Darkroom
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Darkroom
A darkroom is used to process photographic film, to make prints and to carry out other associated tasks. It is a room that can be made completely dark to allow the processing of the light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water. Darkrooms have been used since the inception of photography in the early 19th century. Darkrooms have many various manifestations, from the elaborate space used by Ansel Adams to a retooled ambulance wagon used by Timothy H. O'Sullivan. From the initial development of the film to the creation of prints, the darkroom process allows complete control over the medium. Due to the popularity of color photography and complexity of processing color film (''see C-41 process'') and printing color photographs and also to the rise, first of instant photography technology and later digital photography, darkrooms are dec ...
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Dodging And Burning
Dodging and burning are terms used in photography for a technique used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning increases the exposure to areas of the print that should be darker. Any material with varying degrees of opacity may be used, as preferred, to cover and/or obscure the desired area for burning or dodging. One may use a transparency with text, designs, patterns, a stencil, or a completely opaque material shaped according to the desired area of burning/dodging. Many modern digital image editing programs have "dodge" and "burn" tools that mimic the effect on digital images. Applications A key application of dodging and burning is to improve contrast (tonal reproduction) in film print-making; today this is better know ...
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Photographic Film
Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin photographic emulsion, emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and image resolution, resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure (photography), exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically photographic processing, developed into a visible photograph. In addition to visible light, all films are sensitive to ultraviolet light, X-rays, gamma rays, and particle radiation, high-energy particles. Unmodified silver halide crys ...
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Edward Weston
Edward Henry Weston (March 24, 1886 – January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still-lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and especially Californian, approach to modern photography" because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years. Weston was born in Chicago and moved to California when he ...
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Ansel Adams
Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra C ...
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Safelight
A safelight is a light source suitable for use in a photographic darkroom. It provides illumination only from parts of the visible spectrum to which the photographic material in use is nearly, or completely insensitive. Design A safelight usually consists of an ordinary light bulb in a housing closed off by a coloured filter, but sometimes a special light bulb or fluorescent tube with suitable filter material or phosphor (in fluorescent tubes) coated directly on the glass is used in an ordinary fixture. Differently sensitised materials require different safelights. In traditional black-and-white photographic printing, photographic papers normally are handled under an amber or red safelight, as such papers typically are sensitive only to blue and green light. Orthochromatic papers and films are also sensitive to yellow light and must be used only with a deep red safelight, not with an amber one. Panchromatic films and papers, nominally sensitive to the entire spectrum, sometimes ...
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Instant Camera
An instant camera is a camera which uses instant film, self-developing film to create a chemically Photographic processing, developed print shortly after taking the picture. Polaroid Corporation pioneered (and Patent, patented) consumer-friendly instant cameras and film, and were followed by various other manufacturers. The base of the technology is from a Hungarian chemist, Rott Andor. His invention, direct positive photography, also known as DTR (Diffusion Transfer Reversal) was patented in 1939. With the DTR process, the photographed surface or object immediately appears as a positive, which is an image corresponding to the dark and light shades of the original. When developing the image, the fixer and the developing material are present at the same time, and they immediately interact. The invention of commercially viable instant cameras which were easy to use is generally credited to United States, American scientist Edwin Land, who unveiled the first commercial instant ca ...
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Changing Bag
A changing bag is a photographic bag specifically designed to be light-proof while in use. It is required for certain applications involving photosensitive materials when a darkroom is not available, like in the field. Common usages include removing film from its canister to put it into a developing tank, or loading and unloading sheet film holders. They are also commonly found on the set of a film, where the clapper loader may need one if shooting on location or far away from a darkroom. Usage It is handy to use when a darkroom is not available as is often the case in field shooting. It is also used in commercial photo processing labs, often to change paper. Description A changing bag has two sleeves at one end for both the user's arms, and a zipper (often more than one, for double layered changing bags) to insert the tools and film needed. There are several sizes available, from smaller ones for many still photography applications to larger bags used in large-format still phot ...
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Contact Print
A contact print is a photographic image produced from film; sometimes from a film negative, and sometimes from a film positive or paper negative. In a darkroom an exposed and developed piece of film or photographic paper is placed emulsion side down, in contact with a piece of photographic paper, light is briefly shone through the negative or paper and then the paper is developed to reveal the final print. The defining characteristic of a contact print is that the resulting print is the same size as the original, rather than having been projected through an enlarger. Basic tools Contact printing is a simple and inexpensive process. Its simplicity avails itself to those who may want to try darkroom processing without buying an enlarger. One or more negatives are placed on a sheet of photographic paper which is briefly exposed to a light source. The light may come from a low wattage frosted bulb hanging above an easel which holds them together, or contained in an exposure ...
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Photographic Processing
Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.Karlheinz Keller et al. "Photography" in Ullmann's Encyclopedia of Industrial Chemistry, 2005, Wiley-VCH, Weinheim. All processes based upon the gelatin silver process are similar, regardless of the film or paper's manufacturer. Exceptional variations include instant films such as those made by Polaroid and thermally developed films. Kodachrome required Kodak's proprietary K-14 process. Kodachrome film production ceased in 2009, and K-14 processing is no longer available as of December 30, 2010. Ilfochrome materials use the dye destruction process. Deliberately using the wrong process for a film is known as cross processing. Common processes All photographic ...
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Enlarger
An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives, or from transparencies. Construction All enlargers consist of a light source, normally an incandescent light bulb shining though a condenser or translucent screen to provide even illumination, a holder for the negative or transparency, and a specialized lens for projection. The light passes through a film holder, which holds the exposed and developed photographic negative or transparency. Prints made with an enlarger are called ''enlargements''. Typically, enlargers are used in a darkroom, an enclosed space from which extraneous light may be excluded; some commercial enlargers have an integral dark box so that they can be used in a light-filled room. History Josef Maria Eder, in his ''History of Photography'' attributes the invention of photographic enlargement to Humphry Davy who realised the idea of using a solar microscope to project images onto sensitis ...
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Photographic Paper
Photographic paper is a paper coated with a light-sensitive chemical formula, like photographic film, used for making photographic prints. When photographic paper is exposed to light, it captures a latent image that is then developed to form a visible image; with most papers the image density from exposure can be sufficient to not require further development, aside from fixing and clearing, though latent exposure is also usually present. The light-sensitive layer of the paper is called the emulsion. The most common chemistry was based on silver halide (the focus of this page) but other alternatives have also been used. The print image is traditionally produced by interposing a photographic negative between the light source and the paper, either by direct contact with a large negative (forming a contact print) or by projecting the shadow of the negative onto the paper (producing an enlargement). The initial light exposure is carefully controlled to produce a gray scale image on th ...
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Stop Bath
Stop bath is a acidic solution used for processing black-and-white photographic films, plates, and paper. It is used to neutralize the alkaline developer, thus halting development. Stop bath is commonly a 2% dilution of acetic acid in water, though a 2.5% solution of potassium or sodium metabisulfite works just as well. Because organic developers only work in alkaline solutions, stop bath halts the development process almost immediately and provides precise control of development time. Neutralizing the alkalinity of basic developers also helps to preserve the strength of the fixer, making it last longer. Stop bath accounts for the vinegar-like odor of the darkroom. In its concentrated form it can cause chemical burns, but is harmless when diluted to a working solution. Stop bath becomes exhausted when carried over developer causes the solution to become alkaline. For indicator stop baths, which changes color to indicate when the bath is exhausted and no longer effective, a pH indi ...
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