Dark Was The Night, Cold Was The Ground
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Dark Was The Night, Cold Was The Ground
"Dark Was the Night, Cold Was the Ground"Because documentation is scarce in early recordings, the title of the song appears differently in many sources. It is often called "Dark Was the Night" or punctuated as "Dark Was the Night (Cold Was the Ground)". is a gospel blues song written and performed by American musician Blind Willie Johnson and recorded in 1927. The song is primarily an instrumental featuring Johnson's self-taught bottleneck slide guitar and picking style accompanied by his vocalizations of humming and moaning. It has the distinction of being one of 27 samples of music included on the Voyager Golden Record, launched into space in 1977 to represent the diversity of life on Earth. The song has been highly praised and covered by numerous musicians and is featured on the soundtracks of several films. Background Born in 1897, Johnson taught himself how to play guitar and dedicated his life to blues and gospel music, playing for people on street corners and in mission ha ...
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Blind Willie Johnson
Blind Willie Johnson (January 25, 1897 – September 18, 1945) was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions. A revival of interest in Johnson's music began in the 1960s, following his inclusion on Harry Smith's '' Anthology of American Folk Music'', and by the efforts of the blues guitarist Reverend Gary Davis. Along with Davis, he has since been considered the dominant player of " holy blues" music, which conveyed religious themes in a blues idiom and often with the genre's sty ...
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Vocalion
Vocalion Records is an American record company and label. History The label was founded in 1916 by the Aeolian Company, a maker of pianos and organs, as Aeolian-Vocalion; the company also sold phonographs under the Vocalion name. "Aeolian" was later dropped from the label's name. In late 1924, the label was acquired by Brunswick Records. During the 1920s, Vocalion also began the 1000 race series, records recorded by and marketed to African Americans. Jim Jackson recorded "Jim Jackson's Kansas City Blues" for Vocalion in 1927. It sold exceptionally well, and the song became a blues standard for musicians from Memphis and Mississippi. The label issued Robert Johnson's "Cross Road Blues" The name Vocalion was resurrected in the late 1950s by American Decca as a budget label for back-catalog reissues. This incarnation of Vocalion ceased operations in 1973; however, its replacement as MCA's budget imprint, Coral Records Coral Records was a subsidiary of Decca Records that was fo ...
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Kronos Quartet
The Kronos Quartet is an American string quartet based in San Francisco. It has been in existence with a rotating membership of musicians for almost 50 years. The quartet covers a very broad range of musical genres, including contemporary classical music. More than 900 works have been commission (art), written for it. History The quartet was founded by violinist David Harrington in Seattle, Washington (state), Washington. Its first performance was in November 1973. Since 1978, the quartet has been based in San Francisco, California. The longest-running combination of performers (from 1978 to 1999) had Harrington and John Sherba on violin, Hank Dutt on viola, and Joan Jeanrenaud on cello. In 1999, Jeanrenaud left Kronos because she was "eager for something new"; she was replaced by Jennifer Culp, who, in turn, left in 2005 and was replaced by Jeffrey Zeigler. In June 2013, Zeigler was replaced by Sunny Yang. With over 40 studio albums to their credit and having performed worldwide, ...
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Red Hot Organization
Red Hot Organization (RHO) is a not-for-profit, 501(c) 3, international organization dedicated to fighting AIDS through pop culture. Since its inception in 1989, over 400 artists, producers and directors have contributed to over 15 compilation albums, related television programs and media events to raise donations totaling more than 10 million dollars for HIV / AIDS relief and awareness around the world. The Red Hot Organization Collection was donated to Fales Library in New York City in 2006. Mission Red Hot is a not-for-profit production company that has produced 16 albums and dedicated more than 10 million dollars to worthy organizations, causes and pro-social projects around the world. Its mission is to raise awareness and money to fight AIDS/HIV and related health and social issues. In 2010, donations from the proceeds of its latest album alone surpassed $1 million mark—with funds going to benefit: Partners In Health Partners In Health (PIH) is an international no ...
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Dark Was The Night (album)
''Dark Was the Night'' is the twentieth compilation release benefiting the Red Hot Organization, an international charity dedicated to raising funds and awareness for HIV and AIDS. Featuring exclusive recordings by a number of independent artists and production by Aaron and Bryce Dessner of The National, the compilation was released on 16 February 2009 (UK) and 17 February (US) as a double CD, three vinyl LPs, and as a digital download. John Carlin, the founder of the Red Hot Organization, was the executive producer for the album. The title is derived from the Blind Willie Johnson song "Dark Was the Night, Cold Was the Ground", which is covered on this collection by the Kronos Quartet. John Carlin and Aaron Dessner approached Martin Mills and Richard Russell of Beggars Group with the idea for the album. Their selection of artists to include was an attempt to "capture this musical renaissance, which may not have the cultural impact of grunge or punk, but is equally signifi ...
