Death Ride 69 (album)
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Death Ride 69 (album)
''Death Ride 69'' is the first studio album by Death Ride 69, released in 1988 by Little Sister Records. Track listing Personnel Adapted from the ''Death Ride 69'' liner notes. ;Death Ride 69 * Don Diego – bass guitar, vocals * Linda LeSabre – drums, vocals * Wrex Mock – electric guitar and vocals (A1–A4, B5) ;Additional musicians * Danny Frankel – percussion (A3) * Dave Haas – electric guitar (B1–B4) ;Production and additional personnel * Scott Arundale – production * Bar-Min-Ski – cover art * John Girdler – engineering Engineering is the use of scientific method, scientific principles to design and build machines, structures, and other items, including bridges, tunnels, roads, vehicles, and buildings. The discipline of engineering encompasses a broad rang ..., mixing * Merlyn Rosenberg – photography Release history References External links * {{Authority control 1988 debut albums ...
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Death Ride 69
Death Ride 69 were a tribal industrial garage band that formed in Los Angeles led by Linda LeSabre (Beatmistress). The original incarnation was a duo consisting of guitarist Don Diego and vocalist Linda LeSabre. The band also featured contributions from Mark Blasquez, Ethan Port, Wrex Mock, Dave Haas and Buc Bono. They released two full-length albums, '' Death Ride 69'' produced by Scott Arundale in 1988 and '' Screaming Down the Gravity Well'' in 1996. History Death Ride 69 was originally conceived in late 1987 by bass-drum duo Linda LeSabre and Don Diego out of Los Angeles, California. They were later joined by guitarist Wrex Mock and recorded their self-titled debut album in 1988, which contained all the tracks from their ''Elvis Christ'' EP. LeSabre reformed the band as a trio with Ethan Port, formerly of Savage Republic and Buc Bono and issued another EP titled ''Red Sea'' in 1989. The band went on hiatus in the early nineties and reformed as a duo with Mark Blasquez join ...
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Gothic Rock
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure. The genre itself was defined as a separate movement from post-punk. Gothic rock stood out due to its darker sound, with the use of primarily minor or bass chords, reverb, dark arrangements, or dramatic and melancholic melodies, having inspirations in gothic literature allied with themes such as sadness, nihilism, dark romanticism, tragedy, melancholy and morbidity. These themes are often approached poetically. The sensibilities of the genre led the lyrics to represent the evil of the century and the romantic idealization of death and the supernatural imagination. Gothic rock then gave rise to a broader goth subculture that included clubs, fashion and publications in the 1980s, 1990s, a ...
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Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 follow up ...
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Screaming Down The Gravity Well
''Screaming Down the Gravity Well'' is the second studio album by Death Ride 69, released in 1996 by Fifth Colvmn Records. Marco Gariboldi of ''Fabryka'' called the album "a crescendo of harsh guitars, distortions and hammering drums directed by the high and charismatic voice of Linda" and "a very good album by an underrated and forgotten band." ''Aiding & Abetting'' was more critical, saying "the general lack of creative thought in the songwriting is pretty distressing" and claiming the band was "scraping the bottom of the barrel." Track listing Personnel Adapted from the ''Screaming Down the Gravity Well'' liner notes. Death Ride 69 * Mark Blasquez – electric guitar, bass guitar, programming, production * Linda LeSabre – lead vocals, drums, sampler, drum programming Additional musicians * DJ Hothead – vocals (2) * Groovie Mann – vocals (2, 10) Production and design * D. Dawson – photography * Rob Gibson – cover art Cover ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Linda LeSabre
Death Ride 69 were a tribal industrial garage band that formed in Los Angeles led by Linda LeSabre (Beatmistress). The original incarnation was a duo consisting of guitarist Don Diego and vocalist Linda LeSabre. The band also featured contributions from Mark Blasquez, Ethan Port, Wrex Mock, Dave Haas and Buc Bono. They released two full-length albums, ''Death Ride 69'' produced by Scott Arundale in 1988 and '' Screaming Down the Gravity Well'' in 1996. History Death Ride 69 was originally conceived in late 1987 by bass-drum duo Linda LeSabre and Don Diego out of Los Angeles, California. They were later joined by guitarist Wrex Mock and recorded their self-titled debut album in 1988, which contained all the tracks from their ''Elvis Christ'' EP. LeSabre reformed the band as a trio with Ethan Port, formerly of Savage Republic and Buc Bono and issued another EP titled ''Red Sea'' in 1989. The band went on hiatus in the early nineties and reformed as a duo with Mark Blasquez joini ...
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The Stooges (album)
''The Stooges'' is the debut studio album by American rock band the Stooges, released on August 5, 1969 by Elektra Records. Considered a landmark proto-punk release, the album peaked at number 106 on the US ''Billboard'' Top 200 Albums chart. The tracks "I Wanna Be Your Dog" and "1969" were released as singles; "1969" was featured on ''Rolling Stone''s list of the "100 Greatest Guitar Songs" at number 35. Background and recording For their first album, the Stooges had intended to record seven songs: "Asthma Attack", "I'm Sick", "The Dance Of Romance", "Goodbye Bozos", "No Fun", "I Wanna Be Your Dog", and "1969". "Asthma Attack" was a completely different composition than the version of the song utilizing the same song title that appears on the album reissue. According to Iggy Pop, "'Asthma Attack' was a structured piece of repetitive descending chording that sounded a lot like (Syd Barrett's) Pink Floyd 'Interstellar Overdrive.'" He elaborates further, "And it was B (major), ...
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The Stooges
The Stooges, originally billed as the Psychedelic Stooges, also known as Iggy and the Stooges, was an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop. After releasing two albums – ''The Stooges'' (1969) and ''Fun House'' (1970) – the group disbanded briefly, and reformed with an altered lineup (with Ron Asheton replacing Dave Alexander on bass and James Williamson taking up guitar) to release a third album, ''Raw Power'' (1973), before breaking up again in 1974. The band reunited in 2003 with Ron Asheton moving back to guitar and Mike Watt on bass, and the addition of saxophonist Steve Mackay, who had played briefly with the 1973–1974 ...
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Cover Art
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper ( tabloid), comic book, video game (box art), music album (album art), CD, videotape, DVD, or podcast. The art has a primarily commercial function, for instance to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product. Album cover art Album cover art is artwork created for a music album. Notable album cover art includes Pink Floyd's ''The Dark Side of the Moon, King Crimson's In the Court of the Crimson King,'' the Beatles' '' Sgt. Pepper's Lonely Hearts Club Band'', ''Abbey Road'' and their self-titled "White Album" among others. Albums can have cover art created by the musician, as with Joni Mitchell's ''Clouds'', or by an associated musician, such as Bob Dylan's artwork for the cov ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ...
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