Dance The Way I Feel
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Dance The Way I Feel
"Dance the Way I Feel" is the debut single of British synthpop band Ou Est Le Swimming Pool. It was first released on 7 September 2009 as a limited edition Gramophone record, 7-inch vinyl, and, on 9 November, it received a wider release across three formats. Background Three distinct versions of the song exist. The first appeared on the original release of the single. The second was a slightly remixed version of the first with different vocals, but was only available on a promo edition of the band's debut album. The third is the first with a new drum track added, and is the main single, album, and video version. On 26 January 2011 the song was voted Number 3 on Triple J Hottest 100 for Triple J Hottest 100, 2010, 2010. Track listings First release 7-inch # "Dance the Way I Feel" # "Enough Ready" CD # "Dance the Way I Feel" # "Dance the Way I Feel" (Armand Van Helden Club Mix) # "Dance the Way I Feel" (Blue Eyed Boy Remix) # "Dance the Way I Feel" (The Drill Club Mix) 7-inch ...
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The Golden Year (album)
''The Golden Year'' is the only album released by Camden synthpop band Ou Est le Swimming Pool. Release The album was originally intended for release in August 2010, but was delayed. The suicide of frontman Charles Haddon led to uncertainties about the status of the album; however the band's management issued a statement confirming its release in October 2010. It was followed by a fourth single, " The Key". The original album had been leaked in early 2010, due to the sale of promotional copies on auction sites such as eBay. However, the track listing has since been altered, adding two new songs and removing one. Track listing #"You Started" #"The Key" #"These New Knights" #"Dance the Way I Feel "Dance the Way I Feel" is the debut single of British synthpop band Ou Est Le Swimming Pool. It was first released on 7 September 2009 as a limited edition Gramophone record, 7-inch vinyl, and, on 9 November, it received a wider release across th ..." #"Better" #"Outside" #"Jackson ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Stiff Records
Stiff Records is a British independent record label formed in London, England, by Dave Robinson and Jake Riviera. Originally active from 1976 to 1986, the label was reactivated in 2007. Established at the outset of the punk rock boom, Stiff signed various punk rock and new wave acts such as Nick Lowe, the Damned, Lene Lovich, Wreckless Eric, Elvis Costello, Ian Dury, and Devo. In the 1980s, with most of their early signings having moved on, the label found commercial success with Madness, The Pogues, Tracey Ullman, The Belle Stars, Kirsty MacColl and others. In December 2017, Universal Music Group acquired Stiff Records and ZTT Records. Razor & Tie, a division of the Concord Music Group, holds the American rights to the Stiff catalogue. The British rights to the Stiff catalogue were held by BMG Rights Management under Union Square Music until 2022, when Universal relaunched the Stiff and ZTT labels. History Robinson and Riviera were well-known London music business ...
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These New Knights
These may refer to: *the plural proximal demonstrative in English *These, a variation of the Greek Theseus Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes describe ... in Etruscan mythology {{Disambig Etruscan mythology ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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Triple J Hottest 100
The Triple J Hottest 100 is an annual music listener poll hosted by the publicly-funded, national Australian youth radio station, Triple J. Members of the public are invited to vote for their favourite Australian and alternative music of the year in an online poll conducted two weeks prior to the new year. From 1989 to 2018, the 100 most popular songs were counted down from 12 pm on Australia Day. Since then, the countdown has been held on the fourth weekend of January, due to increasing controversy about Australia Day regarding its marking of the colonisation of Australia and dispossession of Aboriginal and Torres Strait Islander land. Typically on the day after the Hottest 100, Triple J has played the Hottest 200 ("the songs that didn't quite make it") from 10 am. The poll has grown from 500,000 votes in 2004 to over 3.2 million in 2019, and has been referred to as "the world's greatest music democracy". Since 2015, the countdown has raised at least $3.3 million for various ...
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Triple J Hottest 100, 2010
The 2010 Triple J Hottest 100 was announced and played on Australia Day, 26 January 2011. It is the eighteenth countdown of the most popular songs of the year, as chosen by the listeners of Australian radio station Triple J. Voting commenced at midnight on Monday 20 December 2010, and closed at midnight on Sunday 16 January 2011. 1.26 million votes were recorded from 152 countries, a new record number of votes. The #1 spot belonged to "Big Jet Plane" by Angus & Julia Stone. Besides the table below, the whole top 100 can be viewehere. The full list of places #101–200 can be viewe Full list Artists with multiple entries Three entries * Birds of Tokyo (4, 47, 87) * Mark Ronson & The Business Intl (10, 17, 35) * Pendulum (11, 48, 69) * Washington (20, 59, 84) * Bliss n Eso (23, 41, 53) * Gorillaz (37, 42, 78) * Arcade Fire (58, 63, 83) * Gypsy & The Cat (64, 71, 73) Two entries * Angus & Julia Stone (1, 62) * Little Red (2, 79) * Ou Est Le Swimming Pool (3, 61) * Boy & Bear ( ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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2009 Debut Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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