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What We Did On Our Holidays
''What We Did on Our Holidays'' (released as ''Fairport Convention'' in the United States) is the second album by British band Fairport Convention, released in 1969. It was their first album to feature singer-songwriter Sandy Denny. The album also showed a move towards the folk rock for which the band became noted, including tracks later to become perennial favourites such as "Fotheringay" and the song traditionally used to close live concerts, "Meet on the Ledge". History Following the departure of Judy Dyble, the band conducted auditions for a replacement singer, and Sandy Denny became the obvious choice. Simon Nicol has said "it was a one horse race really... she stood out like a clean glass in a sink full of dirty dishes". According to author Richie Unterberger Denny's "haunting, ethereal vocals gave Fairport a big boost". The album has been described by Unterberger as "a near-ideal balance between imaginative reworkings of traditional folk songs ... quality covers of conte ...
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Fairport Convention
Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater (with Frater replaced by Martin Lamble after their first gig.) They started out heavily influenced by American folk rock, with a setlist dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, with Matthews later leaving during the recording of their third album. Denny began steering the group towards traditional British music for their next two albums, ''What We Did on Our Holidays'' and ''Unhalfbricking'' (both 1969); the latter featured fiddler Dave "Swarb" Swarbrick, most notably on the song "A Sailor's Life", which laid the groundwork for British folk rock by being the first time a trad ...
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Peter, Paul & Mary
Peter, Paul and Mary was an American folk group formed in New York City in 1961 during the American folk music revival phenomenon. The trio consisted of tenor Peter Yarrow, baritone Paul Stookey, and contralto Mary Travers. The group's repertoire included songs written by Yarrow and Stookey, early songs by Bob Dylan, and covers of other folk musicians. They were enormously successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. After the death of Travers in 2009, Yarrow and Stookey continued to perform as a duo under their individual names. Mary Travers said she was influenced by Woody Guthrie, Pete Seeger, and the Weavers. In the documentary ''Peter, Paul & Mary: Carry It On — A Musical Legacy'', members of the Weavers discuss how Peter, Paul and Mary took over the torch of the social commentary of folk music in the 1960s. The group was inducted into the Vocal Group Hall of Fame in 1999. Pete ...
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Buffy Sainte-Marie
Buffy Sainte-Marie, (born Beverly Sainte-Marie, February 20, 1941) is an Indigenous Canadian-American (Piapot Cree Nation) singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist. While working in these areas, her work has focused on issues facing Indigenous peoples of the Americas. Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism. She has won recognition, awards and honours for her music as well as her work in education and social activism. Among her most popular songs are " Universal Soldier", "Cod'ine", "Until It's Time for You to Go", "Take My Hand for a While", "Now That the Buffalo's Gone", and her versions of Mickey Newbury's "Mister Can't You See" and Joni Mitchell's " The Circle Game". Her songs have been recorded by many artists including Donovan, Joe Cocker, Jennifer Warnes, Janis Joplin, and Glen Campbell. In 1983, she became the first Indigenous American person to win an Oscar, when ...
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Staples Singers
The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck "Pops" Staples (December 28, 1914 – December 19, 2000), the patriarch of the family, formed the group with his children Cleotha (April 11, 1934 – February 21, 2013), Pervis (November 18, 1935 – May 6, 2021), and Mavis (b. July 10, 1939). Yvonne (October 23, 1937 – April 10, 2018) replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits " Respect Yourself", "I'll Take You There", "If You're Ready (Come Go with Me)", and " Let's Do It Again". While the family name is Staples, the group used "Staple" commercially. History First child to Roebuck "Pops" Staples and his wife Oceola Staples, Cleotha was born in Drew, Mississippi, in 1934. Two years later, Roebuck moved his family from Mississippi to Chicago. Roebuck and Oceola's children, son Pervis and daughters, Mavis and Yvonne, were born in Chicago. Roebuck worked in steel mills ...
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The Soul Stirrers
The Soul Stirrers were an American gospel music group, whose career spans over eighty years. The group was a pioneer in the development of the quartet style of gospel, and a major influence on soul, doo wop, and Motown, some of the secular music that owed much to gospel. Biography The group was formed by (Silas) Roy Crain, launching his first quartet who sang in a jubilee style, in 1926 in Trinity, Texas, United States. In the early 1930s, after Crain moved to Houston, he joined an existing group on the condition that it change its name to "the Soul Stirrers". The name "Soul Stirrers" yields from the description of one of Roy Crain's earlier quartets as "soul-stirring." Among the members of that group was R.H. (Rebert) Harris, who soon became its musical leader. The Soul Stirrers, formed as a jubilee quartet, transformed their sound, influenced by hard gospel singers such as Mahalia Jackson and Sister Rosetta Tharpe. Rebert Harris, also from Trinity, Texas, brought several cha ...
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