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Dave Brubeck Quartet (album)
''The Dave Brubeck Quartet'' is a jazz album released by The Dave Brubeck Quartet in several iterations between 1952 and 1962. Background The album was first released in 1952, on the Fantasy Records label, as Fantasy 10" LP 3-7. The tracks were recorded in September 1952 at the "Surf Club" in Hollywood, California. In place of Quartet regulars Bob Bates and Joe Dodge, are Wyatt "Bull" Ruther on bass and, depending on the track, either Herb Barman or Lloyd Davis on drums. The liner notes were written by Barry Ulanov. Pressings of this version are on either green or red translucent vinyl. The album was reissued with an alternate track lineup as 3230 in 1956. In addition to the 1952 recordings, this version includes a track recorded in March 1954 at the University of California. In 1962 the same tracks would be reissued again, some on an album with the same title (8093) and others on an album entitled "Jazz at Storyville" numbered 8080. In the UK and New Zealand the album was is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lloyd Davis
Lloyd, Lloyd's, or Lloyds may refer to: People * Lloyd (name), a variation of the Welsh word ' or ', which means "grey" or "brown" ** List of people with given name Lloyd ** List of people with surname Lloyd * Lloyd (singer) (born 1986), American singer Places United States * Lloyd, Florida * Lloyd, Kentucky * Lloyd, Montana * Lloyd, New York * Lloyd, Ohio * Lloyds, Alabama * Lloyds, Maryland * Lloyds, Virginia Elsewhere * Lloydminster, or "Lloyd", straddling the provincial border between Alberta and Saskatchewan, Canada Companies and businesses Derived from Lloyd's Coffee House *Lloyd's Coffee House, a London meeting place for merchants and shipowners between about 1688 and 1774 * Lloyd's of London, a British insurance market ** ''Lloyd's of London'' (film), a 1936 film about the insurance market ** Lloyd's building, its headquarters ** Lloyd's Agency Network * ''Lloyd's List'', a website and 275-year-old daily newspaper on shipping and global trade ** ''Lloyd's List Inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna; December 24, 1893 – September 22, 1981) was an American composer and the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing " Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, '' 42nd Street'', choreographed by Busby Berkeley, with whom he would collaborate on many musical films. Over a career spanning six decades, Warren wrote more than 800 songs. Other well known Warren hits included "I Only Have Eyes for You", "You Must Have Been a Beautiful Baby", " Jeepers Creepers", "The Gold Diggers' Song (We're in the Money)", "That's Amore", "There Will Never Be Another You", "The More I See You", "At Last" and "Chattanooga Choo Choo" (the last of which was the first gold record in history). Warren was one of America's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Dubin
Alexander Dubin (June 10, 1891 – February 11, 1945) was an American lyricist. He is best known for his collaborations with the composer Harry Warren. Life Al Dubin came from a Russian Jewish family that emigrated to the United States from Switzerland when he was two years old. Born in Zürich, Switzerland, he grew up in Philadelphia. Between ages of thirteen and sixteen, Dubin played hookey from school in order to travel into New York City to see Broadway musical shows. At age 14 he began writing special material for a vaudeville entertainer on 28th Street between 5th and Broadway in New York City, otherwise known as Tin Pan Alley. Dubin was accepted and enrolled at Perkiomen Seminary in September 1909, but was expelled in 1911, after writing their Alma Mater. After leaving Perkiomen, Dubin got himself a job as a singing waiter at a Philadelphia restaurant. He continued to write lyrics and tried selling them to area publishing firms. During this time, Dubin met composer Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings. Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for " Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and " Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on " Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from ''Canyon Passage'', in which he co-starred as a musician riding a mule. " In the Cool, Cool, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stardust (1927 Song)
"Stardust" is a jazz song composed by American singer, songwriter and musician Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times either as an instrumental or vocal track, featuring different performers. During his time attending Indiana University, Carmichael developed a taste for jazz. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just One Of Those Things (song)
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical ''Jubilee''. Porter had written the score for ''Jubilee'' while on an extended sea cruise in the early part of 1935: however, in September 1935 while he was visiting a friend's farm in Ohio with ''Jubilees librettist Moss Hart, the latter mentioned that the play's second act required an additional song, and Porter had "Just One of Those Things" completed by the following morning (he had previously used the title for a song intended for but not featured in the 1930 musical ''The New Yorkers''—apart from the title the two songs are distinct). Porter's original lyric lacked an adjective for the line "a trip to the moon on '' gossamer'' wings": "gossamer" would be suggested by his friend, Ed Tauch. A recording by Richard Himber reached the charts of the day in 1935 and Peggy Lee's stylized arrangement of the song was a No. 14 hit in the Billboard charts in 1952. Other recordings The song has beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Romance (song)
"My Romance" is a popular music, popular jazz song, with music by Richard Rodgers and lyrics by Lorenz Hart, written for Billy Rose's musical play, musical, ''Jumbo (musical), Jumbo'' (1935 in music, 1935). Gloria Grafton and Donald Novis introduced the song in that musical. In the Billy Rose's Jumbo (film), 1962 movie version of ''Jumbo'', Doris Day performed the song. The song's lyrics describe a romantic attraction between two people, often by listing elements that are not needed to make this attraction work. In turn, the singer states that the romance does not need a certain setting ("a moon in the sky"), location ("a blue lagoon"), or stereotypical dating accompaniment ("soft guitars"), due to the strong attraction to the person. Other versions * Dave Brubeck – ''The Dave Brubeck Quartet'' (1952) * Bill Evans – ''The Complete Village Vanguard'' (1961) * Doris Day – 1962 * Johnny Smith – ''The Man with the Blue Guitar'' (1962) * Ben Webster with Hank Jones – ''Ben an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Caldwell
Anne Marsh Caldwell (August 30, 1867 – October 22, 1936), also known as Anne Caldwell O'Dea, was an American playwright and lyricist. She wrote both pop songs and Broadway shows, sometimes working with composer Jerome Kern. Biography Anne Marsh Caldwell was born in Boston, Massachusetts. She began her career at the Juvenile Opera Co. as one of only four female songwriters active in the early 1900s. She was a charter member of the American Society of Composers, Authors and Publishers, where her output between 1907 through 1928 focused mainly on Broadway scores. In 1929, lured by producer William LeBaron, she went to Hollywood where she became a script doctor and write lyrics for RKO Pictures. It was announced that she was engaged by Max Hart to write songs with Harry Tierny. By October, she was signed to write the lyrics for the film '' Dixiana''. From 1900 to the mid-1920s, she mostly collaborated with composer Jerome Kern. Her first collaboration with Kern was the musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
