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David Vilakazi
Strike David Vilakazi (also written Vilakezi) was a South African vocalist, drummer, trumpeter, composer, and music producer. He was known for composing the anti-apartheid song " Meadowlands", and for his career as a producer, during which he was influential in the development of ''mbaqanga''. __NOTOC__ "Meadowlands" The settlement of Sophiatown had been destroyed by the apartheid government of South Africa in 1955, and its 60,000 inhabitants forcibly moved, many of them to a settlement known as Meadowlands. The forced relocation inspired Vilakezi to write "Meadowlands". "Meadowlands" was set to an "infectious jive beat". It featured music writer Todd Matshikiza on the piano. The lyrics of the song were written in three languages; IsiZulu, SeSotho, and ''tsotsitaal'', or street slang. Superficially upbeat, the song was misinterpreted as being supportive of the move by the South African government; as a result, Vilakezi was congratulated for it by a government bureaucrat, and accord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = United States , subdivision_type1 = State , subdivision_type2 = Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook and DuPage , established_title = Settled , established_date = , established_title2 = Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council , governing_body = Chicago City Council , leader_title = Mayor , leader_name = Lori Lightfoot ( D) , leader_title1 = City Clerk , leader_name1 = Anna Valencia ( D) , unit_pref = Imperial , area_footnotes = , area_tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Resistance To Apartheid
Internal resistance to apartheid in South Africa originated from several independent sectors of South African society and took forms ranging from social movements and passive resistance to guerrilla warfare. Mass action against the ruling National Party (NP) government, coupled with South Africa's growing international isolation and economic sanctions, were instrumental in leading to negotiations to end apartheid, which began formally in 1990 and ended with South Africa's first multiracial elections under a universal franchise in 1994. Apartheid was adopted as a formal South African government policy by the NP following their victory in the 1948 general election. From the early 1950s, the African National Congress (ANC) initiated its Defiance Campaign of passive resistance. Subsequent civil disobedience protests targeted curfews, pass laws, and "petty apartheid" segregation in public facilities. Some anti-apartheid demonstrations resulted in widespread rioting in Port Eliz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South African Producers
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South African Musicians
South is one of the cardinal directions or compass points. The direction is the opposite of north and is perpendicular to both east and west. Etymology The word ''south'' comes from Old English ''sūþ'', from earlier Proto-Germanic ''*sunþaz'' ("south"), possibly related to the same Proto-Indo-European root that the word ''sun'' derived from. Some languages describe south in the same way, from the fact that it is the direction of the sun at noon (in the Northern Hemisphere), like Latin meridies 'noon, south' (from medius 'middle' + dies 'day', cf English meridional), while others describe south as the right-hand side of the rising sun, like Biblical Hebrew תֵּימָן teiman 'south' from יָמִין yamin 'right', Aramaic תַּימנַא taymna from יָמִין yamin 'right' and Syriac ܬܰܝܡܢܳܐ taymna from ܝܰܡܝܺܢܳܐ yamina (hence the name of Yemen, the land to the south/right of the Levant). Navigation By convention, the ''bottom or down-facing side'' of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertha Egnos
Bertha Egnos (1 January 1913 – 2 July 2003) was a South African musician, director, and composer in musical theatre, best known as the co-creator and director of ''Ipi Tombi''. Early life Bertha "BeBe" Egnos was born and raised in a Jewish family in a suburb of Johannesburg. She was always musical, and left school as a young teen to start playing piano in a performing group. Around 1934 she left South Africa to work for the BBC in London; she also studied jazz piano with Reginald Foresythe while she was in England, and made a few solo recordings. Career Egnos returned to South Africa by 1936. During World War II, she started and led an all-woman Drum and Bugle Band. She also started writing and directing swing music revues, with titles including ''Swing 1939'' and ''Swing 1941''. After the war, she wrote musical comedies. Among her shows were ''Bo-jungle'' (1959), ''Dingaka'' (1961), ''Eureka!'' (1968), and ''Ipi-Tombi'' (1974, with her daughter Gail Lakier and 1988 “The New G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pennywhistle
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ga, feadóg stáin or feadóg). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all primitive cultures had a type of fipple flute, and it is most likely the first pitched ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spokes Mashiyane
Johannes "Spokes" Mashiyane (born Vlakfontein (Mamelodi), Pretoria 20 January 1933; died at Baragwanath Hospital of cirrhosis of liver 9 February 1972) was regarded as one of the greatest pennywhistle artists who graced the South African kwela music scene from the 1950s to (approximately) the 1970s. Arriving on the pennywhistle band scene as a juvenile domestic servant from the northern Sotho communities in the Transvaal alongside contemporaries of Alexandra boys such as Lemmy Mabaso, Barney Rachabane, Elias and Jack Lerole. He stated that the pennywhistle's simplicity allowed for greater freedom to bend and blend notes. The success of his recordings provided significant revenue for his recording company, Gallo Record Company, to which he had switched in 1958. His success gained international notice by the 1960s - he played with Bud Shank among others during their visit to South Africa - and in July 1965 he was invited to the Newport Folk Festival. This festival gained notoriety for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southern African Music Rights Organisation
SAMRO, the Southern African Music Rights Organisation, is a copyright asset management society. It was established by the South African Copyright Act, and aims to protect the intellectual property of music creators by licensing music users, collecting licence fees and distributing royalties to music creators. SAMRO represents more than 15,000 Southern African music composers, lyricists/authors and music publishers. The organisation administers performing rights. History The Southern African Music Rights Organisation (name since 1974) was formed in December 1961 under the chairmanship of Dr. Gideon Roos Senior, a former Director-General of the South African Broadcasting Corporation (SABC). SAMRO began operations in January 1962 with 40 South African composers and 13 music publishers, taking over from the UK royalty collecting society PRS. In June 1962, SAMRO was accepted as a member of the International Confederation of Societies of Authors and Composers (CISAC). In the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
True Tone Records (US Label)
True Tone Records was a United States based record label producing 78 disc records of Dixieland jazz in the 1950s. The label was headquartered in New Orleans, Louisiana. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... Defunct record labels of the United States {{US-record-label-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Makeba
Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including African popular music, Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa. Born in Johannesburg to Swazi people, Swazi and Xhosa people, Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks (South African vocal group), the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
