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David Hall (recorded Sound Archivist)
David Hall (b. December 16, 1916 New Rochelle, New York — d. April 10, 2012 Castine, Maine) was a sound archivist and writer. Career Hall was born to Fairfax Hall (1886–1958), a pediatrician, and Eleanor Raeburn Remy (''maiden''; 1895–1962). He attended college-preparatory school at Phillips Exeter Academy, graduating in 1935, and went on to Yale University, earning a B.A. in 1939. Hall also did postgraduate work at Columbia University from 1940 to 1941. At the urging of family friend, ''Saturday Review of Literature'' Editor Norman Cousins, Hall abandoned his graduate studies to write an annotated discography of recorded sound. The book instructed record collectors on "how to lay a solid foundation for a record library, what pitfalls to avoid in the buying of records, whether or not it is advisable to specialize, and how to distinguish between fair and excellent recordings of the same composition." The book also provided tips on playback equipment and offered detailed co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Rochelle, New York
New Rochelle (; older french: La Nouvelle-Rochelle) is a city in Westchester County, New York, United States, in the southeastern portion of the state. In 2020, the city had a population of 79,726, making it the seventh-largest in the state of New York. Some residents refer to the city as '' New Ro'' or ''New Roc City''. History Etymology and early history The European settlement was started by refugee Huguenots (French Protestants) in 1688, who were fleeing religious persecution in France (such as '' Dragonnades'') after the king's revocation of the Edict of Nantes. Many of the settlers were artisans and craftsmen from the city of La Rochelle, France, thus influencing the choice of the name of "New Rochelle". 17th and 18th centuries Some 33 families established the community of ''La Nouvelle-Rochelle'' () in 1688. A monument containing the names of these settlers stands in Hudson Park, the original landing point of the Huguenots. Thirty-one years earlier, the Siwanoy In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antal Doráti
Antal Doráti (, , ; 9 April 1906 – 13 November 1988) was a Hungarian-born conductor and composer who became a naturalized American citizen in 1943. Biography Antal Doráti was born in Budapest, where his father Alexander Doráti was a violinist with the Budapest Philharmonic Orchestra and his mother Margit Kunwald was a piano teacher. He studied at the Franz Liszt Academy with Zoltán Kodály and Leó Weiner for composition and Béla Bartók for piano. His links with Bartók continued for many years: he conducted the world premiere of Bartók's Viola Concerto, as completed by Tibor Serly, with the Minneapolis Symphony Orchestra in 1949, with William Primrose as the soloist. He made his conducting debut in 1924 with the Budapest Royal Opera. As well as composing original works, he compiled and arranged pieces by Johann Strauss II for the ballet ''Graduation Ball'' (1940), premiered by the Original Ballet Russe in Sydney, Australia, with himself on the conductor's podiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mapleson Cylinders
The Mapleson Cylinders are a group of about 140 phonograph cylinders recorded live at the Metropolitan Opera House, primarily between 1901 and 1903, by the Met librarian Lionel Mapleson (a nephew of impresario James Henry Mapleson). The cylinders contain short fragments of actual operatic performances from the Italian, German and French repertoires. Despite their variable quality of sound (some are quite good while others are nearly inaudible), the cylinders have great historical value thanks to the unique aural picture they document of pre-World War I singers in performance at an opera house with a full orchestra. Other contemporary recordings only capture singers as recorded with piano or a severely truncated orchestra in a boxy commercial recording studio. The Mapleson cylinders also feature the only recordings known to exist of a number of famous singers and conductors who were never recorded commercially. They include legendary tenor Jean de Reszke, soprano Milka Ternina, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Research Libraries Group
The Research Libraries Group (RLG) was a U.S.-based library consortium that existed from 1974 until its merger with the OCLC library consortium in 2006. RLG developed the Eureka interlibrary search engine, the RedLightGreen database of bibliographic descriptions, and ArchiveGrid, a database containing descriptions of archival collections. It also developed a framework known as the "RLG Conspectus" for evaluating research library collections, which evolved into a set of descriptors used in library collection policy statements, last updated in 1997.Collecting Levels . Library of Congress. loc.gov. Retrieved 2017-06-19. The used the conspectus in 2015 in the revision of its own collection pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln Center
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center" ( |
New York Public Library For The Performing Arts
The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center, at 40 Lincoln Center Plaza, is located in Manhattan, New York City, at the Lincoln Center for the Performing Arts on the Upper West Side, between the Metropolitan Opera House and the Vivian Beaumont Theater. It houses one of the world's largest collections of materials relating to the performing arts. It is one of the four research centers of the New York Public Library's Research library system, and it is also one of the branch libraries. History Founding and original configuration Originally the collections that formed The New York Public Library for the Performing Arts (LPA) were housed in two buildings. The Research collections on Dance, Music, and Theatre were located at the New York Public Library Main Branch, now named the Stephen A. Schwarzman Building, and the circulating music collection was located in the 58th Street Library. A separate center to house performing arts w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Partch
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison. He built custom-made instruments in these tunings on which to play his compositions, and described the method behind his theory and practice in his book '' Genesis of a Music'' (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave. To play his music, Partch built many unique instruments, with such names as the Chromelodeon, the Quadrangularis Reversum, and the Zymo-Xyl. Partch described his music as corporeal, and distinguished it from abs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-Fi/Stereo Review
''Sound & Vision'' is an American magazine, purchased by AVTech Media Ltd. (UK) in March 2018, covering home theater, audio, video and multimedia consumer products. Before 2000, it had been published for most of its history as ''Stereo Review''. The magazine is headquartered in New York City. History and profile ''Stereo Review'' was an American magazine first published in 1958 by Ziff-Davis with the title ''HiFi and Music Review''. During the initial phase the magazine was headquartered in Chicago, Illinois. It was one of a handful of magazines then available for the individual interested in high fidelity. Throughout its life it published a blend of record and equipment reviews, articles on music and musicians, and articles on technical issues and advice. The name changed to ''HiFi Review'' in 1959. It became ''HiFi/Stereo Review'' in 1961 to reflect the growing use of stereophonic technology in recordings and broadcasts. In 1968 it became, simply, ''Stereo Review'', reflecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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