|
Danger Music
Danger music is an experimental form of avant-garde 20th and 21st century music and performance art. It is based on the concept that some pieces of music can or will harm either the listener or the performer, understanding that the piece in question may or may not be performed. Kyle Gann describes in his book ''Music Downtown: Writings from the Village Voice'' how Takehisa Kosugi's composition ''Music for a Revolution'' directs the performer to " oop out one of your eyes 5 years from now and do the same with the other eye 5 years later". Works such as this are also sometimes referred to as anti-music because they seem to rebel against the concept of music itself. Danger music is often closely associated with the Fluxus school of composition, especially the work of Dick Higgins who composed a series of works entitled ''Danger Music''. In performance As with many forms of concept music and performance art, the lines between "music", "art", "theater", and "social protest" are not alw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justice Yeldham
Lucas Abela (born 7 May 1972), also known by the stage name Justice Yeldham, is an Australian noise musician. He is most famous for creating an instrument made from a diamond-shaped pane of glass, fitted with contact microphones and attached to effects pedals. During live shows, he manipulates and breaks the glass with his mouth, often receiving cuts in the process and leaving his face and the instrument smeared in blood. ''NME'' described his live shows as "crossing the line between music and bloodsport". Despite being classified as a noise artist, Abela sees himself as an improvisational musician in the free jazz tradition.Priest, Gail (2009). ''Experimental Music: Audio Explorations in Australia''. University of New South Wales Press. , pp. 148–149. Abela began his music career in Sydney in the 1990s as a DJ and turntablist.Morgans, Julian (11 July 2018)"Meet the Experimental Musician Who Plays Cut Glass With His Mouth" SBS. Retrieved 17 July 2018. Realising that any met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century Music Genres
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emperor, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, '' musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonic Weapon
Sonic and ultrasonic weapons (USW) are weapons of various types that use sound to injure or incapacitate an opponent. Some sonic weapons make a focused beam of sound or of ultrasound; others produce an area field of sound. military and police forces make some limited use of sonic weapons. Use and deployment Extremely high-power sound waves can disrupt or destroy the eardrums of a target and cause severe pain or disorientation. This is usually sufficient to incapacitate a person. Less powerful sound waves can cause humans to experience nausea or discomfort. The possibility of a device that produces frequency that causes vibration of the eyeballs—and therefore distortion of vision—was suggested by paranormal researcher Vic Tandy in the 1990s while attempting to demystify a "haunting" in his laboratory in Coventry. This "spook" was characterised by a feeling of unease and vague glimpses of a grey apparition. Some detective work implicated a newly-installed extractor fan, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brown Note
The brown note, also sometimes called the brown frequency or brown noise, is a hypothetical infrasonic frequency capable of causing fecal incontinence by creating acoustic resonance in the human bowel. The name is a metonym for the common color of human faeces. Attempts to demonstrate the existence of a "brown note" using sound waves transmitted through the air have failed. Frequencies supposedly involved are between 5 and 9 Hz, which are below the lower frequency limit of human hearing. High-power sound waves below 20 Hz are felt in the body, not heard by the ear as sound. Physiological effects of low frequency vibration Air is a very inefficient medium for transferring low frequency vibration from a transducer to the human body. Mechanical connection of the vibration source to the human body, however, provides a potentially dangerous combination. The U.S. space program, worried about the harmful effects of rocket flight on astronauts, ordered vibration tests that used cock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nam June Paik
Nam June Paik (; July 20, 1932 – January 29, 2006) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications. Biography Born in Seoul in 1932 in what was then Japanese Korea, the youngest of five children, Paik had two older brothers and two older sisters. His :ko:백낙승 (1886년), father (who in 2002 was revealed to be a Chinilpa, or a Korean who collaborated with the Japanese during the latter's occupation of Korea) owned a major textile manufacturing firm. As he was growing up, he was trained as a classical pianist. By virtue of his affluent background, Paik received an elite education in modern (largely Western) music through his tutors. In 1950, during the Korean War, Paik and his family fled from their home in Korea, first fleeing to Hong Kong, but later moving to Japan. Paik graduated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanatarash
Hanatarashi (), meaning "sniveler" or "snot-nosed" in Japanese, was a noise band created by later Boredoms frontman Yamantaka Eye and featured Zeni Geva guitarist Mitsuru Tabata. The outfit was formed in Osaka, Japan in 1984 after Eye and Tabata met as stage hands at an Einstürzende Neubauten show. After the release of the first album, the "I" was dropped and the name became "Hanatarash". They used a variety of unusual noise-making objects, including power tools, drills, and heavy machinery. Live shows Hanatarash was notorious for their dangerous live shows. Some of the band's most infamous shows included Eye cutting a dead cat in half with a machete, strapping a circular saw to his back and almost cutting his leg off, and destroying part of a venue with an excavator (and not a bulldozer against common beliefs) by driving it through the back wall and onto the stage. At a 1985 show in Tokyo's Superloft, the audience were required to fill out forms due to the possibility of harm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamantaka Eye
(born , 13 February 1964) is a Japanese vocalist and visual artist, best known as a member of Boredoms and Naked City. He has changed his stage name three times, from Yamatsuka Eye, to Yamantaka Eye, to Yamataka Eye, and sometimes calls himself eYe or EYヨ. He also DJs under the name DJ 光光光 or "DJ pica pica pica" ("pica" means "bright" or "shiny"), and has used numerous other pseudonyms. Music Boredoms Born in Kobe, Eye is a founder of the influential rock music band, Boredoms, whose first major label release came out in the early '90s. They were signed to Warner Bros. (Chocolate Synthesizer era) by David Katznelson, then A&R VP of Warner Bros. The closest thing Boredoms have to a frontman, Eye offers a variety of vocal techniques: gurgles, screams, grunts and occasionally, relatively conventional singing. In the later days of Boredoms and in today's V∞redoms he plays electronics and open reel tapes. Other Yamantaka Eye is also a member of the bands Hanata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_ribbon.PNG "Click for more on -> Nam June Paik")