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Day After Day (Badfinger Song)
"Day After Day" is a song by the British rock band Badfinger from their 1971 album ''Straight Up''. It was written by Pete Ham and produced by George Harrison, who also plays slide guitar on the recording. The song was issued as a single and became Badfinger's biggest hit, charting at number 4 in the United States and number 10 in the UK, ultimately earning gold accreditation from the Recording Industry Association of America. Recording "Day After Day" was written and sung by Pete Ham and produced by George Harrison, who plays some of the slide guitar parts of the song along with Ham. The record also features Leon Russell on piano. As the song was unfinished at the time Harrison left the Badfinger album to produce the Concert for Bangladesh, the final mix was done by Todd Rundgren, who took over ''Straight Up'' after Harrison's departure. Release Released as a single in the US in November 1971 (January 1972 elsewhere), it would become the group's highest charting single there, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badfinger
Badfinger were a Welsh rock band formed in Swansea, who were active from the 1960s to the 1980s. Their best-known lineup consisted of Pete Ham (vocals, guitar), Mike Gibbins (drums), Tom Evans (bass), and Joey Molland (guitar). They are recognised for their influence on the 1970s power pop genre. It is estimated that the band sold 14 million records. The band renamed themselves Badfinger, after the working title for the Beatles' 1967 song "With a Little Help from My Friends" ("Bad Finger Boogie"). From 1968 to 1973, Badfinger recorded five albums for Apple and toured extensively, before they became embroiled in the chaos of Apple's dissolution. Badfinger had four consecutive worldwide hits from 1970 to 1972: " Come and Get It" (written and produced by Paul McCartney, 1970), " No Matter What" (produced by Mal Evans, 1970), " Day After Day" (produced by George Harrison, 1971), and " Baby Blue" (produced by Todd Rundgren, 1972). Their song " Without You" (1970) has been recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Evans (musician)
Thomas Evans (5 June 1947 – 19 November 1983) was a British musician and songwriter, most notable for his work with the band Badfinger. He co-wrote the song " Without You". The Iveys In July 1967, the Iveys (Pete Ham, Ron Griffiths, Mike Gibbins and Dave Jenkins) went to Liverpool at the suggestion of their manager, Bill Collins, to recruit a replacement for Dave Jenkins, their rhythm guitarist and frontman. They discovered Tommy Evans singing with Them Calderstones and invited him to London to audition for the band. He eventually accepted and joined the Iveys in August 1967. His first gig with the Iveys was on 20 August 1967 at the Starlite Ballroom in Crawley. On 23 July 1968, the Iveys were signed to the Beatles' Apple Records label. Their debut worldwide single release was " Maybe Tomorrow" which was a Tom Evans composition, written for his girlfriend in Liverpool, Leslie Sandton, who he used to date when he was a member of Them Calderstones. On 15 November 1968, " M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savatage
Savatage () was an American heavy metal band founded by brothers Jon and Criss Oliva in 1979 in Tarpon Springs, Florida. The band was first called Avatar, but, shortly before the release of their debut album '' Sirens'' (1983), they changed their name to Savatage, as Avatar was already taken by another band. Savatage is considered a significant member of the American heavy metal movement of the early-to-mid-1980s and has been cited as a key influence on many genres, such as power metal, progressive metal, speed metal, thrash metal, death metal and symphonic metal. Savatage has released eleven studio albums, two live albums, four compilations and three EPs. The band first reached substantial commercial success with its third studio album ''Fight for the Rock'' (1986), which peaked at number 158 on the ''Billboard'' 200. Its next four albums—'' Hall of the Mountain King'' (1987), '' Gutter Ballet'' (1989), '' Streets: A Rock Opera'' (1991) and '' Edge of Thorns'' (1993)—wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brady Bunch
