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Das Ist Je Gewißlich Wahr
' (This is now the gospel truth), TWV 1:183, is a cantata by Georg Philipp Telemann. Due to an erroneous attribution to Johann Sebastian Bach, it appears in the Bach-Werke-Verzeichnis (BWV) as No. 141, but was moved to Anhang III, the Appendix of spurious works, in the 1990s second edition of that catalogue. The cantata's libretto by Johann Friedrich Helbig was published in 1720. Around 1723 Johann Balthasar König copied the manuscript, attributing its authorship to Telemann. Its spurious attribution to Bach can be found in some of the manuscript copies produced in the second half of the 18th century. History and text The cantata was composed for Gaudete Sunday (third Sunday of Advent) in 1719 or 1720. The libretto is based on a reading of 1 Timothy 1:15 (opening chorus), and a text by Johann Friedrich Helbig (movements 2–4). Scoring and structure This piece is scored for three vocal soloists (alto, tenor, and bass), a four-part choir, two oboes, two violins, viola, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantatas By Georg Philipp Telemann
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Bach Edition
The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete Works (''Johann Sebastian Bach (1685–1750): Neue Ausgabe sämtlicher Werke''). It is a historical-critical edition (German: ''historisch-kritische Ausgabe'') of Bach's complete works by the Johann Sebastian Bach Institute (Johann-Sebastian-Bach-Institut) in Göttingen and the Bach Archive (Bach-Archiv) in Leipzig, When Bach died most of his work was unpublished. The first complete edition of Bach's music was published in the second half of the nineteenth century by the Bach Gesellschaft (Bach-Gesellschaft Ausgabe, BGA). The second complete edition includes some discoveries made since 1900, but there are relatively few such scores. The significance of the NBE lies more in its incorporation of the latest scholarship. Although the NBE is an u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telemann-Werke-Verzeichnis
The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke. The prefix TWV is generally followed by a genre number, a letter indicating the key (in some cases), and a work number. The genre number indicates the general type or medium of the work. A major key is in upper case, a minor key in lower case. The second number is the work's number within the genre. For example, Telemann's ''Concerto polonois in B flat major for strings and basso continuo'' is TWV 43:B3. His ''Orchestral suite in D major'' is TWV 55:D18, and his ''Overture in G minor'' is TWV 55:g4. Vocal works were catalogued in a similar way by Werner Menke in the Telemann-Vokalwerke-Verzeichnis (Telemann Vocal Works Catalogue), abbreviated TVWV. For example, Telemann's ''Johannes-Passion'' is TVWV 5:42. His ''Times of the Day'' cantata is TVWV 20:39. Genre numbering Genres of vocal wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nikolaus Forkel
Johann Nikolaus Forkel (22 February 1749 – 20 March 1818) was a German musicologist and music theory, music theorist, generally regarded as among the founders of modern musicology. His publications include ''Johann Sebastian Bach: His Life, Art, and Work'', the first substantial survey on the life and works of Johann Sebastian Bach. Biography He was born at Meeder in Coburg. He was the son of a cobbler, and received early musical training, especially in keyboard playing, from Johann Heinrich Schulthesius, who was the local Kantor. In other aspects of his music education he was self-taught, especially in regards to theory. As a teenager he served as a singer in Lüneburg, and studied law for two years at the University of Göttingen; he remained associated with the University for more than fifty years, where he held varied positions, including instructor of music theory, organist, keyboard teacher, and eventually director of all music at the university. In 1787 he received an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Parry
Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 18487 October 1918) was an English composer, teacher and historian of music. Born in Richmond Hill in Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode '' Blest Pair of Sirens'', and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for ''Ode to Newfoundland'', the Newfoundland and Labrador provincial anthem (and former national anthem). After early attempts to work in insurance at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive '' Dictionary of Music and Musicians'' in the 1870s and '80s, and then in 1883 as professor of composition and musical history at the Royal College of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Schweitzer
Ludwig Philipp Albert Schweitzer (; 14 January 1875 – 4 September 1965) was an Alsatian-German/French polymath. He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician. A Lutheran minister, Schweitzer challenged both the secular view of Jesus as depicted by the historical-critical method current at this time, as well as the traditional Christian view. His contributions to the interpretation of Pauline Christianity concern the role of Paul's mysticism of "being in Christ" as primary and the doctrine of justification by faith as secondary. He received the 1952 Nobel Peace Prize for his philosophy of "Reverence for Life", becoming the eighth Frenchman to be awarded that prize. His philosophy was expressed in many ways, but most famously in founding and sustaining the Hôpital Albert Schweitzer in Lambaréné, French Equatorial Africa (now Gabon). As a music scholar and organist, he studied the music of German composer Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biographies Of Johann Sebastian Bach
The first major biographies of Johann Sebastian Bach, including those by Johann Nikolaus Forkel and Philipp Spitta, were published in the 19th century. Many more were published in the 20th century by, among others, Albert Schweitzer, Charles Sanford Terry, Christoph Wolff and Klaus Eidam. 18th century Little was published about Bach's life in the 18th century, his "Nekrolog" (obituary) being the most extended biographical note about the composer's life. Contemporary biographical sources No writings by Johann Sebastian Bach were published during his lifetime. He declined Johann Mattheson's invitation to write an autobiographical sketch for inclusion in the ''Ehrenpforte''. There is little biographical material to be found in the compositions published during his lifetime: the glimpse perceived from the dedication of ''The Musical Offering'' to Frederick the Great being a small exception. There are however some letters by the composer in which he gives autobiographical detail, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Sanford Terry (historian)
Charles Sanford Terry (24 October 1864, Newport Pagnell – 5 November 1936, Aberdeen) was an English historian and musicologist who published extensively on Scottish and European history as well as the life and works of J. S. Bach. Career Terry was the eldest son of Charles Terry, a physician, and Ellen Octavia Prichard. After attending St Paul's Cathedral School, King's College School, and Lancing College, he was an undergraduate at Clare College, Cambridge, where he obtained a B.A. in history (2nd class) in 1886 and an M.A. in 1891. He held lectureships in history at Durham College of Science (now part of the University of Newcastle-upon-Tyne), the University of Aberdeen and the University of Cambridge. In 1901 he married Edith Mary Allfrey of Newport Pagnell, daughter of Francis Allfrey, a brewer; the marriage was childless. He was appointed Burnett-Fletcher Professor of History and Archaeology at the University of Aberdeen from 1903 until his retirement in 1930. He serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Jahrbuch
The ''Bach-Jahrbuch'' ("Bach yearbook" or according to the publication's website "Bach Annals") is an Periodical literature, annual publication related to the composer Bach. It is published in German by the Neue Bachgesellschaft in Leipzig. It is the most respected publication for international Bach research. The ''Bach-Jahrbuch'' contains contributions of notable Bach scholars related to recent research of Bach and his family. It also provides a Bach bibliography. Begun in 1904, it is the oldest periodical dedicated to one composer. The first editor was the musicologist Arnold Schering from 1904. The present editor is Peter Wollny. Editors * Arnold Schering (1904–1939) * Max Schneider (music historian), Max Schneider (1940–1952) * Alfred Dürr and Werner Neumann (1953–1974) * Hans-Joachim Schulze and Christoph Wolff (1975–2005) * Peter Wollny (from 2005) External links * Neue Bachgesellschaft {{italic title Annual publications Classical music publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
