David With The Head Of Goliath (Caravaggio), Vienna
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David With The Head Of Goliath (Caravaggio), Vienna
''David with the Head of Goliath'', c. 1607, in the Kunsthistorisches Museum Gemäldegalerie, Vienna, is a painting by the Italian artist Caravaggio (1571–1610). Peter Robb believes it to have been acquired by the conde de Villamediana in Naples between 1611 and 1617, as Giovanni Bellori records Villamediana as having returned to Spain with a half-figure of David by Caravaggio. Caravaggio also treated this subject in a work currently in the Galleria Borghese, Rome, and in an early work dated c. 1600 in the Prado in Madrid. The exact moment depicted appears to be that referred to in I Samuel 17:57: "When David came back after killing the Philistine, Abner took him and presented him to Saul with the Philistine's head still in his hand." The pose is a usual one for the episode, showing David striding in triumph with the head in his hand. In the Borghese version this has changed to an unconventional frontal presentation of the head toward the viewer, who is thereby placed in the p ...
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Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ...
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John The Baptist (Caravaggio)
''John the Baptist'' (sometimes called ''John in the Wilderness'') was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah. He lived in the wilderness of Judea between Jerusalem and the Dead Sea, "his raiment of camel's hair, and a leather girdle about his loins; and his meat was locusts and wild honey." He baptised Jesus in the Jordan, and was eventually killed by Herod Antipas when he called upon the king to reform his evil ways. John was frequently shown in Christian art, identifiable by his bowl, reed cross, camel's skin and lamb. The most popular scene prior to the Counter-Reformation was of John's baptism of Jesus, or else the infant Baptist together with the infant Jesus and Mary his mother, frequently supplemented by the Baptist's own mother St Elizabeth ...
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Paintings In The Collection Of The Kunsthistorisches Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Paintings Depicting David
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings By Caravaggio
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1607 Paintings
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Hi ...
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M (Peter Robb Book)
''M'' is a book by Australian author Peter Robb about the Italian painter Michelangelo Merisi da Caravaggio. First published in 1998 in Australia by Duffy & Snellgrove Duffy & Snellgrove is a small, independent publishing house founded in Australia in 1996 by journalist Michael Duffy and his wife Alex Snellgrove. Since November 2005, the company has stopped publishing new works, although they continue to publ ..., the book provoked controversy when it was published in Britain in 2000. It was published in the United States as ''M: The Man Who Became Caravaggio'' (New York: Henry Holt, 2000). ''M'' won the (Australian) National Biography Award and the Victorian Premier's Award. References External links
* {{cite book, first=Peter, last=Robb, authorlink=Peter Robb (author), title=M, year=1998, isbn=0-312- ...
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List Of Paintings By Caravaggio
The following is a list of paintings by the Italian artist Caravaggio, listed chronologically.Spike, John T. ''Caravaggio''. New York : Abbeville Press, 2001: p. 253–54 List of paintings Footnotes Further reading

* * * * * * * * * * * {{Lists of paintings Caravaggio, List Lists of paintings, Caravaggio ...
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Cecco Del Caravaggio
Cecco del Caravaggio (active – mid-1620s), is the notname given to a painter who worked in Rome in the early decades of the 17th century and was an important early follower of Caravaggio (1571–1610). In the past art historians have suggested he may have been a Flemish, French or Spanish Caravaggist but more recently some have identified the artist with Francesco Boneri (or Buoneri), although this is not universally accepted. In his work the artist responded in a very individual and original manner to Caravaggio's naturalism."Caravaggio, Cecco del." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 12 May 2017 Life Little is known about Cecco del Caravaggio. His active period appears to have been from 1610 to the mid 1620s. The name "Cecco" is a diminutive of "Francesco". In his guide to contemporary artists written for fellow-collectors in about 1620 entitled ''Considerazioni sulla Pittura'', Giulio Mancini mentions a ("Francesco, known as 'Cecco del Car ...
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Amor Vincit Omnia (Caravaggio)
''Amor Vincit Omnia'' ("Love Conquers All" in Latin, known in English by a variety of names including ''Amor Victorious'', ''Victorious Cupid'', ''Love Triumphant'', ''Love Victorious'', or ''Earthly Love'') is a painting by the Italian Baroque artist Caravaggio. ''Amor Vincit Omnia'' shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down from what appears to be a table. Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's ''Eclogues'', ''Omnia Vincit Amor et nos cedamus amori'' ("Love conquers all; let us all yield to love"). A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to have prized it above all other ...
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David With The Head Of Goliath (Caravaggio, Rome)
'' David with the Head of Goliath '' is a painting by the Italian Baroque artist Caravaggio. It is housed in the Galleria Borghese, Rome.Catherine Puglisi, ''Caravaggio'' (Phaidon, 1998), p. 360, plate 180 The painting, which was in the collection of Cardinal Scipione Borghese in 1650, has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former. Caravaggio also treated this subject in a work dated c. 1607 in the Kunsthistorisches Museum in Vienna, and in an early work dated c. 1600 in the Prado in Madrid. The immediate inspiration for Caravaggio was a work by a follower of Giorgione, c.1510, but Caravaggio captures the drama more effectively by having the head dangling from David's hand and dripped out blood, rather than resting on a ledge. The sword in David's hand carries an abbreviated inscription H-AS OS; this has been interpreted as an abbreviation of the Latin phrase ''humilitas occidit superbiam'' ("humility kills prid ...
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Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symmetrical ...
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