Day For Night (other)
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Day For Night (other)
Day for night is a historic cinematographic technique of shooting night scenes during the day. Day for Night may also refer to: *Day for Night (festival), an art and music festival hosted in Houston, Texas * ''Day for Night'' (film), a 1973 French movie about filmmaking by François Truffaut (originally titled ''La nuit américaine'') *''Day for Night'' (song), the fourth track on Bryan Ferry's 1987 album ''Bête Noire'' * ''Day for Night'' (Spock's Beard album), a 1999 album by American progressive rock band Spock's Beard * ''Day for Night'' (The Tragically Hip album), a 1994 album by Canadian rock band The Tragically Hip *''Day For Night'', a 2005 EP by Australian indie pop band The Bank Holidays *''Day for Night'', the title of the 2006 Whitney Biennial, an exhibition of contemporary art at the Whitney Museum of American Art in New York City *"Day for Night", a song by English-Irish music duo Moloko from the album ''Do You Like My Tight Sweater?'' See also *Day and Night (disam ...
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Day For Night
Day for night is a set of cinematic techniques used to simulate a night scene while filming in daylight. It is often employed when it is too difficult or expensive to actually shoot during nighttime. Because both film stocks and digital image sensors lack the sensitivity of the human eye in low light conditions, night scenes recorded in natural light, with or without moonlight, may be underexposed to the point where little or nothing is visible. This problem can be avoided by using daylight to substitute for darkness. When shooting day for night, the scene is typically underexposed in-camera or darkened during post-production, with a blue tint added. Additional effects are often used to heighten the impression of night. As film stocks and video cameras have improved in light sensitivity, shooting day for night has become less common in recent years. Techniques During the silent era of film, release prints were often tinted blue during night scenes to enhance the illusion. Altho ...
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Day For Night (festival)
Day for Night was an art and music festival in Houston, Texas that "explores the deep connections between light, technology, sound and space". Producer Omar Afra co-conceived the idea of a festival experience that would reintroduce visual art back into the musical experience on a large scale wheKiffer Keeganpitched the idea of including new media installations during preparations for Free Press Summer Festival 2014. Conception Omar Afra anWork-OrderpartnerKiffer KeegananKeira Alexandraconceptualized the idea for the unique event while working together on Free Press Summer Fest 2014. Their ideas for incorporating visual art with music didn't fit into the model of their already-existing annual music festival, Free Press Summer Fest. Borrowing from their past experience, they began work on Day for Night in the summer of 2015 and chose Alex Czetwertynski to be the isual ArtsCurator. Production ''Day for Night'' showcased musicians and visual artists. The production layout va ...
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Day For Night (film)
''Day for Night'' is a 1973 romantic comedy-drama film co-written and directed by François Truffaut, starring Jacqueline Bisset, Jean-Pierre Léaud and Truffaut himself. The original French title, ''La Nuit américaine'' ("American Night"), refers to the French name for the filmmaking process whereby sequences filmed outdoors in daylight are shot with a filter over the camera lens (a technique described in the dialogue of Truffaut's film) or also using film stock balanced for tungsten (indoor) light and underexposed (or adjusted during post-production) to appear as if they are taking place at night. In English, the technique is called day for night. The film premiered out of competition at the 1973 Cannes Film Festival and won the Academy Award for Best Foreign Language Film the following year. Plot ''Day for Night'' chronicles the production of ''Je Vous Présente Paméla'' (''Meet Pamela'', or literally ''I Introduce You to Pamela''), a clichéd melodrama starring aging scr ...
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Bête Noire (album)
''Bête Noire'' is the seventh solo studio album by English singer Bryan Ferry, released on 2 November 1987 by Virgin Records in the United Kingdom and by Reprise Records in the United States. It was a commercial and critical success, peaking at No. 9 in the UK and was certified Music recording sales certification, Gold by the British Phonographic Industry (BPI). The first single, "The Right Stuff (Bryan Ferry song), The Right Stuff"—a collaboration with Johnny Marr adapted from the Smiths' instrumental B-side "Money Changes Everything"—was the album's only top-40 entry in the UK, peaking at No. 37. The second single, "Kiss and Tell (Bryan Ferry song), Kiss and Tell", narrowly missed the UK top 40 (peaking at No. 41), but made the U.S. top 40 (becoming Ferry's only solo single to chart in the U.S. Top 40). The song also appeared in the drama film, ''Bright Lights, Big City (film), Bright Lights, Big City'' (1988), starring Michael J. Fox. The third and final single, "Limbo (Br ...
