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Death Of Yazdgerd (film)
''Death of Yazdgerd'' ( fa, مرگ یزدگرد, ''Marg-e Yazdgerd'') is a 1982 Iranian drama film by Bahram Beyzai based on the play of the same name. Plot The story of the film is based on the murder of Yazdgerd III, the last emperor of Sasanian Persia, who while being hard pressed by the Arabs on his western flank, fled to Marv where he was slain by a miller in a mill, in which he had been taking refuge. The film begins with the Zoroastrian high priest (magus) of the Persian Empire, accompanied by the imperial army commander entering the mill to try the miller accused of murdering the emperor. The miller, his wife and his daughter, while trying to exculpate themselves, all express a different version of the same incident. As the story shifts, more questions come up than are answered. A central theme in the film is the social disaffection among the general population of Persia at the eve of the Arab Islamic conquests and inequality in the highly class-based society, in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahram Beyzai
Bahrām Beyzāêi (also spelt Beizāi, Beyzāêi, fa, بهرام بیضائی; born 26 December 1938) is an Iranian playwright, theatre director, screenwriter, film editor, and '' ostād'' ("master") of Persian letters, arts and Iranian studies. Beyzaie is the son of the poet Ne'matallah Beyzai (best known by his literary pseudonym "Zokā'i"). The celebrated poet Adib Beyzai, known as one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle. Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets. In spite of his somewhat belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the Iranian New Wave. His ''Bashu, the Little Stranger'' (1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine ''Picture World'' poll of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merv
Merv ( tk, Merw, ', مرو; fa, مرو, ''Marv''), also known as the Merve Oasis, formerly known as Alexandria ( grc-gre, Ἀλεξάνδρεια), Antiochia in Margiana ( grc-gre, Ἀντιόχεια ἡ ἐν τῇ Μαργιανῇ) and Marw al-Shāhijān, was a major Iranian city in Central Asia, on the historical Silk Road, near today's Mary, Turkmenistan. Human settlements on the site of Merv existed from the 3rd millennium BC until the 18th century AD. It changed hands repeatedly throughout history. Under the Achaemenid Empire, it was the centre of the satrapy of Margiana. It was subsequently ruled by the Ancient Macedonians, Parthians, Sasanians, Arabs, Ghaznavids, Seljuqs, Khwarazmians and Timurids, among others. Merv was the capital city of several polities throughout its history. In the beginning of the 9th century, Merv was the seat of the caliph al-Ma'mun and the capital of the entire Islamic caliphate. It served later as the seat of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Set In The 7th Century
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Bahram Bayzai
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Based On Plays By Bahram Beyzai
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Reza Khamseh
Alireza Khamseh ( fa, علیرضا خمسه) is an Iranian Film, cinema and television actor. Selected filmography * ''Capital (Iranian TV series), Paytakht'' * ''Rich and Poor (TV series), Rich and Poor'' * ''Love is not Closed'' * ''Man of Many Faces (TV series), Man of Many Faces'' * ''Once Upon a Time'' *''Standardized Patient'' *''Pickpockets Don't Go to Heaven '' *''Twenty'' References External links * {{DEFAULTSORT:Khamseh, Alireza 1953 births Iranian male film actors Iranian male stage actors Iranian male television actors Living people People from Tehran Shahid Beheshti University alumni Iranian radio and television presenters Crystal Simorgh for Best Supporting Actor winners ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spāhbed
''Spāhbed'' (also spelled ''spahbod'' and ''spahbad'') is a Middle Persian title meaning "army chief" used chiefly in the Sasanian Empire. Originally there was a single ''spāhbed'', called the , who functioned as the generalissimo of the Sasanian army. From the time of Khosrow I ( 531–579) on, the office was split in four, with a ''spāhbed'' for each of the cardinal directions.Gyselen (2004) After the Muslim conquest of Persia, the ''spāhbed'' of the East managed to retain his authority over the inaccessible mountainous region of Tabaristan on the southern shore of the Caspian Sea, where the title, often in its Islamic form ( fa, اسپهبذ; in ar, اصبهبذ ), survived as a regnal title until the Mongol conquests of the 13th century.Bosworth (1978), pp. 207–208 An equivalent title of Persian origin, '' ispahsālār or sipahsālār'', gained great currency across the Muslim world in the 10th–15th centuries. The title was also adopted by the Armenians ( hy, սպա ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muslim Conquest Of Persia
