Dance-rock Musical Groups
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Dance-rock Musical Groups
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco. Examples of early dance-rock include Gina X's "No G.D.M.", Russ Ballard's "On the Rebound", artists such as Dinosaur L, Liquid Liquid and Polyrock, and the compilation album ''Disco Not Disco''. Definitions Michael Campbell, in his book ''Popular Music in America'', defines the genre as "post-punk/post-disco fusion". Campbell also cited Robert Christgau, who described dance-oriented rock (or DOR) as an umbrella term used by various DJs in the 1980s. However, AllMusic defines "dance-rock" as 1980s and 1990s music practiced by rock musicians, influenced by Philly soul, disco and funk, fusing those styles with rock and dance. Artists like the Rolling Stones, David Bowie, Duran Duran, Simple Minds, INXS, Eurythmics, Depeche M ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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Gina X Performance
Gina X Performance (commonly abbreviated as GXP) was a German dance-rock/electropop project from Cologne, Germany, consisting of singer and lyricist Gina Kikoine and writer and producer Zeus B. Held, accompanied by various studio and live musicians. The band has released four studio albums in the late 1970s and early 1980s, and were frequently played in North American and European dance clubs at the height of their popularity. Their best-known songs are the singles "No G.D.M." (covered by Erasure as the B-side to their single " Blue Savannah"), and "Nice Mover". Biography Zeus B. Held had previously been a member of the rock band Birth Control since the early 70's, before splitting in 1978 to record on his own, and worked on two solo albums before meeting Gina Kikoine the same year. Their collaboration bore their first fruits in 1978 with the release of the single "''No G.D.M.''", dedicated to the English writer Quentin Crisp, whom Kikoine knew in person. The song was a great ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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Electronic Rock
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars, and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds began during the late 1960s. According to crit ...
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Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) â€Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ...
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List Of Dance-rock Artists
The following list includes notable dance-rock artists. Artists *!!! *ABC *And Then There Were None *The B-52's *Big Audio Dynamite *The Big Pink *BodyRockers *A Certain Ratio * The Charlatans *Depeche Mode *Devo *Duran Duran *Electronic * EMF *Eurythmics * The Farm *Fine Young Cannibals *Frankie Goes to Hollywood *Franz Ferdinand *Friendly Fires *Gang of Four *Garbage *Hall & Oates *Happy Mondays *Hot Chelle Rae *Hot Chip *Billy Idol *INXS *Mick Jagger *Jesus Jones *The Killers *LCD Soundsystem *Liquid Liquid *The New Cities * New Order *No Doubt *Oingo Boingo * Robert Palmer *Pet Shop Boys *Primal Scream *The Prodigy *Pseudo Echo *Public Image Ltd *Rogue Traders *Scissor Sisters *The Shamen *Simple Minds *The Stone Roses *Talking Heads *Tom Tom Club * U2 *Walk the Moon *Was (Not Was) *The White Tie Affair *Robbie Williams References {{DEFAULTSORT:List Of Dance-Rock Artists Dance-rock Dance-rock Dance-rock is a dance-infused genre of rock music. It is a post-disco genr ...
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Minneapolis Sound
The Minneapolis sound is a subgenre of funk rock with elements of New wave music, new wave and synth-pop, that was pioneered by Minneapolis, Minnesota-based musician Prince (musician), Prince in the late 1970s. Its popularity was given a boost throughout the 1980s thanks to Prince and groups he organized or produced, including The Time (band), the Time, Vanity 6, Apollonia 6, Sheila E., The Family (band), the Family, and the offshoots from his band The Revolution (band), the Revolution, Wendy & Lisa and Brownmark. After leaving the Time, Jimmy Jam & Terry Lewis, Morris Day, and Jesse Johnson (musician), Jesse Johnson all moved on to successful careers. Minneapolis acts not directly associated with Prince also utilized this musical style, including Ta Mara & the Seen, Mazarati, The Jets (Minnesota band), the Jets. According to the ''Rolling Stone Album Guide'', "the Minneapolis sound... loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, ...
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