Daughter Of Don Q
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Daughter Of Don Q
''Daughter of Don Q'' (1946) is a Republic Movie serial. It combines elements of the B-Western genre with contemporary crime films, especially the popular "land grab" plot in which the villain attempts to steal apparently worthless land from the heroine (in this case) because he secretly knows it is worth a fortune. In this case, Dolores Quantero, is the rightful heir to extremely valuable metropolitan land which another family member, Carlos Manning, wants for himself. Plot Delores Quantero is the descendant of Zorro-style hero, Don Quantero, who was granted land by the Spanish crown. This grant, which is still legally valid, now covers the business district of the city. Another descendant, Carlos Manning, has discovered the existence of this document and plots to inherit the fortune by murdering his relatives. Cast *Lorna Gray as Dolores Quantero, heiress and heroine (billed as Adrian Booth) *Kirk Alyn as Cliff Roberts, reporter aiding Dolores *LeRoy Mason as Carlos Mann ...
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Spencer Gordon Bennet
Spencer Gordon Bennet (January 5, 1893 – October 8, 1987) was an American film producer and director. Known as the "King of Serial Directors", he directed more film serials than any other director. Biography Born in Brooklyn, New York, Bennet first entered show business as a stunt man, when he answered a newspaper ad to jump from the Palisades of the Hudson River while wearing a suit for the serial film ''Hurricane Hutch'' (1921). The gig at that time paid $1 per foot he had to fall. He made his directorial debut in 1921's ''Behold the Man'' but made his serial directorial debut in 1925 with ''Sunken Silver''. He would keep making serials, as well as B-Western features, until the very end of the genre, directing the last two serials made in the United States, ''Blazing the Overland Trail'' (1956) and ''Perils of the Wilderness'' (1956). After the serials ended he directed a handful of features, his final directorial credit being 1965's ''The Bounty Killer'', which was also th ...
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Harold Minter
Harold Minter (March 5, 1903 – May 13, 2001) was an American film editor.Phillips p.105 He worked for the Hollywood studio Republic Pictures for a number of years. Selected filmography * ''Daughter of Don Q'' (1946) * ''Train to Alcatraz'' (1948) * ''Trial Without Jury'' (1950) * ''Belle of Old Mexico'' (1950) * ''Tropical Heat Wave ''Tropical Heat Wave'' is a 1952 American musical film directed by R. G. Springsteen and starring Estelita Rodriguez, Robert Hutton and Grant Withers.Quinlan p.282 Plot Cast * Estelita Rodriguez as Estelita * Robert Hutton as Stratford E. Ca ...'' (1952) * '' Down Laredo Way'' (1953) * '' Phantom Stallion'' (1954) References Bibliography * Robert W. Phillips. ''Roy Rogers: A Biography''. McFarland, 1995. External links * 1903 births 2001 deaths American film editors {{US-film-editor-stub ...
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List Of Film Serials By Studio
This is a list of film serials by studio, separated into those released by each of the five major studios, and the remaining minor studios. The five major studios produced the greater number of serials. Of these the main studios are considered to be Columbia Pictures, Universal Pictures, and Republic Pictures. All three were active during the 1930s and 1940s. The other two major studios are Mascot Pictures, which later merged into Republic, and Pathé Exchange, which ceased serial production before the advent of sound. Major studios These studios were the main producers of serials. Columbia Pictures Mascot Pictures Note: Mascot later became part of Republic ( see below) Pathé Exchange Note: All of Pathé Exchange's serials were Silent Republic Pictures Universal Pictures Universal produced more serials (137) than any other company. Minor studios These studios produced only small numbers of serials. They were either small, independent studios themselves or ...
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List Of Film Serials
A list of film serials by year of release. 1910s 1920s 1930s Films still exist from this point on unless noted otherwise: 1940s 1950s See also * Serial (film) * List of film serials by studio References {{reflist External linksSerial SquadronSilent EraTodd Gault's Movie Serial ExperienceIn The Balcony
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Clipshow
A clip show is an episode of a television series that consists primarily of excerpts from previous episodes. Most clip shows feature the format of a frame story in which cast members recall past events from past installments of the show, depicted with a clip of the event presented as a flashback. Clip shows are also known as cheaters, particularly in the field of animation. Clip shows are often played before series finales as a way to summarize the entire series, or once syndication becomes highly likely as a way to increase the number of episodes that can be sold. Other times, however, clip shows are simply produced for budgetary reasons (i.e. to avoid additional costs from shooting in a certain setting, or from casting actors to appear in new material). Origin Clip shows have their origin in theatrical short films and serials. Every serial chapter always had a brief recap showing where the previous chapter left off, but, beginning in 1936, entire chapters were largely devote ...
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Lydecker Brothers
Howard and Theodore Lydecker, always known—and billed—as such, were Howard "Babe" Lydecker (June 8, 1911 – September 26, 1969) and Theodore Lydecker (November 7, 1908 – May 25, 1990), a special effects team primarily working as contract staff members of Republic Pictures. They are best remembered as the producers and photographers of some of the best miniature effects of their time. Career They both worked at Republic from its creation in 1935 until the company could no longer afford to maintain full-time contract players and behind-the-camera artists in the middle 1950s, after which they went freelance and found themselves in significant demand for both film and television work. Their miniature effects made Republic serials the best for visual effects, far outstripping their competitors at Universal (where special effects maestro John P. Fulton, ASC was forbidden from working on serials) and Columbia Pictures. Their success came from building large, detailed models a ...
