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De Profundis (Pärt)
(Out of the deep) is a choral composition by Arvo Pärt. He wrote the work in 1980, a setting of Psalm 130 in Latin for a four-part men's choir, percussion (ad. lib.) and Organ (music), organ. It was first performed at the Martinskirche, Kassel on 25 April 1981, conducted by Klaus Martin Ziegler. Pärt dedicated the work of around 7 minutes to Gottfried von Einem. It was published by Universal Edition. Pärt arranged it for chamber orchestra in 2008. History Pärt composed the work a year after he left Estonia for first Vienna and then Berlin. He set Psalm 130 in Latin, a text speaking of profound distress which has psalm 130#Musical settings, inspired composers through the centuries, from polyphonic settings by Josquin des Prez to use in an opera of the 21st century by Lera Auerbach. Pärt composed the work in his personal ''tintinnabuli'' style, using simple means of expression. He scored it for a four-part men's choir (SATB, ), percussion (Ad libitum, ad lib.) and Organ (musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthem
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ad Libitum
In music and other performing arts, the phrase (; from Latin for 'at one's pleasure' or 'as you desire'), often shortened to "ad lib" (as an adjective or adverb) or "ad-lib" (as a verb or noun), refers to various forms of improvisation. The roughly synonymous phrase ('in accordance with ne'sgood pleasure') is less common but, in its Italian form , entered the musical ''lingua franca'' (see below). The phrase "at liberty" is often associated mnemonically (because of the alliteration of the ''lib-'' syllable), although it is not the translation (there is no cognation between and ). Libido is the etymologically closer cognate known in English. Music As a direction in sheet music, indicates that the performer or conductor has one of a variety of types of discretion with respect to a given passage: *to play the passage in free time rather than in strict or " metronomic" tempo (a practice known as ''rubato'' when not expressly indicated by the composer); *to improvise a melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BIS Records
BIS Records is a record label founded in 1973 by Robert von Bahr. It is located in Åkersberga, Sweden. BIS focuses on classical music, both contemporary and early, especially works that are not already well represented by existing recordings. The company has recorded the complete works of Sibelius. Other composers of the Nordic countries and Estonia are also well represented in their catalogue, including Kalevi Aho, Christian Lindberg, Jón Leifs, Geirr Tveitt, Eduard Tubin, Allan Pettersson and James MacMillan. Other notable BIS projects include the Bach Cantatas by the Bach Collegium Japan under Masaaki Suzuki, and the complete piano music of Edvard Grieg by pianist Eva Knardahl. In 2009, BIS completed a five-year Beethoven symphony cycle with Finnish born conductor Osmo Vänskä and the Minnesota Orchestra. The cycle features 5.0 Surround Sound as well as being a Super Audio CD Super Audio CD (SACD) is an optical disc format for audio storage introduced in 1999. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphei Drängar
Sångsällskapet Orphei Drängar (OD) is a Swedish male voice choir and singing society based in Uppsala, Sweden. While best known for its high quality performances of the classical repertoire, OD sings music of all genres in many different languages and since the start in 1853 has been widely acknowledged for its ambition to continuously push the envelope of what a male-voice choir can and should do. Since 2008, the choir has been conducted by Cecilia Rydinger Alin, in close cooperation with deputy conductor Folke Alin. History Orphei Drängar was founded on October 30th 1853 while the city of Uppsala was isolated in an attempt to stop the spread of the cholera epidemic that was then tormenting Sweden. The blockade was successful in that the city more or less came to be spared from the disease, but also had the effect that the students instead felt that they were about to die of boredom. In an attempt to remedy this, first tenor Jonas Widén gathered twelve students (ten singer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Layton
Stephen David Layton (born 23 December 1966) is an English conductor. Biography Layton was raised in Derby, where his father was a church organist. He was a chorister at Winchester Cathedral, and subsequently won scholarships to Eton College and then King's College, Cambridge as an organ scholar under Stephen Cleobury. Whilst studying at Cambridge, Layton founded the mixed-voice choir Polyphony in 1986. He was appointed the musical director of the Holst Singers in 1993, replacing Hilary Davan Wetton, who had founded the group in 1978. Layton has been assistant organist at Southwark Cathedral, and musical director of Wokingham Choral Society. From 1997, he was organist and subsequently director of music at the Temple Church. From 1999 to 2004 he was chief conductor of the Netherlands Kammerkoor. From 2000 to 2012 he was chief guest conductor of the Danish National Vocal Ensemble. In 2006, he became director of music at Trinity College, Cambridge. In November 2009, the City ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony (choir)
