet Union, deemed by Stalinism to be the leading vanguard party of communist revolution at the time. After Stalin's death and the Khrushchev thaw, de-Stalinization began in the 1950s and 1960s, which caused the influence of Stalin’s ideology begin to wane in the USSR. The second wave of de-Stalinization started during Mikhail Gorbachev’s Soviet Glasnost. Stalin's regime forcibly purged society of what it saw as threats to itself and its brand of communism (so-called "enemies of the people"), which included ...
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16mm Film
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, televisual) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for US$335 (). RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35 mm film for amateurs. The same year the Victor Animatograph Corporation started producing their own 16 mm cameras and projectors. During the 1920s, the fo ...
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Sergei Parajanov
Sergei Parajanov, ka, სერგო ფარაჯანოვი, uk, Сергій Параджанов (January 9, 1924 – July 20, 1990) was an Armenian filmmaker. Parajanov is regarded by film critics, film historians and filmmakers to be one of the greatest and most influential filmmakers in cinema history. He invented his own cinematic style, which was out of step with the guiding principles of socialist realism; the only sanctioned art style in the USSR. This, combined with his lifestyle and behaviour, led Soviet authorities to repeatedly persecute and imprison him, and suppress his films. Despite this, Parajanov was named one of the 20 Film Directors of the Future by the Rotterdam International Film Festival, and his films were ranked among the greatest films of all time by the British Film Institute's magazine Sight & Sound. Although he started professional film-making in 1954, Parajanov later disowned all the films he made before 1965 as "garbage". After directi ...
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