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Dammit
"Dammit" (sometimes subtitled "Growing Up") is a song by American rock band Blink-182, released on September 23, 1997, as the second single from the group's second studio album, ''Dude Ranch'' (1997). Written by bassist Mark Hoppus, the song concerns maturity and growing older. It was written about a fictional breakup and the difficulty of seeing a former partner with another. The song became the band's first hit single, reaching number 11 on ''Billboard'' Hot Modern Rock Tracks chart, and receiving heavy airplay on several key US stations. The song's music video was shot by directors Darren Doane and Ken Daurio, previous collaborators with the group, and depicts the trio attending a "sneak preview" at a cinema where Hoppus attempts to win his ex-girlfriend back. "Dammit" was later featured on the band's ''Greatest Hits'' (with a drumroll added), and it has been covered by a number of artists. Background Blink-182 bassist Mark Hoppus wrote the song in a short span of time conce ...
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Dude Ranch (album)
''Dude Ranch'' is the second studio album by American rock band Blink-182, released on June 17, 1997, by Cargo Music and MCA Records, making it their major record label debut. MCA signed the band in 1996 following moderate sales of their 1995 debut ''Cheshire Cat'' and their growing popularity in Australia. ''Dude Ranch'' was the band's final recording released on Cargo and the last to feature their full original lineup as drummer Scott Raynor was dismissed from the band in 1998. The band recorded the album from December 1996 to January 1997 at Big Fish Studios in Encinitas, California with producer Mark Trombino. With lyrical material written on their nonstop tours over the previous years, as well as completed songs, the band recorded with Trombino in sessions that lasted for five weeks. During production, the members of Blink-182 were plagued with difficulties only made worse by the rushed schedule: bassist Mark Hoppus and guitarist Tom DeLonge, co-vocalists for the band, were ha ...
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Greatest Hits (Blink-182 Album)
''Greatest Hits'' is the first greatest hits album of American rock band Blink-182. It was released on October 31, 2005, by Geffen Records. ''Greatest Hits'' was created by Geffen shortly after the band's February 2005 breakup, termed an "indefinite hiatus" by the label. Tensions had risen in the group and guitarist Tom DeLonge desired to take time off. Bassist Mark Hoppus and Travis Barker argued with DeLonge regarding the band's future and their possible next album, and heated exchanges led to DeLonge's exit. In the interim, Hoppus and Barker continued playing together in +44, and DeLonge formed his new outfit Angels & Airwaves. The compilation collects the band's most successful singles with one new song and a non-album track. The collection covers tracks from the band's debut album ''Cheshire Cat'' (1995) to their self-titled album (2003). ''Greatest Hits'' features numerous hit singles by the band, including "Dammit", "What's My Age Again?", "All the Small Things", "The ...
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Blink-182
Blink-182 (stylized as blink-182) is an American Rock music, rock band formed in Poway, California in 1992. Their current lineup consists of bassist/vocalist Mark Hoppus, guitarist/vocalist Tom DeLonge, and drummer Travis Barker. Though their sound has diversified throughout their career, their musical style, described as pop-punk, blends catchy pop music, pop melodies with fast-paced punk rock. Their lyrics center on relationships, adolescent frustration, and maturity—or lack thereof. The group emerged from a suburban, Punk rock in California, Southern California skate-punk scene and gained notoriety for high-energy live shows and irreverent humor. After years of independent recording and touring, including stints on the Warped Tour, the group signed to MCA Records. Their biggest albums, ''Enema of the State'' (1999) and ''Take Off Your Pants and Jacket'' (2001), saw international success. Songs like "All the Small Things", "Dammit (Growing Up), Dammit", "I Miss You (Blink- ...