Polyphony is a small English choir formed by Stephen Layton for one particular concert put on in King's College, Cambridge in 1986. They have released many critically acclaimed recordings, the most recent of which is '' Esenvalds - Passion & Resurrection''. They record and perform a wide range of music mainly on Hyperion Records. Every year they perform Handel's ''Messiah'' and Bach's ''St John Passion'' in St John's Smith Square to sell-out audiences. Many of their recordings have been ''Gramophone'' editor's choice. Including many talented musicians such as Tom Williams (English counter tenor), Polyphony have performed many times in the BBC Proms and performed works by John Tavener on his 60th Birthday in the Barbican as part of its ''Great Performers'' series. They have also premiered and released prominent recordings of the music of Arvo Pärt. Stephen Layton The director of Polyphony, Stephen Layton founded the choir in 1986 and has directed it since. He is also the direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hillier
Paul Douglas Hillier OBE (born 9 February 1949) is an English conductor, music director and baritone. He specializes in both early and contemporary classical music, especially that by composers Steve Reich and Arvo Pärt. He was a co-founder of the Hilliard Ensemble and directed the Estonian Philharmonic Chamber Choir for numerous years. He has been Chief Conductor of Ars Nova (Copenhagen) since 2003, and Artistic Director and Chief Conductor of the National Chamber Choir of Ireland since 2008. Ensembles Hillier was born in Dorchester, England in 1949, where he attended Hardye's Grammar School. In 1967 he became a music student at the Guildhall School of Music & Drama, studying voice. In 1974 he co-founded the Hilliard Ensemble along with fellow vicar-choral Paul Elliott, tenor, and counter-tenor David James. His concert debut was in 1974 in London's Purcell Room. Hillier remained the director of the ensemble until 1990, when he founded Theatre of Voices. In addition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Voices
Theatre of Voices is a vocal ensemble founded by baritone Paul Hillier in 1990; . Retrieved March 9, 2012. it focuses on early music and . The ensemble was formed by while he was teaching at the , as an avenue to performing more contemporary music while his other group, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilliard Ensemble
The Hilliard Ensemble was a British male vocal quartet originally devoted to the performance of early music. The group was named after the Elizabethan miniaturist painter Nicholas Hilliard. Founded in 1974, the group disbanded in 2014. Although most of its work focused on music of the Medieval and Renaissance periods, the Hilliard Ensemble also performed contemporary music, working frequently with the Estonian composer Arvo Pärt and included in its concerts works by John Cage, Gavin Bryars, Giya Kancheli, and Heinz Holliger. History Membership The group was founded by Paul Hillier, Errol Girdlestone, Paul Elliott, and David James, although the membership was flexible until Hillier left in 1990. After that, the core members were David James (counter-tenor), Rogers Covey-Crump (tenor/ high tenor), John Potter (tenor), and Gordon Jones (bass), except that in 1998 John Potter was replaced by Steven Harrold. Recordings The Hilliard Ensemble, under Paul Hillier, had an extensive d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubular Bell
Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within an ensemble.James Blades and James Holland. "Tubular bells". Grove Music Online. Oxford Music Online. Oxford University Press, accessed August 18, 2015Oxfordmusiconline.com/ref> Each bell is a metal tube, in diameter, tuned by altering its length. Its standard range is C4–F5, though many professional instruments reach G5. Tubular bells are often replaced by studio chimes, which are a smaller and usually less expensive instrument. Studio chimes are similar in appearance to tubular bells, but each bell has a smaller diameter than the corresponding bell on tubular bells. Tubular bells are sometimes struck on the top edge of the tube with a rawhide- or plastic-headed hammer. Often, a sustain pedal will be attached to allow extended ringing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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