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Dear Old Southland
"Dear Old Southland" is a 1921 jazz standard. It was composed by Turner Layton, with lyrics by Henry Creamer. It uses basically the same melody as the song '' Deep River''. Popular recordings in 1922 were by Paul Whiteman and by Vernon Dalhart. Other recordings *Louis Armstrong recorded the song on April 5, 1930, for Okeh Records (catalog No. 41454). Armstrong recorded the song again in 1956 for the album ''Satchmo: A Musical Autobiography''. *Duke Ellington and His Orchestra – December 4, 1933 for Victor Records (catalog No. 24501). *Benny Goodman and His Orchestra – June 25, 1935 for Victor Records (catalog No. 25136). *Paul Robeson – September 26, 1939 for Victor Records (catalog No. 26741). *Sidney Bechet's Blue Note Quartet – March 27, 1940 for the Blue Note label (catalog No. 13). *Al Hirt released a version on his 1963 album, '' Our Man in New Orleans''. *Allen Toussaint released his own arrangement of Dear Old Southland (credited under Raymond Bloch), as a duet betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note
In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical context. Origins and meaning The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. The lowered fifth is also known as the raised fourth.Ferguson, Jim (1999). ''All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses'', p. 20. . Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of tonalities". A similar conflict occurs between the notes of the minor scale and the minor blues scale, as heard in songs such as "Why Don't You Do Right?", " Happy" and " Sweet About Me". In the case of the lowered third over the root (or the lowered seventh over the dominant), the resul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1920s Jazz Standards
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards by the 1930s, while others were popularized later. The time of the most influential recordings of a song, where appropriate, is indicated on the list. A period known as the " Jazz Age" started in the United States in the 1920s. Jazz had become popular music in the country, although older generations considered the music immoral and threatening to old cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1921 Songs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Jazz Standards
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bright Mississippi
''The Bright Mississippi'' is an album by the New Orleans Jazz and R&B pianist Allen Toussaint, released on Nonesuch Records in 2009. The album reached No. 8 on the Billboard Top Jazz Albums chart. Background The album was produced by Joe Henry and features various guest artists, including Brad Mehldau, Joshua Redman and Nicholas Payton. The album title is taken from the 1963 Thelonious Monk song of the same name and features a new version of the song. The album is a unique juxtaposition of modern and traditional jazz tunes with stylistic cues drawn from both worlds. In an interview shortly after it was released, Nick Spitzer noted that "there's a parade beat to it, a bit of a strut and shuffle. Are you merging the worlds of Monk and Toussaint?” “Well, there's no way around that,” Toussaint replied. Though mostly known for R&B, this is Toussaint's second jazz album. The first was Allen Toussaint's ''Jazzity Project: Going Places'', released online through cdbaby in 2004. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Bloch
Raymond Arthur Bloch (August 3, 1902 – March 29, 1982) Career During the 1920s, he performed with small groups on piano and also conducted ballroom bands. Later in the decade he began appearing as a pianist on radio stations. He began working as an arranger and composer for the Four Eton Boys in the early 1930s, and followed that as a conductor for choral groups. In 1939 he joined the CBS radio variety show ''Johnny Presents'' as choral director and was promoted to orchestra conductor. This was the beginning of a long and successful career in "conducting, coaching, orchestrating, and choral directing" on radio, television, and albums. Radio Bloch and his orchestra were featured on numerous radio variety shows of the late-1930s and 1940s. These included: ''Johnny Presents'' (1939-1946), ''The Gay Nineties Revue'' (CBS, 1939–1944), ''Let Yourself Go'' (CBS, 1944–1945), ''The Continental Celebrity Club'' (1945-1946), ''The Milton Berle Show'' (NBC, 1948–1949), and '' The Mary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allen Toussaint
Allen Richard Toussaint (; January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures".Richard Williams"Allen Toussaint obituary" ''The Guardian'', November 11, 2015. Retrieved November 15, 2015. Many musicians recorded Toussaint's compositions. He was a producer for hundreds of recordings, among the best known of which are " Right Place, Wrong Time", by his longtime friend Dr. John, and "Lady Marmalade" by Labelle. Biography Early life and career The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Man In New Orleans
''Our Man in New Orleans'' is an album by Al Hirt (RCA-LPM-2607) released by RCA Victor. The album was conducted and arranged by Marty Paich and produced by Steve Sholes. The album landed on the ''Billboard'' Top LPs chart in 1963, reaching No. 44. Retrieved April 9, 2013 Track listing # "Clarinet Marmalade" (, ) # " |
Al Hirt
Alois Maxwell "Al" Hirt (November 7, 1922 – April 27, 1999) was an American trumpeter and bandleader. He is best remembered for his million-selling recordings of "Java" and the accompanying album '' Honey in the Horn'' (1963), and for the theme music to ''The Green Hornet''. His nicknames included "Jumbo" and "The Round Mound of Sound". Colin Escott, an author of musician biographies, wrote that RCA Victor, for which Hirt had recorded most of his best-selling recordings and for which he had spent most of his professional recording career, had dubbed him with another moniker: "The King." Hirt was inducted into The Louisiana Music Hall of Fame in November 2009. He received 21 Grammy nominations during his lifetime, including winning the Grammy award in 1964 for his version of "Java". Biography Hirt was born in New Orleans, Louisiana, the son of a police officer. At the age of six, he was given his first trumpet, which had been purchased at a local pawnshop. He played in the Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
