Dark Continent (album)
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Dark Continent (album)
''Dark Continent'' is the debut studio album by American rock band Wall of Voodoo, released in 1981 by I.R.S. Records. Early live versions of four songs ("Red Light", "Animal Day", "Back in Flesh" and "Call Box (1-2-3)") are featured on the compilation '' The Index Masters''. Reception In a 1981 Trouser Press review, Jon Young said, " is deadpan opus is either a joke or just another pretentious search for meaning." He continued, "Wall of Voodoo will need a better sense of the absurd to attain true strangeness. Here they just don't go far enough." In a later review from ''The Trouser Press Guide to New Wave Records'' (1983), Young stated that ''Dark Continent'' displayed "more polish" than the band's debut EP and benefited from "colorfully morose guitar and keyboards." In a retrospective review, Greg Adams of AllMusic declared ''Dark Continent'' to be Wall of Voodoo's greatest album, pointing to the uniformly strong songwriting and the intensely original voice and style. Conv ...
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Wall Of Voodoo
Wall of Voodoo was an American rock band from Los Angeles, California, United States. Though largely an underground act for the majority of its existence, the band came to prominence when its 1982 single " Mexican Radio" became a hit on MTV and alternative radio. The band's unique sound during its most successful lineup fused post-punk and dark wave elements with Spaghetti Western music and surrealist lyrics drawing on iconography of the American southwest. History Formation Wall of Voodoo had its roots in Acme Soundtracks, a film score business started by Stan Ridgway, later the vocalist and harmonica player for Wall of Voodoo. Acme Soundtracks' office was across the street from the Hollywood punk club The Masque and Ridgway was soon drawn into the emerging punk/new wave scene. Marc Moreland, guitarist for the Skulls, began jamming with Ridgway at the Acme Soundtracks office and the soundtrack company morphed into a new wave band. In 1977, with the addition of Skulls members B ...
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Urgh! A Music War
''Urgh! A Music War'' is a 1982 British concert film featuring performances by punk rock, new wave, and post-punk bands and artists. Filmed in August to September 1980 it was directed by Derek Burbidge and produced by Michael White and Lyndall Hobbs. Among the acts featured in the film are Orchestral Manoeuvres in the Dark (OMD), Magazine, the Go-Go's, Toyah Willcox, Joan Jett & the Blackhearts, X, XTC, Devo, the Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts. Original release ''Urgh! A Music War'' consists of a series of performances, without narration or explanatory text. All performances are live, recorded around 1980, mainly in London, Portsmouth, San Diego, Los Angeles, Santa Monica and New York. Cli ...
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Wall Of Voodoo Albums
A wall is a structure and a surface that defines an area; carries a load; provides security, shelter, or soundproofing; or, is decorative. There are many kinds of walls, including: * Walls in buildings that form a fundamental part of the superstructure or separate interior rooms, sometimes for fire safety *Glass walls (a wall in which the primary structure is made of glass; does not include openings within walls that have glass coverings: these are windows) * Border barriers between countries * Brick walls * Defensive walls in fortifications * Permanent, solid fences * Retaining walls, which hold back dirt, stone, water, or noise sound * Stone walls * Walls that protect from oceans (seawalls) or rivers ( levees) Etymology The term ''wall'' comes from Latin ''vallum'' meaning "...an earthen wall or rampart set with palisades, a row or line of stakes, a wall, a rampart, fortification..." while the Latin word ''murus'' means a defensive stone wall. English uses the same wo ...
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Joe Nanini
Oliver Joseph Nanini (1955 – December 4, 2000) was an American rock drummer, most famous for being the percussionist and a founding member of new wave group Wall of Voodoo during their heyday in the 1980s. He was known for playing with pots, pans, and other objects. This arrangement can be seen in the motion picture ''Urgh! A Music War'' in which Wall Of Voodoo performed a live version of the song "Back In Flesh" from the '' Dark Continent'' album, and also later in the video for the hit single "Mexican Radio". Along with Stan Ridgway and Bill Noland, he left the band after their performance at the US Festival in 1983. Nanini went on to become one of the co-founders of the neo-traditional band The Lonesome Strangers and played on their first record, ''Lonesome Pine''. He was also the drummer for numerous 1970s punk bands, including Black Randy and the Metrosquad, The Plugz, and Bags. Before his death, he was a session musician for Dangerhouse Records recording with many ban ...
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Bruce Moreland
Bruce "Ravens" Moreland (born January 22, 1959) is an American rock musician and songwriter. He has worked with such bands as Wall of Voodoo (with his brother Marc Moreland), The Weirdos, Nervous Gender, and Concrete Blonde among others. As of 2011, his current project is known as Ravens Moreland. Life and career Early life Bruce Moreland and his brother Marc grew up in the 1960s in West Covina, a suburb in the San Gabriel Valley region of Southern California. In their early teens, the brothers copied Alice Cooper and Iggy Pop and wore spiked hair and clothes that looked like dresses and started playing music. While attending West Covina High School, they started the "space glitter" rock band, Capt. Cosmos de Venus & The Sky People. Sky People also featured Randy Jones (singer) of Stormer and London, and Audie Desbrow, future drummer of Great White. The Moreland brothers left the San Gabriel Valley in the late 1970s and slept in a broken down van on Gower and Selma Street i ...
