Darn That Dream
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Darn That Dream
"Darn That Dream" is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No. 1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra (vocal by Russ Carlyle) (#14 in Billboard charts) and by Tommy Dorsey (vocal by Anita Boyer) (#16 in Billboard charts). The song was introduced in the Broadway musical ''Swingin' the Dream'', a variation on ''A Midsummer Night's Dream'' by William Shakespeare set in New Orleans in 1890. The musical opened at Center Theatre in November 1939 and closed after 13 performances. Other versions * Tony Bennett – for his album ''Cloud 7'' (1955). * Jane Ira Bloom – ''Sixteen Sunsets'' (2013) * Petula Clark – ''Petula Clark in Hollywood'' (1959). * Miles Davis – ''Birth of the Cool'' (1950) * Doris Day – a single release for Columbia Records (catalog No. ...
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Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, ...
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Birth Of The Cool
''Birth of the Cool'' is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Background From 1944 to 1948, Miles Davis played in Charlie Parker's quintet. Davis recorded several albums worth of material with Parker during this period, including Parker's Sessions for the Savoy and Dial labels. Davis' first records released under his own name were recorded with Parker' ...
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Lena On The Blue Side
''Lena on the Blue Side'' is a 1962 studio album by Lena Horne, released by RCA Victor in stereo and monoaural in February 1962, recording took place in New York in the summer of 1961. The album features mainly blues inspired songs, a departure for Horne from her usual standards, and recordings from the Great American Songbook. The recordings were arranged and conducted by Marty Gold. The album was received well by the music press and Billboard Music Week of February 1962 rated it with a four star. Charting in the Billboard 200 album chart at # 102. The complete album has only been re-issued on CD in Japan in 1991. Track listing # "Paradise" (Gordon Clifford, Nacio Herb Brown) - 3.40 # "The Rules of the Road" (Carolyn Leigh, Cy Coleman) - 3.36 # "Darn That Dream" (Jimmy Van Heusen, Eddie DeLange) - 2.41 # "I Wanna Be Loved" (Johnny Green, Edward Heyman, Billy Rose) - 3.02 # "I Hadn't Anyone Till You" (Ray Noble) - 2.45 # " Someone to Watch Over Me" (George Gershwin, Ira Gershwin) - ...
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Lena Horne
Lena Mary Calhoun Horne (June 30, 1917 – May 9, 2010) was an American dancer, actress, singer, and civil rights activist. Horne's career spanned more than seventy years, appearing in film, television, and theatre. Horne joined the chorus of the Cotton Club at the age of sixteen and became a nightclub performer before moving to Hollywood. Horne advocated for human rights and took part in the March on Washington in August 1963. Later she returned to her roots as a nightclub performer and continued to work on television while releasing well-received record albums. She announced her retirement in March 1980, but the next year starred in a one-woman show, '' Lena Horne: The Lady and Her Music'', which ran for more than 300 performances on Broadway. She then toured the country in the show, earning numerous awards and accolades. Horne continued recording and performing sporadically into the 1990s, retreating from the public eye in 2000. Early life Lena Horne was born in Bedford–S ...
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Body And Soul (Billie Holiday Album)
''Body and Soul'' is a studio album by jazz singer Billie Holiday, released in 1957. Critical reception In its 1957 review of the album, '' Saturday Review'' wrote: "With changes in her voice which bring Miss Holiday's singing closer to recitative has come an occasional timidity about altering a melody where before there was boldness. But she remains one of the best jazz singers, not only for her unique sound and attack, but for her straightforward, honest, musical communication." Track listing ;A side #" Body and Soul" (Johnny Green, Edward Heyman, Robert Sour, and Frank Eyton) – 6:18 #"They Can't Take That Away From Me" (George and Ira Gershwin) – 4:08 #"Darn That Dream" (Jimmy Van Heusen and Eddie DeLange) – 6:15 #"Let's Call The Whole Thing Off" (George and Ira Gershwin) – 3:22 ;B side #"Comes Love" (Sam H. Stept, Lew Brown and Charles Tobias) – 3:58 #"Gee Baby, Ain't I Good to You" (Andy Razaf and Don Redman) – 5:34 #"Embraceable You" (George and Ira Gershwin) †...