''The Brady Bunch'' is an American sitcom created by Sherwood Schwartz that aired from September 26, 1969, to March 8, 1974, on ABC. The series revolves around a large blended family with six children. The show aired for five seasons and, after its cancellation in 1974, went into syndication in September 1975. Though it was never a ratings hit or a critical success during its original run, the program has since become a popular syndicated staple, especially among children and teenage viewers. ''The Brady Bunch''s success in syndication led to several television reunion films and spin-off series: '' The Brady Bunch Hour'' (1976–77), '' The Brady Girls Get Married'' (1981), '' The Brady Brides'' (1981), ''A Very Brady Christmas'' (1988), and '' The Bradys'' (1990). In 1995, the series was adapted into a satirical comedy theatrical film titled '' The Brady Bunch Movie'', followed by '' A Very Brady Sequel'' in 1996. A second sequel, '' The Brady Bunch in the White House'', aire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engelbert Humperdinck (singer)
Arnold George Dorsey (born 2 May 1936), known professionally as Engelbert Humperdinck, is an English pop singer who has been described as "one of the finest middle-of-the-road balladeers around". He achieved international prominence in 1967 with his recording of " Release Me". Starting as a performer under the name of Gerry Dorsey in the late 1950s, he later adopted the name of the German composer Engelbert Humperdinck as a stage name and found success after he partnered with manager Gordon Mills in 1965. His recordings of the ballads " Release Me" and "The Last Waltz" both topped the UK Singles Chart in 1967, selling more than a million copies each. Humperdinck scored further major hits in rapid succession, including " There Goes My Everything" (1967), " Am I That Easy to Forget" (1968) and " A Man Without Love" (1968). In the process, he attained a large following, with some of his most devoted fans calling themselves "Humperdinckers". Three of his singles were among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lettermen
The Lettermen are an American male pop vocal trio. The Lettermen's trademark is close-harmony pop songs with light arrangements. The group started in 1959. They have had two Top 10 singles (both No. 7), 16 Top 10 singles on the Adult Contemporary chart (including one No. 1), 32 consecutive ''Billboard'' chart albums, 11 gold records, and five Grammy nominations. History In 1958, the stage revue ''Newcomers of 1928'' was produced, a nostalgia act which starred 1920s stars Paul Whiteman, Buster Keaton, Rudy Vallée, Harry Richman, and Fifi D'Orsay. The show required three male singers to impersonate The Rhythm Boys, the vocal group that traveled with Whiteman and his orchestra in the late 1920s, and gave Bing Crosby his initial fame. The three singers selected were Mike Barnett, Dick Stewart, and Tony Butala. Jackie Barnett, who was chief comedy writer for the Jimmy Durante TV show, had auditioned the singers, and he decided to name the group "The Lettermen" for the show. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record World
''Record World'' magazine was one of the three main music industry trade magazines in the United States, along with '' Billboard'' and '' Cashbox''. It was founded in 1946 under the name ''Music Vendor'', but in 1964 it was changed to ''Record World'', under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982. Many music industry personalities, writers, and critics began their careers there in the early 1970s to 1980s. History Growth ''Record World'' has been considered the hipper, faster-moving music industry publication, in contrast to the stodgier ''Billboard'' and ''Cashbox'', its sister magazine. ''Music Vendor'', as it was then known, published its first music chart for the week ending October 4, 1954. A weekly, like its competitors, it was housed in New York City at 1700 Broadway, at 53rd Street, just across the street from the Ed Sullivan Theater, and West Coast editorial offices in Los Angeles on Sunset and Vine. Rock bands frequente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Easy Listening
Easy listening (including mood music) is a popular music genre and radio format that was most popular during the 1950s to 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs, non- rock vocals and instrumental covers of selected popular rock songs. It mostly concentrates on music that pre-dates the rock and roll era, characteristically on music from the 1940s and 1950s. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various parts of the broadcast day. Easy listening music is often confused with lounge music, but while it was popular in some of the same venues it was meant to be listened to for enjoyment rather than as background sound. History The style has been synonymous with the tag "with strings". String instruments had been used in sweet bands in the 1930s and was the dominant sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