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Marc Moreland
Marc Moreland (January 8, 1958 – March 13, 2002) was an American rock musician. He was the former guitarist for rock band Wall of Voodoo, punk band The Skulls, and rock bands Pretty and Twisted and Department of Crooks. He also released a solo album under the name Marc Moreland Mess. Early life Moreland grew up in West Covina, California, and was a student at Raymond Pre-School, Vine Elementary School, Hollencrest Intermediate School, West Covina High School and Coronado High School. In the mid-1970s, Moreland was in Cpt. Cosmos de Venus and The Sky People—a metal/glam hybrid. From 1977 to the early '80s, Moreland played guitar in one of the earliest American punk bands, The Skulls. He wrote some of the band's earliest songs, including "Victims" and "Babies". Wall of Voodoo Moreland was a founding member of Wall of Voodoo, which had its roots in Acme Soundtracks, an unsuccessful film score business started by vocalist-keyboardist-harmonica player Stan Ridgway. Acme Soundtr ...
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Stan Ridgway
Stanard "Stan" Ridgway (born April 5, 1954) is an American multi-instrumentalist, singer-songwriter, and film and television composer known for his distinctive voice, dramatic lyrical narratives, and eclectic solo albums. He was the original lead singer and a founding member of the band Wall of Voodoo. Early life Stan Ridgway was born in Barstow, California, in the "high desert", and raised in Los Angeles. He claims to have been a budding ventriloquist who spent his first night in jail at the age of 12 for stealing street signs. Ridgway also had a childhood fascination with folk music, pestering his parents until they bought him a banjo at the age of 14. Wall of Voodoo The band was named Wall of Voodoo by Ridgway before their first show, in reference to a comment made by a friend of Ridgway's, while recording and overdubbing a Kalamazoo Rhythm Ace drum machine, which was a gift from voice actor Daws Butler. While listening to some of the music that created in the studio, Ridg ...
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Remaster
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape. This tape w ...
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Ian McFarlane
Ian McFarlane (born 1959) is an Australian music journalist, music historian and author, whose best known publication is the '' Encyclopedia of Australian Rock and Pop'' (1999), which was updated for a second edition in 2017. As a journalist he started in 1984 with '' Juke'', a rock music newspaper. During the early 1990s he worked for Roadrunner Records while he published a music guide, ''The Australian New Music Record Guide Volume 1: 1976–1980'' (1992). He followed with two fanzines, ''Freedom Train'' and ''Prehistoric Sounds'', both issued during 1994 to 1996. McFarlane's ''The Encyclopedia of Australian Rock and Pop'' is described by the ''Australian Music Guide'' as "the most exhaustive and wide-ranging encyclopedia of Australian music from the 1950s onwards". Subsequently, he was a writer for ''The Australian'' and worked for Raven Records, a reissue specialist label, preparing compilations, writing liner notes and providing research. He fulfilled a similar role at A ...
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Raven Records
Raven Records was an Australian record label that specialised in retrospectives and reissues or recordings by American, British and Australian artists. Raven Records was established in 1979 by Glenn A. Baker, Kevin Mueller and Peter Shillito. It ceased operations in April 2017. There is also an American label called Raven which specializes in organ music. It is not connected with the Australian label. Musicians * Peter Allen *Doug Ashdown *Hoyt Axton *Daryl Braithwaite *Joe Camilleri *Joe Cocker *Donovan *Jose Feliciano *Four Tops *Bobbie Gentry * Lesley Gore *Richard Harris *Barry Humphries *Marc Hunter * Trish Murphy *Danny O'Keefe *Doug Parkinson *Sandy Posey *Gerry Rafferty *Normie Rowe & the Playboys * Helen Reddy *Johnny Rivers *Nancy Sinatra *Del Shannon *Joe South *Ronnie Spector *Willy DeVille * Kye Wilson *Steve Young * Stephen Stills Bands *Anubis *The Animals *Badfinger *The Byrds * The Church * Crazy Horse *Divinyls *Dragon *Dr Hook *The Easybeats *Fairport C ...
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A&M Records
A&M Records was an American record label founded as an independent company by Herb Alpert and Jerry Moss in 1962. Due to the success of the discography A&M released, the label garnered interest and was acquired by PolyGram in 1989 and began distributing releases from Polydor Ltd. from the UK. Throughout its operations, A&M housed well-known acts such as Alpert himself, Squeeze, Gin Blossoms, Dishwalla, Joe Cocker, Procol Harum, Captain & Tennille, Sting, Sergio Mendes, Ozark Mountain Daredevils, Supertramp, Bryan Adams, Burt Bacharach, Liza Minnelli, The Carpenters, Paul Williams, Quincy Jones, Janet Jackson, Cat Stevens, Peter Frampton, Elkie Brooks, Carole King, Styx (band), Styx, Dennis DeYoung, Extreme (band), Extreme, Amy Grant, Joan Baez, The Police, Jann Arden, CeCe Peniston, Shanice, Blues Traveler, Soundgarden, Duffy (singer), Duffy, Phil Ochs, Sheryl Crow, Yellow Magic Orchestra, and Nazareth_(band), Nazareth. PolyGram was acquired by Seagram and dissolved into Un ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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