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Dance Awhile With Doggett
''Dance Awhile with Doggett'' is an album by American organist Bill Doggett released by the King label in 1958. Lpdiscography.com, accessed July 3, 2019King Records Discography: King LP585 accessed July 5, 2019 Critical reception reviewer Myles Boisen stated "The emphasis on this release is on R&B-inflected combo jazz ranging from the soft (but not sappy) sound of Doggett's ethereal organ ... Of course, this wouldn't be a complete smorgasbord without a touch of the exotic ... As alway ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Doggett
William Ballard Doggett (February 16, 1916 – November 13, 1996) was an American pianist and organist. He began his career playing swing music before transitioning into rhythm and blues. Best known for his instrumental compositions "Honky Tonk" and "Hippy Dippy", Doggett was a pioneer of rock and roll. He worked with the Ink Spots, Johnny Otis, Wynonie Harris, Ella Fitzgerald, and Louis Jordan. Biography Doggett was born in Philadelphia. During the 1930s and early 1940s he worked for Lucky Millinder, Frank Fairfax and arranger Jimmy Mundy. In 1942 he was hired as the Ink Spots' pianist and arranger. In 1951, Doggett organized his own trio and began recording for King Records. His best known recording is "Honky Tonk", a rhythm and blues hit of 1956, which sold four million copies (reaching No. 1 R&B and No. 2 Pop), and which he co-wrote with Billy Butler. The track topped the US ''Billboard'' R&B chart for over two months. He also arranged for many bandleaders and pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Records (United States) Albums
King Records may refer to: *King Records (Japan), a Japanese record label founded in 1931 *King Records (United States) King Records was an American label founded in 1943 by Syd Nathan in Cincinnati, Ohio, United States. The label owned several divisions, including Federal Records, which launched the career of James Brown. It released original material until 19 ..., an American record label active 1943–1975 * Lizard King Records, a New York and London-based independent label founded in 2002 {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shep Shepherd
Berisford Shepherd, professionally known as Shep Shepherd (January 19, 1917 – November 25, 2018), was an American multi-instrumental jazz musician, composer and singer. Beginnings Shepherd's father Charlie Shepherd was an engineer from the West Indies working to build the Panama Canal when Shepherd was conceived. His father sent his mother by ship to New Orleans, intending she continue Philadelphia to live with relatives there. Shepherd was born in Honduras during the journey, and then raised in first a Jewish neighborhood and later a black neighborhood in Philadelphia. He had an early fascination with marching bands, drumming on tables and chairs until his mother bought him a toy drum to save wear and tear on the furniture. He attended the Jules E. Mastbaum Area Conservatory and Vocational School where he trained as a percussionist on timpani, vibraphone, xylophone, snare and bass drums. Students were required to have a secondary instrument, Shepherd's was trombone. He also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Pruitt
Carl Briggs Pruitt (June 3, 1918, Birmingham, Alabama - June 1977) was an American jazz and blues double-bassist. Pruitt began his career as a pianist, but switched to bass in 1937. He played briefly in Pittsburgh and worked in the 1940s with Roy Eldridge, the Jeter-Pillars Orchestra, Lucky Millinder, Maxine Sullivan, Cootie Williams, and Mary Lou Williams. In the 1950s he did some touring, with Earl Hines and the Sauter-Finegan Orchestra, but was active mostly as a sideman and session musician for recordings, including with Shorty Baker, Arnett Cobb, Eddie "Lockjaw" Davis, Bill Doggett, Wynonie Harris, Bull Moose Jackson, Roland Kirk, George Shearing, Sahib Shihab, and Hal Singer. Pruitt did not perform or record frequently in the 1960s or 1970s, though he did play with Woody Herman at the Montreux Jazz Festival in 1967 and record with Ray Nance in 1969. He did a tour in France with Doc Cheatham and Sammy Price in 1975. Discography With Bill Doggett *''Everybody Dance the Honky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butler (guitarist)
William Butler Jr. (December 15, 1924 – March 20, 1991) was an American soul jazz guitarist. Career A native of Philadelphia, Butler began his career in the 1940s behind the Harlemaires. In the 1950s he was a member of a trio led by Doc Bagby and accompanied keyboardist Bill Doggett. He co-wrote "Honky Tonk (song), Honky Tonk", an R&B hit for Doggett. Butler also worked with Al Casey (jazz guitarist), Al Casey, King Curtis, Eddie "Lockjaw" Davis, Bill Davison, Tommy Flanagan, Panama Francis, Dizzy Gillespie, Benny Goodman, Johnny Hodges, Floyd "Candy" Johnson, David "Fathead" Newman, Houston Person, Sammy Price, Jimmy Smith (musician), Jimmy Smith, Norris Turney, and Dinah Washington. He is credited as the guitarist on Joey Dee and the Starliters' "Peppermint Twist, Parts 1 & 2" recorded in September 1961 at the Peppermint Lounge in New York City. Part 1 of the song went to the top of the Billboard pop charts in January 1962. Butler died of a heart attack at home in Teaneck, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floyd "Candy" Johnson
