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Deathgrind
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only sec ...
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Deathgrind
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups like Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor. A trait of grindcore is the "microsong" much shorter than average for punk or metal; several bands have produced songs that are only sec ...
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Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the g ...
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Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ...
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Crust Punk
Crust punk (also known as crust or stenchcore) is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 ''Ripper Crust'' demo.Glasper 2009, 185 Crust is partly defined by its " bassy" and " dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually raspy screams, but can also be grunted/growled. Crust punk takes cues from the anarcho-punk of Crass and Discharge and the heavy metal of bands like Venom, Trouble, Hellhammer, Celtic Frost, Black Sabbath and Motörhead. While the term was first associated with Hellbastard, Amebix have been described as the originators of the style, along with Discharge and Antisect. Characteristics Instrumentation Crust punk is a derivative form of anarcho-punk, mixed with metal riffs. The tem ...
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Metalcore
Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of breakdowns, slow, intense passages conducive to moshing. Other defining instrumental qualities include heavy riffs and stop-start rhythm guitar playing, occasional blast beats, and double bass drumming. Vocalists in the genre typically use thrash or scream vocals. Some later metalcore bands combine this with clean singing, often during the chorus. Death growls and gang vocals are common. 1990s metalcore bands were inspired by hardcore while later metalcore bands were inspired by melodic death metal bands like At the Gates and In Flames. The roots of metalcore are in the 1980s when bands would combine hardcore punk with heavy metal. This included New York hardcore bands like Agnostic Front, Cro-Mags, and Killing Time, British har ...
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Powerviolence
Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege are considered the pioneers of powerviolence. Additionally, Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege, Hüsker Dü, SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten Imbeciles, Negative FX and Corrosion of Conformity. Spazz vocalist a ...
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Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending from ea ...
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Speedcore
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high-speed tempo used. This music rarely drops below 300 beats per minute (bpm). Earlier speedcore tracks often averaged at about 250 bpm, which could be defined as terror(core), whereas some tracks exceed 1000 bpm where it becomes known as extratone. Characteristics Aside from the very fast tempo, which rarely drops below the 300 bpm mark, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstations ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhead introduced a punk rock sensi ...
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Guitar Distortion
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, an ...
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Crust Punk
Crust punk (also known as crust or stenchcore) is a form of music influenced by English punk rock and extreme metal. The style, which evolved in the early 1980s in England, often has songs with dark and pessimistic lyrics that linger on political and social ills. The term "crust" was coined by Hellbastard on their 1986 ''Ripper Crust'' demo.Glasper 2009, 185 Crust is partly defined by its " bassy" and " dirty" sound. It is often played at a fast tempo with occasional slow sections. Vocals are usually raspy screams, but can also be grunted/growled. Crust punk takes cues from the anarcho-punk of Crass and Discharge and the heavy metal of bands like Venom, Trouble, Hellhammer, Celtic Frost, Black Sabbath and Motörhead. While the term was first associated with Hellbastard, Amebix have been described as the originators of the style, along with Discharge and Antisect. Characteristics Instrumentation Crust punk is a derivative form of anarcho-punk, mixed with metal riffs. The tem ...
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Guitar Tunings
Guitar tunings are the assignment of pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the highest. This sometimes confuses beginner guitarists, since the highest-pitched string is referred to as the 1st string, and the lowest-pitched is the 6th string. Standard tuning defines the string pitches as E, A, D, G, B, and E, from the lowest pitch (low E2) to the highest pitch (high E4). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning. To aid in memorising these notes, mnemonics are used, for example, Elephants And ...
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