David Seltzer
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David Seltzer
David Seltzer (born February 12, 1940) is an American screenwriter, producer and director, perhaps best known for writing the screenplays for ''The Omen'' (1976) and '' Bird on a Wire'' (1990). As writer-director, Seltzer's credits include the 1986 teen tragi-comedy '' Lucas'' starring Corey Haim, Charlie Sheen and Winona Ryder, the 1988 comedy ''Punchline'' starring Sally Field and Tom Hanks, and 1992's ''Shining Through'' starring Melanie Griffith and Michael Douglas. Biography Born to a Jewish family, Seltzer was uncredited for his contributions to the 1971 musical film ''Willy Wonka & the Chocolate Factory'', the author of the original book, Roald Dahl, is credited as sole screenwriter; however it has been revealed that Seltzer rewrote 30% of Dahl's script, adding such elements as the "Slugworth subplot", music other than the original Oompa Loompa compositions (including ''Pure Imagination'' and ''The Candy Man''), and the ending dialogue for the movie. Seltzer's writi ...
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2007 Writers Guild Of America Strike
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit ...
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Shining Through
''Shining Through'' is a 1992 American World War II drama film which was released to United States cinemas on January 31, 1992, written and directed by David Seltzer and starring Michael Douglas and Melanie Griffith, with Liam Neeson, Joely Richardson and John Gielgud in supporting roles. It is based on the novel of the same name by Susan Isaacs. The original music score was composed by Michael Kamen. Plot In the present (1992), elderly Linda Voss (Melanie Griffith) is interviewed by a BBC documentary team about her experiences before and during World War II. She explains that, growing up in New York City as a young woman of Irish/German Jewish parentage, she always dreamed of visiting Berlin and finding her family members there. In 1940, Linda applies for a job as a secretary with a major law firm, but is rejected because she did not graduate from a prestigious women's college. As she leaves, however, Linda impresses the supervisor by demonstrating that she speaks fluent German ...
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Six Weeks
''Six Weeks'' is a 1982 American drama film directed by Tony Bill and based on the 1976 novel of the same name by Fred Mustard Stewart. It stars Dudley Moore, Mary Tyler Moore, and Katherine Healy. Plot Charlotte Dreyfus, a wealthy cosmetic tycoon, and her 12-year-old daughter Nicole (Nicky), who's dying from leukemia, strike up a sentimental friendship with a California politician, Patrick Dalton. Nicole has decided to abandon all further treatments for the disease because of the treatments' side effects. Charlotte is determined to help her daughter achieve various 'bucket list" goals including Nicole's desires to work for Dalton's dark-horse campaign. Dalton, who is initially taken aback by Charlotte's generous campaign donation, allows Nicky to help at the campaign office after she alludes to Nicky having a terminal illness. Dalton and the mother and daughter slowly grow closer over the short period of time and while watching Nicky practicing her ballet, Dalton confronts Nick ...
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Prophecy (film)
''Prophecy'' is a 1979 American science fiction monster horror-thriller film directed by John Frankenheimer and written by David Seltzer. It stars Robert Foxworth, Talia Shire and Armand Assante. Set in the Androscoggin or Ossipee River, the film follows an environmental agent and his wife filing a report on a paper mill in the river, not knowing that the paper mill's waste made a local bear mutate, causing the bear to run amok in the wilderness. A novelization of the film, written by Seltzer as well, was also published, with the tagline "A Story of Unrelenting Terror". Plot While searching for lost lumberjacks in Maine, three members of a search-and-rescue team are killed by an unseen force. In Washington D.C., Dr. Robert Verne accepts a job from the Environmental Protection Agency (EPA) to write a report about a dispute between a logging operation and a Native American tribe near the Androscoggin River or Ossipee river in Maine. Dr. Verne's wife Maggie accompanies hi ...
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The Candy Man
"The Candy Man" (or alternatively, "The Candy Man Can") is a song that originally appeared in the 1971 film ''Willy Wonka & the Chocolate Factory''. It was written by Leslie Bricusse and Anthony Newley specifically for the film. Although the original 1964 book by Roald Dahl (''Charlie and the Chocolate Factory'') contains lyrics adapted for other songs in the film, the lyrics to "The Candy Man" do not appear in the book. The soundtrack version of the song was sung by Aubrey Woods, who played Bill the candy store owner in the film. Attempt at replacing the Woods vocal Lyricist Anthony Newley has said in interviews that upon hearing Woods' rendition for the first time, he was appalled at the lack of commerciality in the performance – worrying that it would possibly be depriving the duo of not only a hit record, but an Oscar nomination as well. Newley's distaste for the performance became so intense that he was willing to forego his own performance fee if he were to be allowed to ...
