Dat Dere
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Dat Dere
"Dat Dere" is a jazz song written by Bobby Timmons that was recorded in 1960. Lyrics were written later by Oscar Brown, Jr. Recording and lyrics The song was first recorded by Bobby Timmons in his debut album '' This Here Is Bobby Timmons'' (January 1960) and shortly after by Art Blakey and the Jazz Messengers on the album '' The Big Beat'' (March 1960) with Timmons as the band's pianist. Oscar Brown Jr. wrote the lyrics later for his 1960 album ''Sin & Soul''. In 1962 Sheila Jordan recorded the vocal version for her acclaimed debut record "Portrait of Sheila". Brown Jr. wrote lyrics for two other jazz instrumentals, "Afro Blue" by Mongo Santamaría and "Work Song" by Nat Adderley Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition .... References 1960 songs Compositions by Bo ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmons ...
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Oscar Brown
Oscar Brown Jr. (October 10, 1926May 29, 2005) was an American singer, songwriter, playwright, poet, civil rights activist, and actor. Aside from his career, Brown ran unsuccessfully for office in both the Illinois state legislature and the U.S. Congress. Brown wrote many songs (125 have been published), 12 albums, and more than a dozen musical plays. Early life and education Brown was born in Chicago, Illinois, United States, to Oscar Brown Sr. and Helen (née Clark). Brown's father was an attorney and real estate broker. Brown's first acting debut was on the radio show ''Secret City'' at the age of 15. After graduating from Englewood High School, Brown attended University of Wisconsin–Madison then Lincoln University but later dropped out. During Brown's twenties, he worked as the "world's first Black newscaster" for ''Negro Newsfront'', a Chicago radio program that he coproduced with Vernon Jarrett. He worked briefly in real estate and public relations before running fo ...
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Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ...
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The Big Beat (Art Blakey Album)
''The Big Beat'' is an album by Art Blakey and his group The Jazz Messengers recorded on March 6, 1960 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. Track listing # "The Chess Players" (Shorter) - 9:31 # "Sakeena's Vision" (Shorter) - 6:04 # "Politely" ( Hardman) - 6:04 # "Dat Dere" (Timmons) - 8:47 # "Lester Left Town" (Shorter) - 6:26 # "It's Only a Paper Moon" (Arlen, Harburg, Rose) - 6:38 # "It's Only a Paper Moon" lternate Take- 6:19 Bonus track on CD Personnel * Art Blakey — drums * Lee Morgan — trumpet, flugelhorn * Wayne Shorter — tenor saxophone * Bobby Timmons — piano * Jymie Merritt — bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ... R ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Sheila Jordan
Sheila Jordan (born Sheila Jeanette Dawson; November 18, 1928) is an American jazz singer and songwriter. She has recorded as a session musician with an array of critically acclaimed artists in addition to recording her own albums. Jordan pioneered a bebop and scat jazz singing style with an upright bass as the only accompaniment. Jordan's music has earned praise from many critics, particularly for her ability to improvise lyrics; Scott Yanow describes her as "one of the most consistently creative of all jazz singers." Charlie Parker often introduced Jordan as "the lady with the million dollar ears." Biography Early career Sheila Jordan grew up in Summerhill, Pennsylvania, United States, before returning to her birthplace of Detroit, Michigan, in 1940. She sang and played piano in jazz clubs in Detroit. She was a member of the trio Skeeter, Mitch, and Jean (Skeeter Spight, Leroi Mitchell, and Jordan was "Jean"), which wrote lyrics to music by Charlie Parker. They went to Parker' ...
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Portrait Of Sheila
''Portrait of Sheila'' is the 1963 debut album of American jazz singer Sheila Jordan, released by Blue Note Records. In the 1963 ''DownBeat'' magazine Critics Poll, she was ranked first in the vocal category for "Talent Deserving Wider Recognition". She did not record again as a leader for more than a dozen years.Yanow, Scott"Sheila Jordan – Portrait of Sheila Jordan" ''AllMusic''. Background and music According to the sleeve notes (written by Nat Hentoff), Alfred Lion of Blue Note decided to record Jordan after hearing her sing at the Page Three Club in Greenwich Village, New York, even though the label "had as a policy not recorded jazz vocalists before". The album's fourth track, "Dat Dere", showcases Jordan's predilection for performing voice and bass duets. According to biographer Ellen Johnson (author of ''Jazz Child: A Portrait of Sheila Jordan''), Jordan originally wanted to devote ''Portrait of Sheila'' entirely to bass and voice, but the idea was turned down by Blue No ...
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Afro Blue
"Afro Blue" is a jazz standard composed by Mongo Santamaría. Santamaria version Mongo Santamaria recorded his composition "Afro Blue" in 1959 when playing with the Cal Tjader Sextet. The first recorded performance was on April 20, 1959, at the Sunset Auditorium in Carmel, California, with Santamaría on percussion. "Afro Blue" was the first jazz standard built on a typical African 3:2 cross-rhythm, or hemiola. The song begins with the bass repeatedly playing six cross-beats per measure of or six cross-beats per four main beats—6:4 (two cells of 3:2). The following example shows the ostinato "Afro Blue" bass line. The cross noteheads indicate the main beats (not bass notes). : \new Staff While the bass sounds the six secondary beats, Paul Horn's flute solo and Emil Richards' marimba solo emphasize the four primary beats. Francisco Aguabella takes the conga drum solo on the first recording, quoting phrases from the vocabulary of the abakuá bonkó drum. Using brush ...
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Mongo Santamaría
Ramón "Mongo" Santamaría Rodríguez (April 7, 1917 – February 1, 2003) was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's " Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s. Mongo learned to play the congas as an amateur rumba musician in the streets of Havana. He then learned the bongos from Clemente "Chicho" Piquero and toured with various successful bands such as the Lecuona Cuban Boys and Sonora Matancera. In 1950, he moved to New York City, where he became Tito Puente's ''conguero'' and in 1957 he joined Cal Tjader's band. He then formed his own charanga, while at the same time recording some of the first rumba and Santería music albums. By the end ...
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Work Song (Nat Adderly Song)
''Work Song'' is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.Riverside Records discography
accessed February 17, 2010
The title tune was given lyrics and covered the following year by on his album ''Sin And Soul...and then some'' and has become a