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De Morgan Foundation
The De Morgan Foundation is a charity registered with The Charity Commission For England And Wales, Registered Charity No. 310004. The charitable objects of the Foundation are to safeguard, maintain and make available to the public the De Morgan Collection of paintings, ceramics, and other works of art made by Evelyn De Morgan and by William De Morgan and his associates, and other works of art in the collection, and to promote the appreciation of art and education in art and allied subjects. Governance The sole Trustee of the charity The De Morgan Foundation is The De Morgan Trustee Company Limited, Company Number: 06914254. The Foundation is managed by the Board of Directors of the Trustee Company. The De Morgan Collection is owned by the De Morgan Foundation which enables public access to the works through a programme of loans and exhibitions as well as providing an online catalogue of works. William and Evelyn De Morgan The collection comprises work by the late 19th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charitable Organization
A charitable organization or charity is an organization whose primary objectives are philanthropy and social well-being (e.g. educational, religious or other activities serving the public interest or common good). The legal definition of a charitable organization (and of charity) varies between countries and in some instances regions of the country. The regulation, the tax treatment, and the way in which charity law affects charitable organizations also vary. Charitable organizations may not use any of their funds to profit individual persons or entities. (However, some charitable organizations have come under scrutiny for spending a disproportionate amount of their income to pay the salaries of their leadership). Financial figures (e.g. tax refund, revenue from fundraising, revenue from sale of goods and services or revenue from investment) are indicators to assess the financial sustainability of a charity, especially to charity evaluators. This information can impact a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knightshayes Court
Knightshayes Court is a Victorian country house near Tiverton, Devon, England, designed by William Burges for the Heathcoat-Amory family. Nikolaus Pevsner describes it as "an eloquent expression of High Victorian ideals in a country house of moderate size." The house is Grade I listed. The gardens are Grade II* listed in the National Register of Historic Parks and Gardens. History Benjamin Dickinson, a wealthy merchant, banker, and mayor of Tiverton, built the first mansion at Knightshayes between 1785 and 1788.The Setting of Knightshayes Park and Garden', The Parks Agency, September 2007, pp. 10–14 His great-grandson, Sir John Walrond, 1st Baronet, sold the Knightshayes estate to Sir John Heathcoat-Amory, 1st Baronet in 1868. The Heathcoat-Amory family, who had established their wealth from lace production, owned much of the manufacturing and land around Tiverton, and Heathcoat-Amory chose the site of Knightshayes, because of its view of his distant factory, nes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leighton House Museum
The Leighton House Museum is an art museum in the Holland Park area of the Royal Borough of Kensington and Chelsea in west London. The building was the London home of painter Frederic Leighton, 1st Baron Leighton (1830–1896), who commissioned the architect and designer George Aitchison to build him a combined home and studio noted for its incorporation of tiles and other elements purchased in the Near East to build a magnificent Qa'a (room). The resulting building, completed between 1866 and 1895 on the privately owned Ilchester Estate, is now Grade II* listed. It is noted for its elaborate Orientalist and aesthetic interiors. The house The museum has been open to the public since 1929. In 1958 the London County Council commemorated Leighton with a blue plaque at the museum. The museum was awarded the European Union Prize for Cultural Heritage / Europa Nostra Award in 2012. It is open daily except Tuesdays, and is a companion museum to 18 Stafford Terrace, another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Tablets On The Memorial To Heroic Self Sacrifice
The Memorial to Heroic Self-Sacrifice is a public monument in Postman's Park in the City of London, commemorating ordinary people who died saving the lives of others and who might otherwise have been forgotten. It was first proposed by painter and sculptor George Frederic Watts in 1887, to commemorate the Golden Jubilee of Queen Victoria. The scheme was not accepted at that time, and in 1898 Watts was approached by Henry Gamble, vicar of St Botolph's Aldersgate church. Postman's Park was built on the church's former churchyard, and the church was at that time trying to raise funds to secure its future; Gamble felt that Watts's proposed memorial would raise the profile of the park. The memorial was unveiled in an unfinished state in 1900, consisting of a wooden loggia designed by Ernest George, sheltering a wall with space for 120 ceramic memorial tiles to be designed and made by William De Morgan. At the time of opening, only four of the memorial tiles were in place. Watts died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postman's Park
Postman's Park is a public garden in central London, a short distance north of St Paul's Cathedral. Bordered by Little Britain, Aldersgate Street, St. Martin's Le Grand, King Edward Street, and the site of the former headquarters of the General Post Office (GPO), it is one of the largest open spaces in the City of London. Postman's Park opened in 1880 on the site of the former churchyard and burial ground of St Botolph's Aldersgate church and expanded over the next 20 years to incorporate the adjacent burial grounds of Christ Church Greyfriars and St Leonard, Foster Lane, together with the site of housing demolished during the widening of Little Britain in 1880; the ownership of the last location became the subject of a lengthy dispute between the church authorities, the General Post Office, the Treasury, and the City Parochial Foundation. A shortage of space for burials in London meant that corpses were often laid on the ground and covered over with soil, thus elevating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannon Hall
Cannon Hall is a country house museum located between the villages of Cawthorne and High Hoyland some 5 miles (8 km) west of Barnsley, South Yorkshire, England. Originally the home of the Spencer and later the Spencer-Stanhope family, it now houses collections of fine furniture, paintings, ceramics and glassware. It at one time housed the Regimental Museum of the 13th/18th Royal Hussars (Queen Mary's Own) and the Light Dragoons, which has now closed. Now occupying four rooms in the east wing is the "Family of Artists" exhibition on loan from the De Morgan Foundation, which draws on the links between the Spencer Stanhopes and the De Morgans. The building is constructed of coursed sandstone with ashlar dressings with a symmetrical layout of a central 3-storey block of 5 bays and slightly set back 2-storey side wings of 3 bays. History Although there was a house on the site when the Domesday Survey of 1086 was conducted, Cannon Hall picked up its current name from the 13t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic Art
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery. The word "ceramics" comes from the Greek ''keramikos'' (κεραμεικός), meaning "pottery", which in turn comes from ''keramos'' (κέραμος) meaning "potter's clay". Most traditional ceramic products were made from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WDM Fish And Petal Rice Dish
WDM may refer to: ; Science and technology * Warm dark matter in cosmology * Warm dense matter, a state of matter between solid and plasma * Wavelength-division multiplexing, a signal transmission method * Wax Deposition Modeling, an additive 3d printing technology * ''wdm'', the WINGs Display Manager on Unix * Windows Driver Model, a framework for device drivers in Windows * Wide Diesel Mixed, a series of Indian locomotives ; Other * West Des Moines, Iowa, United States, a city * Western Development Museum of Saskatchewan * World Development Movement, a British campaign for social justice * Waking Down in Mutuality, an American "spiritual awakening" association * Warith Deen Muhammad Warith Deen Mohammed (born Wallace D. Muhammad; October 30, 1933 – September 9, 2008), also known as W. Deen Mohammed, Imam W. Deen Muhammad and Imam Warith Deen, was an African-American Muslim leader, theologian, philosopher, Muslim revival ... (Wallace D. Muhammad), a leader of the Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Storm Spirits
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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