David Grandis
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David Grandis
David Grandis is currently the Director of Orchestras at the College of William and Mary, Music Director of the Virginia Chamber Orchestra, and Music Director of the Williamsburg Youth Orchestra. He studied in several national conservatories in France and began his conducting apprenticeship with Klaus Weise. After receiving a B.M. in Musicology in France, he completed a M.M. in orchestral conducting at the University of Illinois at Urbana-Champaign with Donald Schleicher, a G.P.D. at the Peabody Conservatory with Gustav Meier and a D.M.A. in conducting under James Smith at the University of Wisconsin-Madison. He has participated in several master classes with Marin Alsop, Rossen Milanov, John Farrer, Daniel Lewis (conductor), Donald Thulean, Philip Greenberg and Adrian Gnam. He also attended several conducting workshops as a participant in Russia with Misha Kats and in Bulgaria with Gustav Meier. In 2021, he was awarded a conducting prize at the International Conductors W ...
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Conductor24a
Conductor or conduction may refer to: Music * Conductor (music), a person who leads a musical ensemble, such as an orchestra. * ''Conductor'' (album), an album by indie rock band The Comas * Conduction, a type of structured free improvisation in music notably practiced by Butch Morris Mathematics * Conductor (ring theory), an ideal of a ring that measures how far it is from being integrally closed * Conductor of an abelian variety, a description of its bad reduction * Conductor of a Dirichlet character, the natural (smallest) modulus for a character * Conductor (class field theory), a modulus describing the ramification in an abelian extension of local or global fields * Artin conductor, an ideal or number associated to a representation of a Galois group of a local or global field * Conductor of a numerical semigroup, the smallest integer in the semigroup such that all subsequent integers are likewise in the semigroup Physics * Electrical conductor, an object, substan ...
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Orchestre National Bordeaux Aquitaine
The ''Orchestre National Bordeaux Aquitaine'' (ONBA) is a French symphony orchestra based in Bordeaux. Its principal concert venue is the ''Palais des sports''. In addition to its regular symphony concerts, the ONBA serves as the accompanying orchestra for the Opéra National de Bordeaux and the Ballet of the Opéra National de Bordeaux. The ONBA also participates in such French music festivals as La Folle Journée (Nantes) and the Festival de La Roque-d'Anthéron. The ONBA receives financial support from the ''Mairie de Bordeaux'', the French Ministry of Culture and the ''Conseil Régional d’Aquitaine'' (Regional Council of Aquitaine). The ONBA has its historical roots in two instrumental ensembles based in Bordeaux. The first was the ''Orchestre de la Société Sainte-Cécile'' (Orchestra of the Saint Cecilia Society), established in 1853 by the conductor of the ''Grand-Théâtre de Bordeaux'', Charles Mézeray. The second organisation dated from 1932, the ''Association des Profe ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon-Théâtre de l'Europe, Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four m ...
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Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ...
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Peabody Conservatory Opera
Peabody may refer to: Libraries * Peabody Institute Library (Peabody, Massachusetts), public library in Peabody, Massachusetts * George Peabody Library, the historical library at the Peabody Institute in Baltimore * Peabody Township Library, a city library in Peabody, Kansas Museums * Peabody Essex Museum, a museum of art and culture in Salem, Massachusetts * Peabody Historical Library Museum, in Peabody, Kansas * Peabody Museum of Archaeology and Ethnology at Harvard University in Cambridge, Massachusetts * Peabody Museum of Natural History at Yale University in New Haven, Connecticut * Robert S. Peabody Museum of Archaeology at Phillips Academy in Andover, Massachusetts Music * Peabody Institute, a music conservatory at Johns Hopkins University in Baltimore, Maryland ** Peabody Symphony Orchestra, a music ensemble at the Peabody Institute * Peabody (band), Australian music group * Peabody (dance), a fast foxtrot-type dance done to ragtime music Places United Sta ...
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Baltimore Opera
The Baltimore Opera Company (BOC) was an opera company in Baltimore, Maryland, U.S.A., based at the Baltimore Lyric Opera House. On 12 March 2009, the 58-year-old opera company announced plans to pursue Chapter 7 bankruptcy liquidation, the result of the company having filed a petition on 10 December 2008 under Chapter 11 of the U.S. Bankruptcy Code with the United States Bankruptcy Court for the District of Maryland. Amongst the reasons cited were "dwindling ticket sales and contributions". Productions of Gioachino Rossini's ''Il Barbiere di Siviglia'' and George Gershwin's ''Porgy and Bess'', scheduled respectively for March and May 2009, were canceled, and ticket-holders did not receive refunds. The former home of the now defunct BOC, the Lyric Opera House, is a music venue modeled after the Concertgebouw, Amsterdam, building inaugurated on 31 October 1894 with a performance by the Boston Symphony Orchestra and Australian opera singer Nellie Melba as the featured soloist. ...
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Il Tabarro
''Il tabarro'' (''The Cloak'') is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on 's play ''La houppelande''. It is the first of the trio of operas known as ''Il trittico''. The first performance was given on December 14, 1918 at the Metropolitan Opera in New York City. Roles Synopsis :Place: A barge on the Seine in Paris. :Time: 1910. It is close to sunset in Paris, and the stevedores work unloading Michele's barge. Giorgetta, Michele's wife, asks her husband if she can bring wine to the workers. He agrees but does not join them because she refuses his kiss. The stevedores start dancing to the music of a nearby organ grinder and one of them steps on Giorgetta's foot. Luigi, a stevedore, dances with her, and it is evident that there is something between them. Upon hearing of Michele's return the stevedores' gathering breaks up. Work is getting scarce and Giorgetta and Michele discuss which of the stevedores should be dismissed; she pr ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Capriccio (opera)
''Capriccio'', Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music". It received its premiere performance at the Nationaltheater München on 28 October 1942. Strauss and Clemens Krauss wrote the German libretto, but its genesis came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later. Strauss then took it on, but finally recruited Krauss as his collaborator. Most of the final libretto is by Krauss. The opera originally consisted of a single act lasting close to two and a half hours. This, in combination with the work's conversational tone and emphasis on text, has prevented it from achieving great popularity. But at Hamburg in 1957, , who directed the opera at its premiere in Munich, inserted an interval at the point when the Countess orders chocolate, and other directors have often followed suit, including performances at Glyndebourne Festival Opera. The final scene for Countess M ...
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Hansel And Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed a ...
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Werther
''Werther'' is an opera (''drame lyrique'') in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel ''The Sorrows of Young Werther'', which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802). Milnes R. Werther. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Performance history Massenet started composing ''Werther'' in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects (especially ''Esclarmonde''), it was put to one side, until the Vienna Opera, pleased with the succes ...
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