Floyd "Candy" Johnson (May 1, 1922 in Madison, Illinois – June 28, 1981 in Framingham, Massachusetts) was an American jazz saxophonist. Career Johnson started on drums before moving to saxophone. His professional career began in St. Louis, where he was a member of a group led by Chuck Finney. He attended Wilberforce University until the draft intervened. After his service, he played in bands led by Ernie Fields, Tiny Bradshaw, and Andy Kirk. With the Kirk orchestra he recorded for Decca Records. He cites Ben Webster as his biggest influence. Johnson preferred candy to alcohol, so a band member started calling him "Candy". In Detroit he started a band called the Peppermint Sticks. One musician recalled that the band dressed in candy-striped suits, and sometimes Johnson tossed peppermint sticks to the crowd. In 1951 he was a member of the Count Basie Orchestra, recording with Basie for Clef Records, then began working in more of a rhythm and blues vein with Bill Doggett. The ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Scott (musician)
Clifford Donley Scott (June 21, 1928 – April 19, 1993), born and raised in San Antonio, Texas, was an American saxophonist and flautist who played in jazz, blues, and R&B idioms. Scott started as a drummer in a family band and also learned to play piano and violin before picking up clarinet as a teenager. He played in a house band led by James Hopkins at San Antonio's Avalon Grill in the late 1940s, then worked with Amos Milburn, Jay McShann, Lionel Hampton, Roy Brown, and Roy Milton. In 1955 he began working with Bill Doggett, and was a prominent soloist on many of Doggett's most famous recordings, including "Honky Tonk". He also recorded as a leader in the late 1950s and early 1960s and worked as a session musician for rock, pop, and R&B recordings. In the 1960s he worked with Sonny Thompson, Jimmy Witherspoon, Gerald Wilson, Onzy Matthews, and Frank Butler, and was a member of Ray Charles's ensemble from 1966 to 1968 and again in 1970. Late in his career he worked pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tricky Lofton
Lawrence "Tricky" Lofton (born May 28, 1930, Houston) is an American jazz trombonist. He studied with Kid Ory, and J. J. Johnson, and made several recordings with Carmell Jones. Discography As sideman * Bill Doggett, ''Dance Awhile with Doggett'' (King, 1958) * Richard Holmes (organist), Richard "Groove" Holmes, ''Groove (Richard "Groove" Holmes album), Groove'' (Pacific Jazz, 1961) * Richard "Groove" Holmes, ''Tell It Like It Tis'' (Pacific Jazz, 1966) * Carmell Jones, ''Mosaic Select'' (Mosaic, 2003) * Les McCann, ''Les McCann Sings'' (Pacific Jazz, 1961) * Les McCann, ''Oh Brother!'' (Fontana, 1964) * Jimmy McGriff, ''Let's Stay Together (Jimmy McGriff album), Let's Stay Together'' (Groove Merchant, 1972) References 1930 births Living people American jazz trombonists Male trombonists 21st-century trombonists 21st-century American male musicians American male jazz musicians {{US-jazz-trombonist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyree Glenn
Tyree Glenn, born William Tyree Glenn (November 23, 1912, Corsicana, Texas, United States, – May 18, 1974, Englewood, New Jersey), was an American trombone and vibraphone player. Biography Tyree played trombone and vibraphone with local Texas bands before moving in the early 1930s to Washington, D.C., where he performed with several prominent bands of the swing era. He played with Bob Young (1930), and then he joined Tommy Myles's band (1934–36). After he left Myles, he moved to the West Coast, playing with groups headed by Charlie Echols (1936). Further, he played with Eddie Barefield (1936), Eddie Mallory's band (1937) and Benny Carter (1937) and played with Cab Calloway from 1939 to 1946. He toured Europe with Don Redman's big band (1946). From 1947 to 1951, he played with Duke Ellington as a wah-wah trombonist in the style originating with Tricky Sam Nanton and Ellington's only vibraphonist, being well-featured on the '' Liberian Suite''. After, he played also with How ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Song Is Ended (but The Melody Lingers On)
"The Song is Ended (but the Melody Lingers On)" is a popular song composed by Irving Berlin in 1927. Early hits in 1928 were by Ruth Etting and by Whispering Jack Smith. In 1948, Nellie Lutcher and Her Rhythm briefly charted with the song. The song has been recorded by numerous singers over the years, including by Ella Fitzgerald on her award-winning Irving Berlin Songbook. The song's lyric is referenced in Ira Gershwin Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 2 ...'s verse to " They Can't Take That Away from Me", in the line ''the song is ended, but as the songwriter wrote, the melody lingers on''. Berlin himself used the "melody lingers on" idea in the opening line of the verse to his earlier song "All Alone" (1924): "Just like a melody that lingers on / You seem to haunt m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