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Mark Hoppus
Mark Allan Hoppus (born March 15, 1972) is an American musician, songwriter and record producer best known as the bassist and co-lead vocalist for the rock band Blink-182, being the only constant member and the only one to appear on every album. He is also part of pop rock duo Simple Creatures with All Time Low frontman Alex Gaskarth. Hoppus became interested in skateboarding and punk rock in junior high, and received a bass guitar from his father at the age of 15. After he moved to San Diego in 1992 to attend California State University San Marcos, his sister introduced him to Tom DeLonge, and they formed the band Blink-182 with drummer Scott Raynor. The band produced several rock recordings and toured exhaustively before signing to major label MCA to co-distribute their sophomore effort, 1997's '' Dude Ranch'', which featured the Hoppus-penned hit "Dammit". After replacing Raynor with Travis Barker, Blink-182 recorded ''Enema of the State'' (1999), which launched them to mu ...
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Dick Lips
"Dick Lips" is a song by American rock band Blink-182, released on February 28, 1998 as the third single from the group's second studio album, ''Dude Ranch'' (1997). The song was released by Grilled Cheese, a subsidiary label of Cargo Music. It was the band's final single with Cargo; "Josie" was distributed jointly through MCA before they left the label by the end of the year. Background "Dick Lips" was written about an experience in Tom DeLonge's high school years, in which he got kicked out of Poway High School during his junior year (1991) after being caught inebriated at a school basketball game. He then attended Rancho Bernardo High School for the remainder of his high school years. "Being kicked out of school was bad, but it was also the best thing in my life. Because none of us would be here today," DeLonge said in 2001. "Blink-182 is one million percent around today because I got kicked out of school.”Hoppus, 2001. p. 9 The title has no real significance; it was an insu ...
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Apple Shampoo
"Apple Shampoo" is a song by American rock band Blink-182, released on April 14, 1997, in Australia as the first single from the group's second studio album, ''Dude Ranch'' (1997). The song was released as a single in Australia only, through an exclusive license with Mushroom Records imprint label Rapido. Background The song, which regards a failing relationship, was inspired by the end of Mark Hoppus' relationship with Elyse Rogers of the ska punk band Dance Hall Crashers, with whom Blink toured in 1996.Shooman, 2010. p. 45 The song's title came from Rogers' favorite type of shampoo. Hoppus said, " ogersalways smelt like apple shampoo and that's why I named it 'Apple Shampoo' eause it's about her. It would've been really bad form to name the song 'Elyse from Dance Hall Crashers'." Composition The song is composed in the key of C major and is set in time signature of common time with a fast tempo of 216 beats per minute. Hoppus's vocal range spans from G4 to A5. Release "Apple S ...
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Scott Raynor
Scott William Raynor, Jr. (born May 23, 1978) is an American musician, best known as the original drummer of the rock band Blink-182. Born in Poway, California, Raynor first approached the drums in his preteens as a fan of Metallica. He joined Blink-182 at 14 years old and continued with the band; by the time he was 19, the group had accumulated a large fan base and a gold record, '' Dude Ranch''. His heavy use of alcohol caused tension in the trio, leading to a fight that in turn led to his firing from the band midway through a 1998 tour and subsequent replacement by Travis Barker. Since his booting from the group, Raynor has performed with a wide variety of groups and contributed to the charity StandUp for Kids. Life and career Raynor began playing drums at a young age, forming a group with friend Ryan Kennedy at age 11 to perform at a school competition – "a kind of 'show and tell' thing," Raynor later recalled. The duo were initially inspired by Metallica, but found the ...
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Beats Per Minute
Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (crime), a criminal offense involving unlawful physical contact * Assault, inflicting physical harm or unwanted physical contact * Corporal punishment, punishment intended to cause physical pain * Strike (attack), repeatedly and violently striking a person or object * Victory, success achieved in personal combat, military operations or in any competition People * Beat (name), a German male given name * Jackie Beat, drag persona of Kent Fuher (born 1963) * Aone Beats (born 1984) Nigerian record producer * Billy Beats (1871-1936) British footballer * Cohen Beats (Michael Cohen, born 1986), Israeli record producer * Eno Beats (Enock Kisakye, born 1991), Ugandan record producer * Laxio Beats (Bernard Antwi-Darko, born 1987), Ghanaian recor ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ...
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