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Day For Night (Spock's Beard Album)
''Day for Night'' is the fourth studio album by American progressive rock band Spock's Beard released on March 23, 1999. The multi-part epic "The Healing Colors of Sound" comprises tracks 8 through 13 on the album. A CD single promoting the track "Skin" was subsequently released as well. The single contained 3 additional tracks: An edited version of "The Healing Colors of Sound", "Can't Get It Wrong", and also the Neal Morse track "Lost Cause", taken from his self-titled debut solo album. Track listing ;European edition bonus track # "Hurt" – 3:08 ;Japanese edition bonus track # "Urban Noise" – 0:40 # "June" – 6:11 Personnel *Neal Morse – lead vocals, piano, all synths, acoustic guitar *Alan Morse – electric guitar, Mellotron, vocals *Dave Meros – bass, vocals *Nick D'Virgilio – drums, percussion, vocals *Ryo Okumoto – Hammond organ, Mellotron Additional musicians *John Garr - Saxophone (5) *Joy Worland - French horn (7-8) *Eric Brenton, Tom Tally, John Kro ...
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Day For Night (The Tragically Hip Album)
''Day for Night'' is the fourth studio album by the Canadian rock band The Tragically Hip. It is named for the film of the same name. Commercial performance The album was very successful in Canada, with domestic sales of 300,000 units within four days of its release. It was the band's first album to debut at #1 on the Canadian Albums Chart. The album has been certified 6× platinum in Canada. Promotional tours for the album included stints touring with The Rolling Stones and Page and Plant. In the Netherlands, ''Day for Night'' peaked at #70. ''Saturday Night Live'' The band appeared on ''Saturday Night Live'' in 1995, thanks in large part to the finagling of fellow Canadian and Kingston-area resident Dan Aykroyd. A fan of the band, Aykroyd appeared on the show just to introduce them, despite John Goodman being the host of the episode. The band performed two songs from ''Day for Night'', "Grace, Too" and "Nautical Disaster". Critical reception In ''Have Not Been the Same'', the a ...
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The Bank Holidays
The Bank Holidays were an Australian indie pop band from Perth, which formed in 2003 as Tunnelball by Nat Carson (guitar, piano, vocals), James Crombie (bass guitar, vocals), Wibekke (Bekk) Reczek (guitar, vocals) and Ian (Stafford) Chater (drums). Late in 2007 Chater was replaced by Stuart Leach. They have issued two studio albums, ''As a Film'' (15 October 2007) and ''Sail Becomes a Kite'' (17 July 2010). By late 2012 they had effectively disbanded. History The Bank Holidays were conceived by James (Jim) Crombie (bass guitar, vocals) and Wibekke (Bekk) Reczek (guitar, vocals) whilst holidaying in Norway (on Bekk's grandparents' farm), who several weeks later in London enlisted old school friend Nat Carson (guitar, piano, vocals) to form the band. On their return to Perth in 2003 they recruited drummer, Ian "Stafford" Chater. Late in 2007 Chater was replaced on drums by Stuart Leach. They played their first gig at The Swan Basement in Fremantle under the name Tunnelball, a su ...
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Whitney Biennial
The Whitney Biennial is a biennial exhibition of contemporary American art, typically by young and lesser known artists, on display at the Whitney Museum of American Art in New York City, United States. The event began as an annual exhibition in 1932; the first biennial was in 1973. The Whitney show is generally regarded as one of the leading shows in the art world, often setting or leading trends in contemporary art. It helped bring artists like Georgia O'Keeffe, Jackson Pollock, and Jeff Koons to prominence. Artists In 2010, for the first time a majority of the 55 artists included in that survey of contemporary American art were women. The 2012 exhibition featured 51 artists, the smallest number in the event's history. The fifty-one artists for 2012 were selected by curator Elisabeth Sussman and freelance curator Jay Sanders. It was open for three months up to 27 May 2012 and presented for the first time "heavy weight" on dance, music and theatre. Those performance art variati ...
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Do You Like My Tight Sweater?
''Do You Like My Tight Sweater?'' is the first album by the electronic/dance duo Moloko, released in October 1995 in the UK and Australia, while being released in March 1997 in the US. The title of the album is derived from the singer Róisín Murphy's chat-up line to Mark Brydon at a party in 1994: "Do you like my tight sweater? See how it fits my body!" Brydon responded with the question, "Would you like to come up to my studio and record that?" A romantic and professional relationship between the two continued for several years after. ''Do You Like My Tight Sweater?'' combined three tracks ("Where Is the What If the What Is in Why?", "Party Weirdo", and "Ho Humm") from a 1995 independently released EP ''Where Is the What If the What Is in Why?'' (also known as ''Moloko EP'') with fourteen new recordings. It was reported by ''Billboard'' in 1996 that total sales had reached 100,000 copies. As of 2003 it has sold over 250,000 copies worldwide. The album's first single, "Fun fo ...
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