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Damrosch Opera Company
The Damrosch Opera Company was an American opera company which existed from 1894 until 1900. The company was organized by Walter Damrosch, and was meant to present German opera; in this capacity it did much to advance the cause of Richard Wagner's music in the United States. Damrosch created the company to combat what he perceived to be the growing apathy, post-1890, of the general opera-going public to German opera. More specifically, his complaints were aimed against the management of the Metropolitan Opera. The immediate impetus of the company's founding came when, in 1894, Damrosch presented concert performances of ''Götterdämmerung'' and ''Die Walküre''. Damrosch raised money for the company by selling his house in New York City, and he spent the summer of 1894 travelling Europe to recruit singers. Among those with whom he signed contracts were Johanna Gadski and Rosa Sucher, both of whom made their American debuts with the company; others included Max Alvary and Emil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Opera Companies
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Emma Calvé
Emma Calvé, born Rosa Emma Calvet (15 August 1858 – 6 January 1942) was a French operatic soprano. Calvé was probably the most famous French female opera singer of the Belle Époque. Hers was an international career, and she sang regularly at the Metropolitan Opera House, New York, and the Royal Opera House, London. Early life Calvé was born on 15 August 1858 in Decazeville, Aveyron. Her birth name was Rosa Emma Calvet. Her father, Justin Calvet, was a civil engineer. She spent her childhood at first in Spain with her parents, then in different convent schools in Roquefort and Tournemire (Aveyron). After her parents separated, she moved with her mother to Paris. There she attempted to enter the Paris Conservatory, while she studied singing under Jules Puget. She started learning music in Paris from Mathilde Marchesi, a retired German mezzo-soprano and Manuel García. She made a tour of Italy, where she saw the famous actress Eleonora Duse, whose impersonations made a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nellie Melba
Dame Nellie Melba (born Helen Porter Mitchell; 19 May 186123 February 1931) was an Australian operatic dramatic coloratura soprano (three octaves). She became one of the most famous singers of the late Victorian era and the early 20th century, and was the first Australian to achieve international recognition as a classical musician. She took the pseudonym "Melba" from Melbourne, her home town. Melba studied singing in Melbourne and made a modest success in performances there. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. Returning to London she quickly established herself as the leading lyric soprano at Royal Opera House, Covent Garden from 1888. She soon achieved further success in Paris and elsewhere in Europe, and later at the Metropolitan Opera in New York, debuting there in 1893. Her repertoire was small; in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Opera
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater focus on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. Origins ''Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today. Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody. Monody is the solo singing/setting of a dramatically conceived melody, designed to express the emotional content of the text it carries, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scarlet Letter (Damrosch Opera)
''The Scarlet Letter'' is an opera by Walter Damrosch, based on Nathaniel Hawthorne's 1850 novel of the same name. The libretto was by George Parsons Lathrop, son-in-law of the author. The work is Wagnerian in style, Damrosch being a great enthusiast and champion of the composer. Excerpts from the opera first premiered at Carnegie Hall on January 4 and 5, 1895; the first fully staged performance was , in Boston. Among those present at the premiere were Charles Eliot Norton, Prince Serge Wolkonsky, Julia Ward Howe, and Nellie Melba Dame Nellie Melba (born Helen Porter Mitchell; 19 May 186123 February 1931) was an Australian operatic dramatic coloratura soprano (three octaves). She became one of the most famous singers of the late Victorian era and the early 20th century, .... Roles Differences from the novel *Pearl, Hester's daughter, is absent. *Instead of living a solitary life after Dimmesdale dies at the end, Hester takes poison and dies with him. References External ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Lohse
Otto Lohse (21 September 1859 – 5 May 1925) was a German conductor and composer. Born in Dresden, Lohse studied with Hans Richter and Felix Draeseke at the Dresden Conservatory. In 1882 he became conductor of two music societies in Riga, the Wagner Society and the Imperial Russian Music Society; seven year's later he became the first ''kapellmeister'' of the city's Stadttheater. In September 1893 he became 2nd ''Kapellmeister'' at the Hamburg Stadttheater (Director and 1st ''Kapellmeister'' was Gustav Mahler); while in Hamburg he married in March 1895 soprano Katharina Klafsky. During his two seasons (each 9 months) at the Hamburg Theater he conducted a total of 343 performances of 42 different operas . The couple traveled to the United States in the summer of 1896 (breaching their contract with the Hamburg Opera) to join the Damrosch Opera Company, returning to Germany a year later. From then on, Lohse held important conductorial posts at Strasbourg (1897-1904), Riga Stadt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katharina Klafsky
Katharina Klafsky (19 September 1855 – 22 September 1896) was a Hungary, Hungarian operatic singer whose acclaimed international career was cut short by a chronic illness which proved fatal. Klafsky was born at Jánossomorja, Szent-János, Moson County, Wieselburg, of humble parents. Being employed at Vienna as a nursemaid, her fine soprano voice led to her being engaged as a chorus singer, and she was given lessons in music. By 1882, she became well known in Richard Wagner, Wagnerian roles at the Leipzig theatre, and she increased her reputation by appearing at other German musical centres. In 1892, she appeared in London, and had a great success in Wagner's operas, notably as Brünnhilde and as Isolde, her dramatic as well as vocal gifts being of an exceptional order. She sang with the Damrosch Opera Company in United States, America in 1895, but died of brain cancer in 1896. Klafsky was married to the conductor Otto Lohse. References * External links 1853 bir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bispham
David Scull Bispham (January 5, 1857 – October 2, 1921) was an American operatic baritone. Biography Bispham was born on January 5, 1857 in Philadelphia, the only child of William Danforth Bispham and Jane Lippincott Scull.W. Bispham, 274 Both of Bispham's parents were members of the Society of Friends. In 1867, the family relocated to Moorestown Township, New Jersey. In 1872, Bispham entered Haverford College, from which he was graduated in 1876. After graduation, Bispham entered the wool business with his mother's brothers, all the while continuing to develop his musical talents as an amateur. Bispham appeared in numerous musical performances in his childhood despite having no formal musical training. In 1885, Bispham married Caroline Russell, the daughter of General Charles Sawyer Russell. They would go on to have four children: Jeanette, Vida, Leonie, and David. The Bisphams honeymooned in Europe, and when they returned to Philadelphia, Bispham found work with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milka Ternina
Milka Ternina (born Katarina Milka Trnina, pronounced ; 19 December 1863 – 18 May 1941) was a Croatian dramatic soprano who enjoyed a high reputation in major American and European opera houses. Praised by audiences and music critics alike for the electrifying force of her acting and the excellence of her singing in both German and Italian works, her career was curtailed at its peak in 1906 by a medical condition which paralyzed a nerve in her face. Early life and education A native of Vezišće (part of Križ), the young Trnina (usually referred to as Milka Ternina in English-speaking countries) studied singing privately with Ida Winterberg in Zagreb and then with Joseph Gänsbacher at the conservatory in Vienna, graduating from his class in 1883 with a gold medal. She had made her operatic debut while still a student in Zagreb, singing Amelia in an 1882 production of Giuseppe Verdi's ''Un ballo in maschera''. Career Ternina sang initially as a full-time professional perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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