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The Crimson Ghost
''The Crimson Ghost'' is a 1946 American film serial directed by Fred C. Brannon and William Witney. Produced by Republic Pictures and written by Albert DeMond, Basil Dickey, Jesse Duffy, and Sol Shor, it was the last serial that Witney directed in his career. The serial is divided into twelve chapters, and stars Charles Quigley as Professor Duncan Richards, a criminologist who attempts to thwart the efforts of the eponymous villain, the Crimson Ghost, to steal an invention that can render electrical devices powerless. The serial also stars Linda Stirling, Clayton Moore, and I. Stanford Jolley. In the 1950s, the serial was re-edited as a six-episode television series, and in 1966, it was re-edited and re-released as a television film titled ''Cyclotrode "X"''. By the 1990s, ''The Crimson Ghost'' was one of two Republic serials to be colorized. The serial's titular villain, the Crimson Ghost, has become somewhat of a pop culture icon due to the punk rock band Misfits having a ...
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Tom Steele (stuntman)
Tom Steele (born Thomas Skeoch, 12 June 1909 – 30 October 1990) was a stunt man and actor, best remembered for appearing in serials, especially those produced by Republic Pictures, in both capacities. Early life Born in Scotland, he was the son of a construction consulting engineer. Steele came to America with his family at an early age, settling in Northern California. A very skilled horseman, he played polo competitively as a young man and also worked for a time in a steel mill, which was the source of his professional name Tom "Steele." Steele was a student at Stanford University, where he had a football scholarship. Film career At the start of the Depression he relocated to Hollywood to become an actor, and made his film debut in 1930 in the Western '' The Lone Star Ranger''. But soon Steele, relying on his skill as a horseman (he had played polo professionally with the San Mateo Redcoats), changed to stunts for better money and regular work. Despite this he can be ...
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Eddie Parker (actor)
Eddie Parker (December 12, 1900 – January 20, 1960) was an American stuntman and actor who appeared in many classic films, mostly westerns and horror films. Some of his more famous films and serials include the 1943 '' "Batman"'' (as Lewis Wilson's stunt double), '' The Crimson Ghost'', ''Abbott and Costello Meet the Mummy'' (as the Mummy), and ''Rear Window'' for Alfred Hitchcock as well as many classic Universal horror films. He appeared three times in the early television series, ''Tales of the Texas Rangers'', and also performed stunts for that program. Parker died of a heart attack in 1960. Selected filmography * '' The Ghost Rider'' (1935) * ''Frankenstein Meets the Wolf Man'' (1943) * ''Days of Old Cheyenne'' (1943) * '' Trigger Fingers'' (1946) * ''Raiders of the South'' (1947) * ''Trailing Danger'' (1947) * '' Valley of Fear'' (1947) * '' The Fighting Ranger'' (1948) * ''Law of the West'' (1949) * '' Abbott and Costello Meet Dr. Jekyll and Mr. Hyde'' (1953) * ''Re ...
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Zorro
Zorro (Spanish language, Spanish for 'fox') is a fictional character created in 1919 by American pulp magazine, pulp writer Johnston McCulley, appearing in works set in the Pueblo of Los Angeles in Alta California. He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as a , and a mask covering the upper half of his face. In the stories, Zorro has a high Bounty (reward), bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them. Because of this, the townspeople started calling him ''"El Zorro"'' due to his foxlike cunning and charm. Zorro is an acrobat and an expert in various weapons, but the one he employs most frequently is his rapier, which he uses often to carve the initial "Z" on his defeated foes, and othe ...
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B-Western
The B movie, whose roots trace to the silent film era, was a significant contributor to Hollywood's Golden Age of the 1930s and 1940s. As the Hollywood studios made the transition to sound film in the late 1920s, many independent exhibitors began adopting a new programming format: the double feature. The popularity of the twin bill required the production of relatively short, inexpensive movies to occupy the bottom half of the program. The double feature was the predominant presentation model at American theaters throughout the Golden Age, and B movies constituted the majority of Hollywood production during the period. Roots of the B movie: 1910s–1920s It is not clear that the term ''B movie'' (or ''B film'' or ''B picture'') was in general use before the 1930s; in terms of studio production, however, a similar concept was already well established. In 1916, Universal became the first Hollywood studio to establish different feature brands based on production cost: the small Jewel ...
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Movie Serial
A serial film, film serial (or just serial), movie serial, or chapter play, is a motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Generally, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects. Each chapter was screened at a movie theater for one week, and ended with a cliffhanger, in which characters found themselves in perilous situations with little apparent chance of escape. Viewers had to return each week to see the cliffhangers resolved and to follow the continuing story. Movie serials were especially popular with children, and for many youths in the first half of the 20th centu ...
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