The Muslim conquest of Persia, also known as the Arab conquest of Iran, was carried out by the Rashidun Caliphate from 633 to 654 AD and led to the fall of the Sasanian Empire as well as the eventual decline of the Zoroastrian religion. The rise of the Muslims in Arabia coincided with an unprecedented political, social, economic, and military weakness in Persia. Once a major world power, the Sasanian Empire had exhausted its human and material resources after decades of warfare against the Byzantine Empire. The Sasanian state's internal political situation quickly deteriorated after the execution of King Khosrow II in 628. Subsequently, ten new claimants were enthroned within the next four years.The Muslim Conquest of Persia By A.I. Akram. Ch: 1 Following the Sasanian civil war of 628–632, the empire was no longer centralized. Arab Muslims first attacked Sasanian territory in 633, when Khalid ibn al-Walid invaded Mesopotamia (then known as the Sasanian province of '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magus
Magi (; singular magus ; from Latin ''magus'', cf. fa, مغ ) were priests in Zoroastrianism and the earlier religions of the western Iranians. The earliest known use of the word ''magi'' is in the trilingual inscription written by Darius the Great, known as the Behistun Inscription. Old Persian texts, predating the Hellenistic period, refer to a magus as a Zurvanic, and presumably Zoroastrian, priest. Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, ''mágos'' (μάγος) was influenced by (and eventually displaced) Greek '' goēs'' (γόης), the older word for a practitioner of magic, to include astronomy/astrology, alchemy, and other forms of esoteric knowledge. This association was in turn the product of the Hellenistic fascination for Pseudo-Zoroaster, who was perceived by the Greeks to be the Chaldean founder of the Magi and inventor of both astrology and magic, a meaning that still survives in the modern-day words "ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Persia
The Sasanian () or Sassanid Empire, officially known as the Empire of Iranians (, ) and also referred to by historians as the Neo-Persian Empire, was the last Iranian empire before the early Muslim conquests of the 7th-8th centuries AD. Named after the House of Sasan, it endured for over four centuries, from 224 to 651 AD, making it the longest-lived Persian imperial dynasty. The Sasanian Empire succeeded the Parthian Empire, and re-established the Persians as a major power in late antiquity alongside its neighbouring arch-rival, the Roman Empire (after 395 the Byzantine Empire).Norman A. Stillman ''The Jews of Arab Lands'' pp 22 Jewish Publication Society, 1979 International Congress of Byzantine Studies ''Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August 2006, Volumes 1–3'' pp 29. Ashgate Pub Co, 2006 The empire was founded by Ardashir I, an Iranian ruler who rose to power as Parthia weakened from internal strife and wars with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Of Yazdgerd
''Death of Yazdgerd'' (or alternatively translated as ''Death of the King''; and whose original subtitle translates "Regicide") ( fa, مرگ یزدگرد) is a Persian play about the death of Yazdegerd III by Bahram Beyzai, often considered his ''magnum opus'', which he adapted into a film of the same name. Text In English The play was translated into English by Manuchehr Anvar and published in Tehran. Another English translation is named ''Death of the King'', published in ''Stories from the Rains of Love and Death: Four Plays from Iran'' in Canada. Notable productions Premiere Beyzai produced this play for the first time in the City Theater of Tehran from 10 September 1979 to 29 October. Susan Taslimi and Mehdi Hashemi Mehdi Hashemi (1944 – 28 September 1987) was an Iranian Shi'a cleric who was defrocked by the Special Clerical Court. After the 1979 Iranian Revolution, he became a senior official in the Islamic Revolutionary Guards; he was executed by the Is ... pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yazdgerd III
Yazdegerd III (also spelled Yazdgerd III and Yazdgird III; pal, 𐭩𐭦𐭣𐭪𐭥𐭲𐭩) was the last Sasanian King of Kings of Iran from 632 to 651. His father was Shahriyar and his grandfather was Khosrow II. Ascending the throne at the age of eight, the young shah lacked authority and reigned as figurehead, whilst real power was in the hands of the army commanders, courtiers, and powerful members of the aristocracy, who engaged in internecine warfare. The Sasanian Empire was weakened severely by these internal conflicts, resulting in invasions by the Göktürks from the east, and Khazars from the west. It was, however, the Arabs, united under the banner of Islam, who dealt the decisive blow. Yazdegerd was unable to contain the Arab invasion of Iran, and spent most of his reign fleeing from one province to another in the vain hope of raising an army. Yazdegerd met his end at the hands of a miller near Marw in 651, bringing an end to the last pre-Islamic Iranian empire aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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