Dano Raffanti
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Dano Raffanti
Dano Raffanti (born 5 April 1948) is an Italian tenor, particularly associated with the Italian baroque and bel canto repertory. Life and career Born in Lucca, Raffanti trained in Milan with Rodolfo Celletti, and made his debut at La Scala in 1976, in Bussotti's ''Nottetempo''.Forbes The following year, he appeared at the Festival della Valle d'Itria, in ''Antigone'' by Traetta, he was to return there regularly, singing in Traetta's ''Le serve rivali'', ''I Capuleti e i Montecchi'', ''Fra Diavolo'', ''Il barbiere di Siviglia'', etc. He sang Medoro in Vivaldi's ''Orlando furioso'', in Verona, opposite Marilyn Horne, in 1978, repeating the role for his American debut in Dallas in 1980. He also appeared at the Rossini Opera Festival at Pesaro in ''La donna del lago'' opposite Katia Ricciarelli, Lucia Valentini Terrani and Samuel Ramey in 1983, and made his debut at the Royal Opera House in London as Tebaldo in ''I Capuleti e i Montecchi'' in 1984 opposite Agnes Baltsa and Edita G ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It wasn't until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late 1885. When it finally premiere ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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Riccardo Muti
Riccardo Muti, (; born 28 July 1941) is an Italian conductor. He currently holds two music directorships, at the Chicago Symphony Orchestra and at the Orchestra Giovanile Luigi Cherubini. Muti has previously held posts at the Maggio Musicale in Florence, the Philharmonia Orchestra in London, the Philadelphia Orchestra, the Teatro alla Scala in Milan, and the Salzburg Whitsun Festival. A prolific recording artist, Muti has received numerous honours and awards, including two Grammy Awards. He is especially associated with the music of Giuseppe Verdi. Among the world's leading conductors, in a 2015 '' Bachtrack'' poll, he was ranked by music critics as the world's fifth best living conductor. Childhood and education Muti was born in Naples but he spent his early childhood in Molfetta, near Bari, in the long region of Apulia on Italy's southern Adriatic coast. His father, Domenico, was a pathologist in Molfetta, as well as an amateur singer and great music lover; his mother, G ...
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Edita Gruberová
Edita Gruberová (; 23 December 1946 – 18 October 2021) was a Slovak coloratura soprano. She made her stage debut in Bratislava in 1968 as Rosina in Rossini's ''Il barbiere di Siviglia'', and successfully auditioned at the Vienna State Opera the following year, which became her base. She received international recognition for roles such as Mozart's Queen of the Night in ''Die Zauberflöte'' and Zerbinetta in ''Ariadne auf Naxos'' by Richard Strauss. In her later career, she explored heavier roles in the Italian bel canto repertoire, such as the title role in Donizetti's ''Lucia di Lammermoor'', and Elvira in Bellini's ''I puritani''. In 2019, she portrayed Elisabetta in Donizetti's ''Roberto Devereux'', who leaves her throne, concluding a stage career performing leading roles over 51 years. She is remembered as the "" (Slovak Nightingale), and as prima donna assoluta. Early life and education Edita Gruberová was born on 23 December 1946 in Rača, Bratislava, to a German ...
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Agnes Baltsa
Agni Baltsa ( el, Aγνή Mπάλτσα; also known as Agnes Baltsa; born 19 November 1944) is a leading Greek mezzo-soprano singer. Baltsa was born in Lefkada. She began playing piano at the age of six, before moving to Athens in 1958 to concentrate on singing. She graduated from the Greek National Conservatoire in 1965 and then travelled to Munich to continue studying on a Maria Callas scholarship. Baltsa made her first appearance in an opera in 1968 as Cherubino in ''The Marriage of Figaro'' at Frankfurt Opera, before going on to appear as Octavian in ''Der Rosenkavalier'' at the Vienna State Opera in 1970. Under the guidance of Herbert von Karajan, she became a regular at the prestigious Salzburg Festival. She became ''Kammersängerin'' of the Vienna State Opera in 1980. Her best-known performance is that of Carmen by Georges Bizet, which she has sung a number of times with noted tenors such as José Carreras, Neil Shicoff, and others. She has also sung works by Mozart (no ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Samuel Ramey
Samuel Edward Ramey (born March 28, 1942) is an American operatic bass. At the height of his career, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart and Rossini, yet with power enough to handle the more overtly dramatic roles in Verdi and Puccini. Early life Ramey graduated from Colby High School in Colby, Kansas in 1960. He studied music in high school and in college at Kansas State University, as well as at Wichita State with Arthur Newman. In college at Kansas State, he was a member of the Kappa Sigma Fraternity. After further study in Central City (where he was in the chorus of ''Don Giovanni'' in 1963, with Norman Treigle in the title role) and as an apprentice with the Santa Fe Opera, he went to New York City where he worked for an academic publisher before he had his first breakthrough at the New York City Opera, debuting on March 11, 1973, as ...
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Lucia Valentini Terrani
Lucia Valentini Terrani (29 August 1946 in Padua – 11 June 1998 in Seattle) was an Italian coloratura mezzo-soprano, particularly associated with Rossini roles. Life and career Born Lucia Valentini, she studied first at the Padua Music Conservatory, and later at the Conservatorio di Musica Benedetto Marcello in Venice. She made her stage debut in Brescia, as Angelina in ''La cenerentola'', a role with which she would remain closely associated throughout her career. She made her debut at La Scala in 1973, again as Angelina, and quickly established herself in the Rossini repertoire, singing in ''L'italiana in Algeri'', ''Il barbiere di Siviglia'', ''Il viaggio a Reims''. She also sang the many " trouser roles" such as ''Tancredi'', Malcolm in ''La donna del lago'', Pippo in ''La gazza ladra, ''Calbo in '' Maometto secondo, ''Arsace in ''Semiramide'', Isolier in ''Le comte Ory'', etc. She also sang a few roles of the baroque repertory, notably Medea in Cavalli's ''Giasone ...
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Katia Ricciarelli
Catiuscia Maria Stella Ricciarelli (born 16 January 1946), known as Katia Ricciarelli (), is an Italian soprano and actress. Biography Born in Rovigo, Veneto, to a very poor family, she struggled during her younger years when she studied music. She studied at the Benedetto Marcello Conservatory in Venice, won several vocal competitions in 1968, and made her professional debut as Mimì in ''La bohème'' in Mantua in 1969, followed by a 1970 appearance in ''Il trovatore'' in Parma. In the following year, she won RAI's "Voci Verdiane" award. Between 1972 and 1975, engagements followed in the major European and American opera houses, including Lyric Opera of Chicago (1972); Teatro alla Scala (1973); Royal Opera House, Covent Garden (1974); and the Metropolitan Opera in 1975. In 1981, she began a decade-long association with the Rossini Opera Festival in Pesaro, thus broadening her repertoire of Rossini's operas. Beside her many opera performances, she also appeared as Desdemo ...
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La Donna Del Lago
''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 1994, p. 94 of ''The Lady of the Lake'', a narrative poem written in 1810 by Sir Walter Scott, whose work continued to popularize the image of the romantic Scottish Highlands. Scott's basic story has been noted as coming from "the hint of an incident stemming from the frequent custom of James V, the King of Scotland, of walking through the kingdom in disguise". It was the first of the Italian operas to be based on Scott's romantic works,Gossett and Brauner (2001), in Holden (Ed.), p. 785 and marked the beginning of romanticism in Rossini's work. Scott was "deeply influential in the development of Italian romantic opera"Commons 2007, pp. 9 - 12 to the extent that by 1840 (barely 20 years after this opera), there were 25 Italian operas base ...
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