David Monrad Johansen
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David Monrad Johansen
David Monrad Johansen (8 November 1888 – 20 February 1974) was a Norway, Norwegian composer. He was born in Vefsn and grew up near Mosjøen, where he received his first piano lessons. He came to Oslo, Christiania (Oslo) in 1904 to study at the conservatory there, and he continued taking lessons with Catharinus Elling, Iver Holter and others until he went to Berlin in 1915 for further studies. In 1920, he went for a study trip to Paris, and here Stravinsky’s music came to make a huge impression on him. In addition he met Fartein Valen, which inspired him to start studying dissonant counterpoint. Later, in 1933 and 1935, he spent short periods abroad for further studies. Monrad Johansen’s study time was extraordinary diverse, and his development was affected by this. It is difficult to categorise his style, with all the different influences that he went through. Before Berlin, he was within the conservative late Romantic music, romanticism, clearly influenced by Edvard Gri ...
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Norse Literature
Old Norse literature refers to the vernacular literature of the Scandinavian peoples up to c. 1350. It chiefly consists of Icelandic writings. In Britain From the 8th to the 15th centuries, Vikings and Norse settlers and their descendants colonised parts of what is now modern Scotland. Some Old Norse poetry survives relating to this period. The '' Orkneyinga saga'' (also called the ''History of the Earls of Orkney'') is a historical narrative of the history of the Orkney Islands, from their capture by the Norwegian king in the ninth century onwards until about 1200. 20th-century poet George Mackay Brown was influenced by the saga, notably for his 1973 novel ''Magnus''. The Icelandic ''Njáls saga'' includes actions taking place in Orkney and Wales. Besides these Icelandic sagas a few examples, sometimes fragmentary, of Norse poetry composed in Scotland survive. Among the runic inscriptions at Maeshowe is a text identified as irregular verse. Scandinavian cultural contacts in the ...
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Quisling Regime
The Quisling regime or Quisling government are common names used to refer to the fascist collaborationist government led by Vidkun Quisling in German-occupied Norway during the Second World War. The official name of the regime from 1 February 1942 until its dissolution in May 1945 was Den nasjonale regjering ( en, the National Government). Actual executive power was retained by the Reichskommissariat Norwegen, headed by Josef Terboven. Given the use of the term quisling, the name ''Quisling regime'' can also be used as a derogatory term referring to political regimes perceived as treasonous puppet governments imposed by occupying foreign enemies. 1940 coup Vidkun Quisling, ''Fører'' of the Nasjonal Samling party, had first tried to carry out a coup against the Norwegian government on 9 April 1940, the day of the German invasion of Norway. At 7:32 p.m., Quisling visited the studios of the Norwegian Broadcasting Corporation and made a radio broadcast proclaiming himself Prim ...
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Nasjonal Samling
Nasjonal Samling (, NS; ) was a Norwegian far-right political party active from 1933 to 1945. It was the only legal party of Norway from 1942 to 1945. It was founded by former minister of defence Vidkun Quisling and a group of supporters such as Johan Bernhard Hjortwho led the party's paramilitary wing (''Hirden'') for a short time before leaving the party in 1937 after various internal conflicts. The party celebrated its founding on 17 May, Norway's national holiday, but was founded on 13 May 1933. History Pre-war politics The party never gained direct political influence, but it made its mark on Norwegian politics nonetheless. Despite the fact that it never managed to get more than 2.5% of the vote and failed to elect even one candidate to the Storting, it became a factor by polarising the political scene. The established parties in Norway viewed it as a Norwegian version of the German Nazis, and generally refused to cooperate with it in any way. Several of its marches a ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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German Occupation Of Norway
The occupation of Norway by Nazi Germany during the Second World War began on 9 April 1940 after Operation Weserübung. Conventional armed resistance to the German invasion ended on 10 June 1940, and Nazi Germany controlled Norway until the capitulation of German forces in Europe on 8 May 1945. Throughout this period, a pro-German government named Den nasjonale regjering (English: the National Government) ruled Norway, while the Norwegian king Haakon VII and the prewar government escaped to London, where they formed a government in exile. Civil rule was effectively assumed by the ''Reichskommissariat Norwegen'' (Reich Commissariat of Norway), which acted in collaboration with the pro-German puppet government. This period of military occupation is, in Norway, referred to as the "war years", "occupation period" or simply "the war". Background Having maintained its neutrality during the First World War (1914–1918), Norwegian foreign and military policy since 1933 was largely ...
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Norsk Krigsleksikon 1940-45
Norwegian, Norwayan, or Norsk may refer to: *Something of, from, or related to Norway, a country in northwestern Europe *Norwegians, both a nation and an ethnic group native to Norway *Demographics of Norway *The Norwegian language, including the two official written forms: **Bokmål, literally "book language", used by 85–90% of the population of Norway **Nynorsk, literally "New Norwegian", used by 10–15% of the population of Norway *The Norwegian Sea Norwegian or may also refer to: Norwegian *Norwegian Air Shuttle, an airline, trading as Norwegian **Norwegian Long Haul, a defunct subsidiary of Norwegian Air Shuttle, flying long-haul flights *Norwegian Air Lines, a former airline, merged with Scandinavian Airlines in 1951 *Norwegian coupling, used for narrow-gauge railways *Norwegian Cruise Line, a cruise line *Norwegian Elkhound, a canine breed. *Norwegian Forest cat, a domestic feline breed *Norwegian Red, a breed of dairy cattle *Norwegian Township, Schuylkill County, ...
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Draumkvedet
"Draumkvedet" ("The Dream Poem"; Norske mellomalderballadar, NMB 54, The Types of the Scandinavian Medieval Ballad, TSB B 31) is a Norway, Norwegian visionary poem, probably dated from the late medieval age.Knut Liestøl: "Draumkvedet. A Visionary Poem from the Middle Ages", ''Studia Norvegica 3, 1946''"The Dream Lay"
– ''Listen to Norway, Vol.9 - 2001 No. 1'' (Retrieved on February 18, 2008)
It is one of the best known medieval ballads in Norway. The first written versions are from Lårdal and Kviteseid in Telemark in the 1840s. The protagonist, Olav Åsteson, falls asleep on Christmas Eve and sleeps until Twelfth Night (holiday), the twelfth day of Christmas. Then he wakes, and rides to church to recount his dreams to the congregation, about his journey through the afterlife. The events are in part similar to other m ...
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Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as t ...
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Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equivalent in th ...
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Phrygian Mode
The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. c. 335 BC), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ...
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Dorian Mode
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself. : Greek Dorian mode The Dorian mode (properly ''harmonia'' or ''tonos'') is named after the Dorian Greeks. Applied to a whole octave, the Dorian octave species was built upon two tetrachords (four-note segments) separated by a whole tone, running from the ''hypate meson'' to the ''nete diezeugmenon''. In the enharmonic genus, the intervals in each tetrachord are quarter tone–quarter tone–major third. : In the chromatic genus, they are semitone–semitone–minor third. : In the diatonic genus, they are semitone–tone–tone. : In the diatonic genus, the sequence over the ...
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