Deep In 2 The Cut
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Deep In 2 The Cut
''Deep into the Cut'' (also known as ''Deep in 2 The Cut'') is the debut studio album of Final Cut, released in 1989 by Full Effect Records. Reception AllMusic awarded the album three out of five stars and said "the sounds on ;;Deep Into the Cut;; do retain a substantial amount of harsh aggression, with Mills and Srock favoring rude, dark sounds -- a style of heavy metal without guitars but rather malicious machines and a sense of nihilism." Track listing Personnel Adapted from the ''Deep into the Cut'' liner notes. Final Cut * Jeff Mills – instruments, production * Anthony Srock – instruments Production and design * Mike Banks (as Mad Mike Banks) – production Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of making products (goods and services) * Production as a stati ... Release history References Exter ...
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Final Cut (band)
Final Cut was a techno-industrial band formed in Detroit, Michigan and led by Anthony Srock with a revolving cast of guest musicians. History Srock, then a DJ in Detroit, formed Final Cut (sometimes preceded by ''The'') in the late 1980s as a collaboration with DJ Jeff Mills. They released their debut single "Take Me Away" in 1989 and the album '' Deep in 2 the Cut'' later that year. Final Cut was noted for mixing established industrial music with Detroit techno, with a sound comparable to heavy metal but made with machines rather than guitars. ''Deep in 2 the Cut'' gained appreciation years later as an influential early entry in the development of industrial music. Mills then left the project, and Srock took a leadership role with various guest musicians and a more guitar-oriented sound. The project was signed to I.R.S. Records and their second album '' Consumed'' was released in 1992. That year, Final Cut toured with an all-live band with Srock on lead vocals. After a period ...
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ...
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Mike Banks (musician)
Michael Anthony Banks, better known as "Mad" Mike Banks, is an American record producer. He is the co-founder, along with Jeff Mills, of record label Underground Resistance and was a key player in the "second generation" of Detroit techno. Banks lives in Detroit, Michigan and is a former studio musician (bass/guitar), having played with Parliament/Funkadelic among others.Night Drive: A Bluffer's Guide to Detroit Techno
''Stylus Magazine'', March 7, 2006.
He worked in the second half of the 1980s with the collective , releasing several 12" singles. Banks and Mills founded the label Underground ...
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Jeff Mills (musician)
Final Cut was a techno-industrial band formed in Detroit, Michigan and led by Anthony Srock with a revolving cast of guest musicians. History Srock, then a DJ in Detroit, formed Final Cut (sometimes preceded by ''The'') in the late 1980s as a collaboration with DJ Jeff Mills. They released their debut single "Take Me Away" in 1989 and the album ''Deep in 2 the Cut'' later that year. Final Cut was noted for mixing established industrial music with Detroit techno, with a sound comparable to heavy metal but made with machines rather than guitars. ''Deep in 2 the Cut'' gained appreciation years later as an influential early entry in the development of industrial music. Mills then left the project, and Srock took a leadership role with various guest musicians and a more guitar-oriented sound. The project was signed to I.R.S. Records and their second album '' Consumed'' was released in 1992. That year, Final Cut toured with an all-live band with Srock on lead vocals. After a period of ...
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Consumed (Final Cut Album)
''Consumed'' is the second studio album by Final Cut, released in 1992 by I.R.S. Records. Reception AllMusic awarded ''Consumed'' three out of five stars and said it "steps neatly into the cold-wave style that many other Nettwerk-distributed bands were practicing at the same time, most notably Front 242 and Manufacture." Track listing Personnel Adapted from the ''Consumed'' liner notes. Final Cut * Joseph Lafata – keyboards, drums, percussion, backing vocals, arrangements, production, mixing * Anthony Srock – vocals, keyboards, drum programming, arrangements, production, engineering, mixing * William Tucker – guitar, noises, co-producer, mixing Additional performers * Chris Connelly – vocals and backing vocals (3, 8, 10) * Hobie Echlin – bass guitar (5, 7) * John Garstecki – keyboards (2, 6, 10) * Ryan Moore – vocals (4, 8, 9) * Michael Segal – guitar (5) * Dave Straughter – vocals (9) * Dennis White  ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Anthony Srock
Final Cut was a techno-industrial band formed in Detroit, Michigan and led by Anthony Srock with a revolving cast of guest musicians. History Srock, then a DJ in Detroit, formed Final Cut (sometimes preceded by ''The'') in the late 1980s as a collaboration with DJ Jeff Mills. They released their debut single "Take Me Away" in 1989 and the album ''Deep in 2 the Cut'' later that year. Final Cut was noted for mixing established industrial music with Detroit techno, with a sound comparable to heavy metal but made with machines rather than guitars. ''Deep in 2 the Cut'' gained appreciation years later as an influential early entry in the development of industrial music. Mills then left the project, and Srock took a leadership role with various guest musicians and a more guitar-oriented sound. The project was signed to I.R.S. Records and their second album '' Consumed'' was released in 1992. That year, Final Cut toured with an all-live band with Srock on lead vocals. After a period of ...
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Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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