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Pure Imagination
"Pure Imagination" is a song from the 1971 film ''Willy Wonka & the Chocolate Factory''. It was written by British composers Leslie Bricusse and Anthony Newley specifically for the movie. It was sung by Gene Wilder who played the character of Willy Wonka. Bricusse has stated that the song was written over the phone in one day. The song has a spoken introduction. Since its release, the song has been covered and remixed hundreds of times by a wide variety of artists. The original song was not popular when it was first released. The film itself was not a blockbuster and other songs from the soundtrack performed better. It was not until the movie began appearing on television reruns in the 1980s that the film and "Pure Imagination" become more well known. Although the original song never charted, some cover versions have done so. In the week following Wilder's death in 2016, the song rose in streams and sales by more than 1000%. The song was featured in television, radio, and soci ...
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Oompa Loompa
This is a list of characters in the 1964 Roald Dahl book ''Charlie and the Chocolate Factory'', his 1972 sequel ''Charlie and the Great Glass Elevator'', and the former's film adaptations, ''Willy Wonka & the Chocolate Factory'' (1971) and ''Charlie and the Chocolate Factory'' (2005). Listings include actors who have played the characters in various media. Main characters Willy Wonka In the novels and films, Willy Wonka is the eccentric owner of the world's largest candy factory, making candy and chocolate. Wonka holds a contest, hiding 5 Golden Tickets within the wrappers of his chocolate bars, promising their finders a tour of his factory and a lifelong supply of his creations. Wonka has a black goatee and "marvelously" bright eyes, a high and "flutey" voice, a face "alight of fun and laughter", and quick little jerky movements "like a squirrel". He is enthusiastic, talkative, friendly and charming, but is sometimes insensitive and has been given to glossing self-critic ...
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Roald Dahl
Roald Dahl (13 September 1916 – 23 November 1990) was a British novelist, short-story writer, poet, screenwriter, and wartime fighter ace of Norwegian descent. His books have sold more than 250 million copies worldwide. Dahl has been called "one of the greatest storytellers for children of the 20th century". Dahl was born in Wales to affluent Norwegian immigrant parents, and spent most of his life in England. He served in the Royal Air Force (RAF) during the Second World War. He became a fighter pilot and, subsequently, an intelligence officer, rising to the rank of acting wing commander. He rose to prominence as a writer in the 1940s with works for children and for adults, and he became one of the world's best-selling authors. His awards for contribution to literature include the 1983 World Fantasy Award for Life Achievement and the British Book Awards' Children's Author of the Year in 1990. Dahl and his work have been criticised for racial stereotypes, misogyny a ...
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Charlie And The Chocolate Factory
''Charlie and the Chocolate Factory'' is a 1964 children's novel by British author Roald Dahl. The story features the adventures of young Charlie Bucket inside the chocolate factory of eccentric chocolatier Willy Wonka. The story was originally inspired by Roald Dahl's experience of chocolate companies during his schooldays at Repton School in Derbyshire. Cadbury would often send test packages to the schoolchildren in exchange for their opinions on the new products. At that time (around the 1920s), Cadbury and Rowntree's were England's two largest chocolate makers and they each often tried to steal trade secrets by sending spies, posing as employees, into the other's factory—inspiring Dahl's idea for the recipe-thieving spies (such as Wonka's rival Slugworth) depicted in the book. Because of this, both companies became highly protective of their chocolate-making processes. It was a combination of this secrecy and the elaborate, often gigantic, machines in the factory that insp ...
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Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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Indiana University Press
Indiana University Press, also known as IU Press, is an academic publisher founded in 1950 at Indiana University that specializes in the humanities and social sciences. Its headquarters are located in Bloomington, Indiana. IU Press publishes 140 new books annually, in addition to 39 academic journals, and maintains a current catalog comprising some 2,000 titles. Indiana University Press primarily publishes in the following areas: African, African American, Asian, cultural, Jewish, Holocaust, Middle Eastern studies, Russian and Eastern European, and women's and gender studies; anthropology, film studies, folklore, history, bioethics, music, paleontology, philanthropy, philosophy, and religion. IU Press undertakes extensive regional publishing under its Quarry Books imprint. History IU Press began in 1950 as part of Indiana University's post-war growth under President Herman B Wells. Bernard Perry, son of Harvard philosophy professor Ralph Barton Perry, served as the first d ...
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The Jew In American Cinema
'' The Jew in American Cinema'' is a 1984 non-fiction book by Patricia Erens, published by Indiana University Press. It originated from a PhD thesis. Clipping of a portion of the articlefrom Newspapers.com. Reception Allen Graubard criticized several "serious misunderstandings" and argued that the book does not succeed in analyzing impact on the Jewish people on American cinema, although he felt that there is "a modest value" in the work being "a film and pop culture scholarship reference". Irwin R. Blacker of the ''Los Angeles Times'' felt that the author had "mature judgment" and "sensitivity" by using "a minimum of jargon". Steven J. Whitfield of Brandeis University stated that the book has a lot of coverage but that it lacks "critical judgment" and information on "transformations" in society.Whitfield, p. 88. Whitfield also stated there were errors in fact related to the Jewish ethnic studies realm.Whitfield, p. 88-89. According to Whitfield, the book's grasp is stronger in ...
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