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Dehumanization (album)
''Dehumanization'' is the only full-length album by American hardcore punk band Crucifix. Released in 1983, it is regarded as one of the classic anarcho-punk records, as well as an important D-beat record. The song "Prejudice" was covered live by the American anarcho-punk band Aus-Rotten, and released on their 1997 ''Not One Single Fucking Hit Discography'' compilation. "Annihilation" has been covered by the Brazilian metal band Sepultura and the American alternative rock band A Perfect Circle. The Varukers The Varukers are a British punk rock band formed in 1979 by vocalist Anthony "Rat" Martin. They produced their most influential recordings in the early 1980s. The band play in D-beat, the musical style of Discharge. Also like Discharge, the ... cover "Indo-China." Track listing All tracks by Pheng, Borruso, Crucifix, Douglas and Smith. # "Annihilation" – 1:29 # "How When Where" – 1:37 # "Skinned Alive" – 0:47 # "Prejudice" – 2:08 # "No Limbs" – 1:36 # "Anoth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crucifix (band)
Crucifix was an American hardcore punk band from the San Francisco Bay Area, active from 1980 to 1984. They were among the most popular acts of the San Francisco punk scene of the early 1980s. Fronted by Cambodian-born singer Sothira Pheng, Crucifix were distinct among American underground bands for their strong D-beat musical characteristics and anarchist lyrical content and graphic design. The band's debut 1983 full-length album ''Dehumanization'' on Crass Records‘ offshoot Corpus Christi Records, is considered by many critics and fans to be a cornerstone of political punk music. After their breakup, Crucifix’s members went on to form the bands Loudspeaker and Proudflesh. Band history Crucifix was formed by three members of Subsidize Mess, a short-lived band from Berkeley, California comprising vocalist Christopher Douglas, guitarist Matt Borruso, and Cambodian-born bassist Sothira Pheng. His family had fled their homeland when the Khmer Rouge seized power. The band reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anarcho-punk
Anarcho-punk (also known as anarchist punk or peace punk) is ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcore punk, folk punk, and other styles. History Before 1977 Some members of the 1960s protopunk bands such as the MC5, The Fugs, Hawkwind, and the Edgar Broughton Band had new left or anarchist ideology. These bands set a precedent for mixing radical politics with rock music and established the idea of rock as an agent of social and political change in the public consciousness. Other precursors to anarcho-punk include avant-garde art and political movements such as Fluxus, Dada, the Beat generation, England's angry young men (such as Joe Orton), the surrealism-inspired Situationist International, the May 1968 uprising in Paris, and the Campaign for Nuclear Disarmament. Jello Biafra of the Dead Kennedys has cited the Yippies as an infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Christi Records
Corpus Christi Records is a British independent record label started by some of the members of Crass and their recording engineer and business partner John Loder, to release records by artists who did not perhaps fit in with some of the stricter ideals of the Crass Records label. Several of the artists on the label had debuted with 7-inch single/EP releases on Crass Records, but Corpus Christi was used for future releases. According to Crass' Penny Rimbaud, the label was set up to allow artists who had started on the Crass label to set up their own record deal with Loder of Southern Studios under Crass' guidance. Some of the artists on the label, however, such as UK Decay, Icons of Filth, and the American band Crucifix were signed by Loder without any prior involvement with Crass. The label was active between 1982 and 1987, and its releases were regularly placed highly in the UK Indie Chart, with Conflict's ''It's Time to See Who's Who'' LP topping the indie album chart in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-beat
D-beat (also known as Discore, kängpunk, Discrust, and crust-beat) is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound.McPadden, Mike. ''If You Like Metallica...: Here Are Over 200 Bands, CDs, Movies, and Other Oddities That You Will Love''. Backbeat Books, 2012. Section on "Discharge". Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47, and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão from Brazil; and MG15 from Spain. While the style initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aus-Rotten
Aus-Rotten was an American crust punk band formed in Pittsburgh, Pennsylvania. Active from 1991 to 2001, its members practiced and promoted a philosophy of anarchist politics. The band included lead vocalist Dave Trenga, vocalist/guitarist Eric Good, bassist Corey Lyons, and drummer Matt Garabedian. Spitboy singer Adrienne Droogas would often join the band in their later material. The band's name comes from the German verb ''ausrotten'', which translates to "exterminate" or "eradicate". Music Musical style According to their Myspace site, Aus-Rotten is influenced by Black Flag, Conflict, Crass, and Subhumans. The band has covered songs by Chumbawamba, Flux of Pink Indians, The Pist, Conflict, Crucifix and Upright Citizens. Aus-Rotten went through roughly two stylistic periods during its existence; they originated as a bass-heavy hardcore punk band with low-fidelity production, before taking a hiatus and returning with a thicker sound and a second vocalist (Adrienne Droogas, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Not One Single Fucking Hit Discography
Aus-Rotten was an American crust punk band formed in Pittsburgh, Pennsylvania. Active from 1991 to 2001, its members practiced and promoted a philosophy of anarchist politics. The band included lead vocalist Dave Trenga, vocalist/guitarist Eric Good, bassist Corey Lyons, and drummer Matt Garabedian. Spitboy singer Adrienne Droogas would often join the band in their later material. The band's name comes from the German verb ''ausrotten'', which translates to "exterminate" or "eradicate". Music Musical style According to their Myspace site, Aus-Rotten is influenced by Black Flag, Conflict, Crass, and Subhumans. The band has covered songs by Chumbawamba, Flux of Pink Indians, The Pist, Conflict, Crucifix and Upright Citizens. Aus-Rotten went through roughly two stylistic periods during its existence; they originated as a bass-heavy hardcore punk band with low-fidelity production, before taking a hiatus and returning with a thicker sound and a second vocalist (Adrienne Droogas, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sepultura
Sepultura (, "grave")Barcinski & Gomes 1999, page 17. is a Brazilian heavy metal band from Belo Horizonte. Formed in 1984 by brothers Max and Igor Cavalera,Barcinski & Gomes 1999, page 16. the band was a major force in the groove metal, thrash metal and death metal genres during the late 1980s and early 1990s, with their later experiments drawing influence from alternative metal, world music, nu metal, Dimery 2006 pg 782, "''Drawing on Brazilian Latin and tribal music, nu-metal, and Sepultura's own thrash/death style, the results were unique,''" hardcore punk, and industrial metal. Archived aSepultura.be Sepultura has also been credited as one of the second wave of thrash metal acts from the late 1980s to early-to-mid-1990s. The band has had several lineup changes throughout its existence, with Max and Igor Cavalera departing in 1996 and 2006, respectively. Sepultura's current lineup consists of vocalist Derrick Green (who replaced Max in 1997), guitarist Andreas Kisser, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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