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Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ...
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Lars Gullin Quartet
Lars is a common male name in Scandinavia, Scandinavian countries. Origin ''Lars'' means "from the city of Laurentum". Lars is derived from the Latin name Laurentius (other), Laurentius, which means "from Laurentum" or "crowned with Laurus nobilis, laurel". A homonymous Etruscan language, Etruscan name was borne by several Etruscan kings, and later used as a last name by the Roman Lartia gens, Lartia family. The etymology of the Etruscan name is unknown. People *Lars (bishop), 13th-century Archbishop of Uppsala, Sweden *Lars Kristian Abrahamsen (1855–1921), Norwegian politician *Lars Ahlfors (1907–1996), Finnish Fields Medal recipient *Lars Amble (1939–2015), Swedish actor and director *Lars Herminius Aquilinus, ancient Roman consul *Lars Bak (born 1980), Danish road bicycle racer *Lars Bak (computer programmer) (born 1965), Danish computer programmer *Lars Bender (born 1989), German footballer *Lars Christensen (1884–1965), Norwegian shipowner, whaling magnate a ...
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Lars Gullin
Lars Gunnar Victor Gullin (4 May 1928 – 17 May 1976) was a Swedish jazz saxophonist. Career Lars Gullin was born in Visby, Sweden. He was a child prodigy on the accordion. At age thirteen, he played clarinet in a military band and later learned the alto saxophone, but, after moving to Stockholm in 1947, became a professional musician as a pianist. He planned on a classical career, studying privately with classical pianist Sven Brandel. Although he actually filled the baritone chair in Seymour Österwall’s band in 1949 by chance, it was enough for him to decide that it was an instrument with possibilities, influenced too by hearing the American baritone saxophonist Gerry Mulligan for the first time on the ''Birth of the Cool'' recordings. He worked as a member of Arne Domnérus’s septet (initially co-led by the trumpeter Rolf Ericson) for two years from 1951; the group mainly performed at Nalen, a leading dance spot in Stockholm. At the same time, Gullin began to work ...
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Daddy Plays The Horn
''Daddy Plays the Horn'' is a 1955 jazz album by Saxophone, saxophonist Dexter Gordon. Reception The ''Billboard (magazine), Billboard'' review stated that the album was "not too original, but it swings" and mentioned that Gordon played "some top-flight, Lester Young-inspired tenor here, with a more robust sound than that of the master or most of his other disciples".Review: ''Daddy Plays the Horn''
.''Billboard (magazine), Billboard'': November 24, 1956. ''The Penguin Guide to Jazz'' awarded it three out of four stars, saying "''Daddy'' would be worth the purchase for 'Confirmation' and 'Autumn in New York'... Drew and Vinnegar play exceptionally well, and the CD transfer is generally good."Richard Cook and Brian Morton, ''The Penguin Guide to Jazz on CD, LP & Cassette'' ...
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Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, bandleader, and actor. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as " Happy Birthday" and well known melodies from the operas of Wagner. This is not unusual in jazz improvization, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as h ...
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Ella Swings Gently With Nelson
''Ella Swings Gently with Nelson'' is a 1962 studio album by the American jazz singer Ella Fitzgerald, with an orchestra arranged and conducted by Nelson Riddle. This album is one of a pair, the other being '' Ella Swings Brightly with Nelson'', that were released in 1962. Review In 1961 Ella Fitzgerald recorded two albums with Nelson Riddle's Orchestra. Her voice was in peak form and she was surrounded with the elegant arrangements of Nelson Riddle. The Nelson Riddle Orchestra was filled with the creme de la creme of Hollywood studio musicians of the era. Most were veterans of the top big bands of the 40's and 50's such as Conrad Gozzo on lead trumpet, Harry Edison playing solo trumpet, George Roberts on bass trombone. "All of Me" was from a different obscure sampler and "Call Me Darling" was previously unissued. Although the accent is on ballads, several of the songs are taken at medium tempos and she swings throughout. Highlights include "Georgia on My Mind," "The Very Tho ...
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Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ...
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